Someone needs to recreate MJ's voice and replace the Pharrell vocals with it.
"Contact" played over the end segment of 2001: A Space Odyssey.
http://www.youtube.com/watch?v=FbCTG0-PkRA&feature=youtu.be
Fucking amazing!
It's not like the use of live instruments in dance music has ever gone away, I mean DFA has been around for over a decade now. Nu Disco has been a thing at least since I started following dance music... So five or so years? And soft rock has had a mini revival through acts like Destroyer, Arial Pink and even Bon Iver. I don't see how it's unique or brave unless all you pay attention to is the top 40 and what they play in shit clubs.
... this was released before the stream Did it just incorporate the leak and create its own song with it?
That guy singing was in a De Palma film called Phantom of the Paradise (a modern take on POTO) which inspired DP to write that song that way I believe.This album is really growing on me now that i've listened to it a lot more.
However I cannot stand Touch, why the hell does it have to sound like Phantom of the Opera at the beginning?
Apparently this is the source:
http://www.youtube.com/watch?v=Jw9t_Cj8AbQ
According to a post on Reddit, someone did this cover just hours after the leak. Very impressive.
That guy singing was in a De Palma film called Phantom of the Paradise (a modern take on POTO) which inspired DP to write that song that way I believe.
Yeah, the vocal sections from Paul Williams are terrible. I like when it gets going with the piano and the horns and everything, it's kinda fun, but then it sounds like a stage play in parts like you said. Weird stuff.This album is really growing on me now that i've listened to it a lot more.
However I cannot stand Touch, why the hell does it have to sound like Phantom of the Opera at the beginning?
Not enough love for Doin' It Right. I do feel it's a bit out of place, but nonetheless, this will be my summer jam. Can't wait for the remixes.
"the most intensely human music that could be imagined right now. "
It's like these people don't listen to anything but dance music or something. That people are so sheltered from modern music is ridiculous. People are falling over themselves to come up with hyperboles for this album and most of them involve some bullshit implying that modern music is bad. It's bad if you're looking in the wrong places.
Was there ever any doubt? It's pharrell.I was watching the Pharrell Nardwuar interview and realized he's a cool ass dude.
http://www.youtube.com/watch?v=QJBlcM-uwIc
http://www.youtube.com/watch?v=vrrGEgvasbo
Disregarding the intro makes it x100 better. I usually skip the intro.This album is really growing on me now that i've listened to it a lot more.
However I cannot stand Touch, why the hell does it have to sound like Phantom of the Opera at the beginning?
That guy singing was in a De Palma film called Phantom of the Paradise (a modern take on POTO) which inspired DP to write that song that way I believe.
Someone needs to recreate MJ's voice and replace the Pharrell vocals with it.
That guy singing was in a De Palma film called Phantom of the Paradise (a modern take on POTO) which inspired DP to write that song that way I believe.
According to a Guardian interview with Daft Punk, "Hundreds of bands may tout cinematic references, yet few have them as hard-wired as Daft Punk. Guy-Man and Thomas met two decades ago this year, at the perfect cinema-going ages of 13 and 12... the one movie which they saw together more than 20 times was Phantom of the Paradise, Brian De Palma's 1974 rock musical, based loosely around Phantom of the Opera (both this and Electroma feature 'a hero with a black leather outfit and a helmet')."[10]
According to the Dynamic Range Database, vinyl is looking great, but the CD is not.
I'm sure it will sound great regardless. You can tell even from the stream that the mastering has been done very well.
If anything Touch could use MORE Paul Williams. His parts are great.Yeah, the vocal sections from Paul Williams are terrible. I like when it gets going with the piano and the horns and everything, it's kinda fun, but then it sounds like a stage play in parts like you said. Weird stuff.
I wish the album had way less vocals. I like Todd Edwards on Fragments of Time, but everyone else sounds bad.If anything Touch could use MORE Paul Williams. His parts are great.
I love dance music in general and the underground dance scene right now as much as the next guy, but if anyone doesn't think Daft Punk are spot on in saying the genre is borderline homogenized now, I really don't get that. It's not a bad thing (and they never said it was), but EDM is definitely in a play it safe place right now, and I LOVE that they didn't just follow along and instead challenged themselves to something beyond that.
I love dance music in general and the underground dance scene right now as much as the next guy, but if anyone doesn't think Daft Punk are spot on in saying the genre is borderline homogenized now, I really don't get that. It's not a bad thing (and they never said it was), but EDM is definitely in a play it safe place right now, and I LOVE that they didn't just follow along and instead challenged themselves to something beyond that.
Calm down pitchfork, no one said every single act is playing it safe and Daft Punk are the only one's branching out. But a large portion of the artists in the genre are, for sure.The entire genre of dance music is in play it safe mode? Or just pop music? Because there aren't enough laughs in the world if it's the first, and if it's the second, well pop music is always in play it safe mode so they're saying nothing new at all.
Yea, exactly. The mainstream EDM is definitely guilty of the homogenized sound, cause it sells and sells big right now. But hell, even some of the smaller acts aren't even branching out as much as some say they are, and frankly it's due to their lack of talent as musicians. They're incredible producers; not so much composers.True, it truly feels like it's all in auto-pilot. A lot of current pop hits have electronic beats and they sound more or less the same. Like Daft Punk said, since many people are using mainly computers, they aren't creating their own custom kits and sound. They end up using the same kits and their music ends up sounding similar due to this. This doesn't mean there aren't unique acts out there, but when it comes to mainstream music, it all sounds quite similar.
Calm down pitchfork, no one said every single act is playing it safe and Daft Punk are the only one's branching out. But a large portion of the artists in the genre are, for sure.
Yea, exactly. The mainstream EDM is definitely guilty of the homogenized sound, cause it sells and sells big right now. But hell, even some of the smaller acts aren't even branching out as much as some say they are, and frankly it's due to their lack of talent as musicians. They're incredible producers; not so much composers.
Radio edit is actual piss in comparison to the fll album version. Album version is amazing.
I bet I wouldn't even notice a single difference.
edit: Just checked out one of the vinyl tracks out of sheer curiosity. I stand corrected. The volume in the rip is weighted towards the right side for some reason. :lol Whatever.
This poster is gorgeous: