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Game of Thrones *NO BOOK SPOILERS* |OT| Season 5 - Sundays on HBO [Read the OP]

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EatChildren

Currently polling second in Australia's federal election (first in the Gold Coast), this feral may one day be your Bogan King.
Dog scene with Yara trying to get back Theon would like to speak with you.


But yeah... those are both incredibly fucking low points in the series.

Oh fuck I forgot about that. A serious contender.

But yeah, holy shit, it's so bad. Everything about it. Not just the fight choreography, but the confrontation itself, the convenience of every party involved. It's so, so bad.
 

wiibomb

Member
wasn't Littlefinger just lying to Cercei? because, you know.. she's mad as fuck and wants to kill every single person on westeros?

littlefinger wants to user her, that's for sure, otherwise there couldn't be a reason why he got of his way to take care of sansa.. favoring the boltons doesn't make much sense to me..
 
wasn't Littlefinger just lying to Cercei? because, you know.. she's mad as fuck and wants to kill every single person on westeros?

littlefinger wants to user her, that's for sure, otherwise there couldn't be a reason why he got of his way to take care of sansa.. favoring the boltons doesn't make much sense to me..

Yes he is lying to her.

He fucking orchestrated the killing of her son and set Sansa up in Winterfell, she's being played hard.
 

Nameless

Member
Honestly, a lot of the reactions to this episode come off as a bit childish. This always seems to happen whenever the show defies expectations or brutally cuts a quick left. Screaming "bad writing" because you don't like the direction is especially lazy, and I've yet to read a good argument for that being the case. If anything, Sansa magically gaining the ability to seduce & control the violent manipulative psychopath despite a complete lack of experience, sexual or otherwise, just because her character's trajectory had been trending upwards would've been a far greater example of shitty and contrived writing.

Margaery was 100x more capable & experienced than Sansa, yet she wasn't able to fully reign in and control Joffrey, who wasn't remotely as monstrous as Ramsay. I've asked this question several times and haven't gotten a response: Realistically, what else could have happened?

To me this actually reinforces the Stark motif of naively entering the belly of the beast expecting things to work out perfectly , when in reality, they were never going to. Ned did it when he stood up in the Sept of Baelor and confessed crimes he didn't commit to his bitter enemies. Robb did it by completely dropping his guard and dealing with the wretched, famously untrustworthy House he had previously betrayed, assuming they'd honor their oath. Now Sansa, armed with a new found confidence, further boosted by Littlefinger, agrees to marry Ramsay thinking she could maneuver around these monsters who murdered her family unscathed. In each of these scenarios the writers rely heavily on the hopes, assumptions, and expectations of the characters and audience alike to cloud the fact that shit going to utter shit was inevitable.

With that said it's far too early to assume this represents Sansa falling back into the same ole victim role we've seen her in. This is nothing like being in King's Landing with Joffey and the Lannisters. Not only is she home, but these people are much much worse. There's also a very clear end in sight with both Stannis and Baelish planning to attack Winterfell. My guess is this will not erase the growth and progress we've seen from her character, but reaffirm it. She won't devolve back into the depressed little girl, helpless to do anything. Instead we will see her fight to survive, and maybe even help dole out some comeuppance.
 
And, she was probably 15 when shooting that scene. Double watch list.

Well hold up, though. In my state, that's legal. In other words, you can have sex with her and be legally okay, but if you film it you go to prison for 5 years. What a world.

RIP Bronn. Slapped the crown prince and sliced by a poison blade.

People talking about horrible stuff this season, you know what the hackiest thing I've seen yet in this show? It was during the Sandsnake introduction, when Oberyn's widow says "are you in?" and that one girl does the corniest, lamest, most hamfisted monologue about what Oberyn told her when she was a girl. "sigh, YES OR NO." With the lame spear throw at the end. That was pure hack writing/acting. Can't blame the acting, though, when the writing/direction is clearly to blame.

