So do I. Any system this gen seemed perfect for one.
Not to mention that FFCC's soundtrack is rather underrated.
Kaze no ne - I like the instrumentation more than vocals, but the vocals are incredibly reminiscent of many of the Final Fantasy vocal arrange albums (and
I can't tell you how much I miss those). Yae's airy vocals are very fitting for a vocal theme in FF, and it sets her apart from the pop/drama song stylings of the popular singers in other Final Fantasy games. Honestly, I prefer these. It would have been incredibly lovely if she sang in Portuguese or Spanish as a
deliberate callback to the older Final Fantasy vocal albums, but I guess this'll do.
Honestly, I'm thinking of it in a Genso Suikoden context again because the
bulk of the vocal songs in that series are in various Romance languages (though oddly not in French; that series seems to be washed in Italian but French seems to be the best thing to use for the series since the Narcy characters are very French (well, the first one was anyway)). ...where was I... oh.
Eternal Oath develops from quiet ambient tones to inserting more woodwind and percussion instruments throughout its development. And it was the only track Tanioka didn't compose on the album. It always seems to move from one thing to another without looping over and over, but it adds something new throughout the album track.
I dig
Annual Festival a lot, but that's because I love folksy stuff like this. Kazoos are always fun when used well or when used in moderation, but the flute melody is very fun and whimsical. It's actually a surprisingly cute track on the soundtrack overall, imo.
Sad Monster gives me some bagpipes, a bass drum, and an organ somewhere in there. It's certainly an interesting combination for a final boss theme, but I think it works primarily because: a) it fits in with the rest of the instrumentation on the soundtrack, b) you don't hear these instruments every day in a final boss theme (well, the bagpipes mostly), c) the organ builds up to something neat.
Unite, Descent is more traditional in terms of final boss music progression (percussion -> flute -> synth brass -> build up -> bells -> sleigh bells -> choral -> choral/synth string -> tubular bell playing Kaze no ne). Percussion truly drives the theme and makes it thrive, but I feel like I like Sad Monster better.
There's a lot more, but off the top of my head, I think those are my favourites. I wanted to find the most Genso Suikoden-esque soundtrack in Final Fantasy, FFCC's might be it.