We won’t get to hear it until early next year but Kimbra’s new album is shaping up to be one of the most eclectic and interesting releases of 2014. The very impressive list of musicians Kimbra has recruited to collaborate on the record includes pop iconoclasts (Daniel Johns, Dirty Projectors’ Dave Longstreth, Unknown Mortal Orchestra’s Ruban Neilson); abstract beat wizards (Flying Lotus, Thundercat); progressive rock heroes (Mars Volta’s Omar Rodriguez-Lopez and Deantoni Parkes, members of Dillinger Escape Plan and Queens of the Stone Age); seductive soul singers (Bilal, John Legend); and the undefinable and legendary composer Van Dyke Parks. And just because that’s not quite enough musical prowess to feature on one album, Prince’s New Power Generation keyboardist Morris Hayes and John Robinson – the legendary session player known as the most recorded drummer in history – were also invited to drop by the studio.
I’ve always felt like the music I write definitely has catchy elements and a pop nature to it because I love timeless music that has a strong melodic content. But a lot of my time is spent listening to pretty experimental music and, I guess, progressive rock. My band comes from that background of a really interesting, more boundary pushing approach to music. Interesting time signatures, more experimental approach on it and so we always like to think that the music that we make live and also what I make on records is, I guess, a different way of approaching pop music. Prog-pop sounds kind of fun, right? I hate to put labels on music but it’s kind of the closest thing I could think of to explain what direction the record is moving in.
You create very intimate moments with people and so it becomes very difficult to decide which are the 12 or so songs that are going to give that snapshot of everything I’ve explored this year. Working with Ben and Omar – and Michael Shuman from Queens of The Stone Age – there’s this aggression that people have contributed. Not “rock” but progressive and definitely heavier as artists. And then there’s artists I’ve worked with who are far more on the R&B side of things. Bilal is my favourite soul singer – a few years ago I was obsessed with his album. And then people like Dave Longstreth and that more melodic side and the Van Dyke stuff, which is kind of opposed to the stuff that I’d do with the heavier artists