Sansa getting brutally deflowered in what could be considered tantamount to rape by modern values was rough, but definitely hammers home the stakes of the game she's been playing. She knew she would have to have sex with her husband, but she never could have imagined Ramsey was some twisted bastard and not some gentile (gentle, but he's also not Jewish lol) lord.
 

Kimaka

Member
It seems like they saw Oberyn's immense popularity as S4 was airing and hastily threw together the Dorne plotline.

It comes across as a show invention.

Yeah, I'm not seeing the point Jaime going to Dorne. Doran's men subdued both him and the Sand Snakes pretty quickly and Doran seems like the type that would talk it out to figure out why they are there to prevent the war that the Sand Snakes and Jaime were heading towards. It would have been more interesting if Jamie stayed in King's Landing and tried to deal with the impact of Tywin's death rather than giving into Cersei's demands. I wanted to see him grow a spine and try to make things better in King's Landing by butting heads with Cersei, but he crumpled immediately.
 

Curufinwe

Member
I hope Theon kills Ramsay, I really, really do.

I hope it's similar to the way Jon killed Karl.

jon-snow-sword-swallower.jpg
 

Griss

Member
It's a shame that all the rape talk has obscured what I thought was one of the most interesting and important conversations of the season so far: Where Tyrion tries to discover why Jorah is so devoted to Dany.

It's important because it shows that the show is entirely aware of what most people's position on Dany is - She's not the rightful heir to anything but the Targaryen house (and thus her sense of entitlement is offputting), she's not guaranteed to be any kind of decent ruler (and unlike Tyrion, we know she struggles with that), Westeros may completely reject her and hates Targaryens, and the idea of being ruled over under the terror of having your land scortched by dragons isn't exactly a happy ending for Westeros etc. So hearing a character bring that correct level of scepticism to Dany's story was great and reassures me that what's happening in Dany's storyline isn't just tone deaf, but is being executed according to plan.

Bringing me to the second part of the conversation, which was equally as important - when Jorah asks 'Do you think there's some grand plan for this world?' - again this the question all the people watching the show are wondering having seen so much mindless violence. Now, it's obvious that the show itself has led us to believe that no, there is no plan - the world is harsh and deals out rough judgment in random ways dependent on the whims of often cruel men. But Jorah makes a decent argument against that. There's magic in this world. The gods are clearly real, and act to affect the world. Dragons exist. Dany survived fire. Melisandre can see visions and birth shadow creatures. White walkers move south. Bran can warg, and so on. So it's absolutely possible that the gods, who are clearly involved in this world, have in fact chosen their fated warriors and are lining them up, and this will have a standard fantasy ending of some description, and we're just getting there in a particularly grim way. It is actually possible. Feels unlikely, but possible. And I thought that that viewpoint was welcome after all the random bullshit and disparate storylines we've been subjected to this season. Maybe there's a plan. Maybe things will start coming together again. Maybe it's all worth it.

It also stressed that Jorah isn't some random lonely guy putting a pretty girl on a pedestal - he's a brilliant warrior with genuine, visual evidence and personal experience to lead him to believe that Dany is in fact some kind of magical 'chosen one'. Devoting himself to her cause in that circumstance is actually reasonable or rational. (Yes, the falling in love was unfortunate.)

Whatever about the rubbish Dorne story, it's more interesting that I don't share the same enthusiasm for the Arya storyline as other people do in this thread. The scenes themselves are good, but what is the point of all of this? Why are we following one little girl get trained? This has no bearing whatsoever on the politics of Westeros, and teaches us nothing about that land, or anything really other than Arya herself. It feels like if she wasn't a Stark there's no way we'd have this time devoted to her. In past seasons she was used as the 'war child' who showed how badly politics amd war had affected her family and the kingdom and torn them both apart. Now I'm not sure what the point of her is, but it makes for pretty dull viewing at the moment. Feels like the endgame is just that she's going to kill someone important. Well, hurray. We don't need all this to show that.

And the fact that they're still obsessively following the movements of all the Starks, even those like Arya who are 'out of the game' leads me to believe that the Starks will have some kind of comeback. If not, all this time spent on Arya and Sansa really will have felt like a massive waste of time.

Entire sandsnakes sequence with Bronn and Jamie could be the worst in the entire series so far. It's so unbelievably half arsed and weak.

It would stand out more in past seasons, but the general 'weakness' of this one makes it seem more at home. It really is shockingly bad.

The King's Landing scenes, in particular, have dropped in quality to a tremendous extent. The Queen's brother is on trial and it looks like it takes place in pantry somewhere, for fuck's sake.

I've asked this question several times and haven't gotten a response: Realistically, what else could have happened?

Here's a response, the obvious response, and what people assumed would happen until the twist answer to 'Where is Littlefinger taking Sansa":
She could have stayed with Littlefinger or in the Eerie, learning more how to play the game and remaining a powerful pawn for Littlefinger to control. Even now, sending her to possibly get pregnant with Ramsay's son makes little sense unless LF is convinced the Boltons might win and wants to be on their good side. All people are asking, though, is that she not be sent back into a situation where she's a victim or hostage again, and despite her being 'at home' she undoubtedly is until the moment she gets away from her rapist husband. We've seen this fucking story before, you know? It was past time to move the character beyond this. The same applies to the Stark call backs. Yes, I get it, I just don't find that constant beating of the 'torture the Starks for their honour and naiveté' drum very engaging any more.
 
To me this actually reinforces the Stark motif of naively entering the belly of the beast expecting things to work out perfectly

Yup, for most of the Starks this is a constant theme.

Ned: "The true king is Stanis, hey everyone lets overthrow this brat born of incest!" Dead

Robb: "I'm going to honor my father and declare war on the South. Sure I fucked over some insane dude who fucks his daughters, but he'll be understanding when I come over and flaunt my new hot wife and ask to pass through his lands!" Dead

Sansa: "I'm going to avenge my family somehow and do what this creepy Little Finger says and go back to Winterfell and be married off to the family who betrayed my family, I'm sure Little Finger will come back!" Being tortured

Aria: Exception to rule, she was taught well by The Hound to survive.

Jon: "I'm going to let this dude free and ride to the main city where all the Wildlings live. I'll be completely outnumbered, I'm the Lord Commander of the Knights Watch, but I'm sure they will be reasonable and come with me on these boats that are being leant to us and go exactly where I want them to go. I completely trust these people because I'm being honest!" Fate Pending
 

Vashetti

Banned
The King's Landing scenes, in particular, have dropped in quality to a tremendous extent. The Queen's brother is on trial and it looks like it takes place in pantry somewhere, for fuck's sake.

Reminder that we are now 6 episodes into the season and we haven't seen the throne nor the throneroom once.

Which is commentary to me that the throne and who's King/Queen is no longer important for the place the show is at currently.
 

Venture

Member
I'm feeling much better about Arya after this episode. It seems like all that talk about becoming no one wasn't about losing her identity but about being able to hide it from anyone. He's trying to teach her to be a perfect liar and actor. That's how I took it anyway.

Also, was anyone else feeling scared for Olenna this episode? I had this horrible feeling Cersei was going to reach across the table and strangle her or something.
 
I expected Theon to do something... well it sure seems that he didn't like what he saw, hopefully he will do something in the next episodes...

And i hope Bronn didn't get poisoned :mad:
 

jtb

Banned
I doubt anyone here think that raping is right.

It simply is what it is in the GoT universe, and some people seems to able to tell the difference between that and the real world, and some don't.

Good art has implicative power. Pornography says "don't worry, this isn't real!" to distinctly absolve the audience from responsibility and allows us to enjoy the exploitation guilt-free. I love porn. I don't think any of the writers on this show would take too kindly to that classification, however.
 
Curious who they have planned for Arya to changes faces with.

Hopefully someone who can act.

Would hate for them to just pick a random child actor to be the main "faceless" face.

Unless they are going to do the thing where you see Aria, but on a reverse shot from someone elses PoV you see a completely different person.
 

dLMN8R

Member
I agree, and that's why the raping scene of Sansa (or Daenerys, or Cersei) is not there for our enjoyment, unlike the very purpose of porn.

I just think it's fucking lazy. It's a stupid, boring, lazy trope to show women being raped, especially when in two of those three cases the people they're being raped by are people who they actually love or end up loving.

There are a billion more interesting things they could do instead. But instead it's yet another women people raped once again.


If it was really such an interesting storytelling device, you'd see men being raped too. But you're not. Because the writers aren't using rape in a novel or interesting way, they're using it because women being raped is a predictable, boring trope that they fall into due to how common a plot device it is, rather than because it's truly worth using.
 
I just think it's fucking lazy. It's a stupid, boring, lazy trope to show women being raped, especially when in two of those three cases the people they're being raped by are people who they actually love or end up loving.

There are a billion more interesting things they could do instead. But instead it's yet another women people raped once again.


If it was really such an interesting storytelling device, you'd see men being raped too. But you're not. Because the writers aren't using rape in a novel or interesting way, they're using it because women being raped is a predictable, boring trope that they fall into due to how common a plot device it is, rather than because it's truly worth using.

no they are using it in a way that fits with the world and fits with the event that just transpired as well as the character who is doing it.
 

dLMN8R

Member
no they are using it in a way that fits with the world and fits with the event that just transpired as well as the character who is doing it.

Game of Thrones is an amazing show (or was) because of how it always subverts expectations and builds an interesting world that's so different from other medieval fantasy worlds.

So when it plays into what "fits the world" in such a blatant, lazy way, I'm allowed to be disappointed in it and call it out.
 
Curious who they have planned for Arya to changes faces with.

Probably the sick child she killed/gave the water to. I doubt Arya can take the form of a fully grown face/adult, not sure how it works but I doubt they could change their whole body structure.

The King's Landing scenes, in particular, have dropped in quality to a tremendous extent. The Queen's brother is on trial and it looks like it takes place in pantry somewhere, for fuck's sake.

Reminder that we are now 6 episodes into the season and we haven't seen the throne nor the throneroom once.

Which is commentary to me that the throne and who's King/Queen is no longer important for the place the show is at currently.

The part with the trial was a perfect representation of the religion, their way of life etc. It even zoomed in on the Sparrows bare feet. It has nothing to do with the lack of quality because there has been plenty in other parts of the story.
 

Griss

Member
I'm feeling much better about Arya after this episode. It seems like all that talk about becoming no one wasn't about losing her identity but about being able to hide it from anyone. He's trying to teach her to be a perfect liar and actor. That's how I took it anyway.

Also, was anyone else feeling scared for Olenna this episode? I had this horrible feeling Cersei was going to reach across the table and strangle her or something.

Really? She's being brainwashed and molded into a killer by an evil cult of assassins. We see her get lied to one time and she buys it completely, then the next guy through the door says 'Oh I tried everything, but my kid is super sick so please kill her' and Arya's reaction is 'Hmmm I've been fooled before' but instead 'Let's git to killin' some kids!' Come on, Arya. Dude could have poisoned that girl yesterday for all the questions she asks. It's not acceptable.

She is in the presence of deeply vile and nihilistic people and she's becoming like that herself. Seeing death as the answer to almost everything. Soon she will be very hard to support, I feel. Soon enough Arya herself will be dead, and the blank little assassin will remain. I'm worried for her, big time.
 

rjc571

Banned
Game of Thrones is an amazing show (or was) because of how it always subverts expectations and builds an interesting world that's so different from other medieval fantasy worlds.

So when it plays into what "fits the world" in such a blatant, lazy way, I'm allowed to be disappointed in it and call it out.

So in order to be a good show, it needs to do something surprising or unexpected at every possible turn?
 
Game of Thrones is an amazing show (or was) because of how it always subverts expectations and builds an interesting world that's so different from other medieval fantasy worlds.

So when it plays into what "fits the world" in such a blatant, lazy way, I'm allowed to be disappointed in it and call it out.

Game of Thrones is amazing because it usually plays stuff like this straight and subverts literature tropes.

Ned is the main character, he is taking away his pride and accepting a punishment for a crime he never committed, can't wait for father and son to be at the wall toge, oh wait he just got his head lobbed off.

You know what would have been a trope? Right when Ramsey is about to rape Sansa he finally snaps and does something heroic after at least a year of constant abuse and mental and physical domination. Yay, Theon saved the day, no rape tonight to our main character.

It's going to take time for Theon to wake up and step up to the plate for his sister, and even then I'm only assuming he is going to snap because of my assumptions that he is internalizing his torture as a personal hell he deserves.

Really, Game of Thrones isn't really that different from other worlds. The only difference is bad people get away with shit on a constant basis and honor is the #1 killer of main characters.
 
Really? She's being brainwashed and molded into a killer by an evil cult of assassins. We see her get lied to one time and she buys it completely, then the next guy through the door says 'Oh I tried everything, but my kid is super sick so please kill her' and Arya's reaction is 'Hmmm I've been fooled before' but instead 'Let's git to killin' some kids!' Come on, Arya. Dude could have poisoned that girl yesterday for all the questions she asks. It's not acceptable.

She is in the presence of deeply vile and nihilistic people and she's becoming like that herself. Seeing death as the answer to almost everything. Soon she will be very hard to support, I feel. Soon enough Arya herself will be dead, and the blank little assassin will remain. I'm worried for her, big time.

How do we know these people are vile and evil?

They are assassins yes. But beyond the 3 killings ordered by Arya in earlier seasons, what have they done?

I think the whole " no one " thing is the only way for the person becoming someone else is actually able to BECOME someone else. They forget about their other person, which allows them to fully incorporate this new person with no hint of the old person showing through at a vital time.

I was expecting to see a famous face in the crowd somewhere personally.
 

dLMN8R

Member
So in order to be a good show, it needs to do something surprising or unexpected at every possible turn?

No, but it also shouldn't do the most predictable, boring, and lazy thing possible to do when it comes to trying to show a women as being in a bad situation.
 
Really? She's being brainwashed and molded into a killer by an evil cult of assassins. We see her get lied to one time and she buys it completely, then the next guy through the door says 'Oh I tried everything, but my kid is super sick so please kill her' and Arya's reaction is 'Hmmm I've been fooled before' but instead 'Let's git to killin' some kids!' Come on, Arya. Dude could have poisoned that girl yesterday for all the questions she asks. It's not acceptable.

She is in the presence of deeply vile and nihilistic people and she's becoming like that herself. Seeing death as the answer to almost everything. Soon she will be very hard to support, I feel. Soon enough Arya herself will be dead, and the blank little assassin will remain. I'm worried for her, big time.

Seems to me the cult is True Neutral incarnated.
 

Curufinwe

Member
Honestly, a lot of the reactions to this episode come off as a bit childish. This always seems to happen whenever the show defies expectations or brutally cuts a quick left. Screaming "bad writing" because you don't like the direction is especially lazy, and I've yet to read a good argument for that being the case. If anything, Sansa magically gaining the ability to seduce & control the violent manipulative psychopath despite a complete lack of experience, sexual or otherwise, just because her character's trajectory had been trending upwards would've been a far greater example of shitty and contrived writing.

Margaery was 100x more capable & experienced than Sansa, yet she wasn't able to fully reign in and control Joffrey, who wasn't remotely as monstrous as Ramsay. I've asked this question several times and haven't gotten a response: Realistically, what else could have happened?

To me this actually reinforces the Stark motif of naively entering the belly of the beast expecting things to work out perfectly , when in reality, they were never going to. Ned did it when he stood up in the Sept of Baelor and confessed crimes he didn't commit to his bitter enemies. Robb did it by completely dropping his guard and dealing with the wretched, famously untrustworthy House he had previously betrayed, assuming they'd honor their oath. Now Sansa, armed with a new found confidence, further boosted by Littlefinger, agrees to marry Ramsay thinking she could maneuver around these monsters who murdered her family unscathed. In each of these scenarios the writers rely heavily on the hopes, assumptions, and expectations of the characters and audience alike to cloud the fact that shit going to utter shit was inevitable.

With that said it's far too early to assume this represents Sansa falling back into the same ole victim role we've seen her in. This is nothing like being in King's Landing with Joffey and the Lannisters. Not only is she home, but these people are much much worse. There's also a very clear end in sight with both Stannis and Baelish planning to attack Winterfell. My guess is this will not erase the growth and progress we've seen from her character, but reaffirm it. She won't devolve back into the depressed little girl, helpless to do anything. Instead we will see her fight to survive, and maybe even help dole out some comeuppance.

Great post.
 
Really? She's being brainwashed and molded into a killer by an evil cult of assassins. We see her get lied to one time and she buys it completely, then the next guy through the door says 'Oh I tried everything, but my kid is super sick so please kill her' and Arya's reaction is 'Hmmm I've been fooled before' but instead 'Let's git to killin' some kids!' Come on, Arya. Dude could have poisoned that girl yesterday for all the questions she asks. It's not acceptable.

She is in the presence of deeply vile and nihilistic people and she's becoming like that herself. Seeing death as the answer to almost everything. Soon she will be very hard to support, I feel. Soon enough Arya herself will be dead, and the blank little assassin will remain. I'm worried for her, big time.

What show are you watching? Provide examples that she's being brainwashed, more so against her own will. She's there because she wants to be, no one is forcing her to stay, no one forced her to even go there. It's what she wants. Not a single person forced her to poison the little girl, but she did it.

Not to mention Arya has been getting progressively darker on her own, well before all of this.

Also, provide how evil these people are. Show examples because from the way I saw it yesterday was that they eased a girls suffering. Previously, spare 3 lives, take 3. It's just the way it is, maybe not for us, but for them. They don't see it as evil.
 

Ferrio

Banned
Might be hope for Theon yet now that we know Cock Merchants exist.

All the poisons we've seen so far are very effective and kill very quick (Ser Amory Lorch, Maester Cressen, Joffrey, etc). I doubt Bronn has much time left.

Do we know what kind of poison Oberyn used on his spear against The Mountain? It must be the same poison Obara used.

Not the same. Stuff used on Joff causes you to choke, the stuff on the mountain was some vile vile shit used to cause a lot of suffering.
 

Curufinwe

Member
No, but it also shouldn't do the most predictable, boring, and lazy thing possible to do when it comes to trying to show a women as being in a bad situation.

The most predictable thing is a woman somehow getting saved by the intervention of a man at the last minute, like what happened to Brienne with Locke's guys, and Sansa when the Hound saved her from the mob, and with Meera Reed and Karl.
 

Venture

Member
Really? She's being brainwashed and molded into a killer by an evil cult of assassins. We see her get lied to one time and she buys it completely, then the next guy through the door says 'Oh I tried everything, but my kid is super sick so please kill her' and Arya's reaction is 'Hmmm I've been fooled before' but instead 'Let's git to killin' some kids!' Come on, Arya. Dude could have poisoned that girl yesterday for all the questions she asks. It's not acceptable.

She is in the presence of deeply vile and nihilistic people and she's becoming like that herself. Seeing death as the answer to almost everything. Soon she will be very hard to support, I feel. Soon enough Arya herself will be dead, and the blank little assassin will remain. I'm worried for her, big time.
Maybe I'm just searching for some bright spot in a very dark episode. I'll have to see how I feel after watching it again.

I just think it's fucking lazy. It's a stupid, boring, lazy trope to show women being raped, especially when in two of those three cases the people they're being raped by are people who they actually love or end up loving.

There are a billion more interesting things they could do instead. But instead it's yet another women people raped once again.


If it was really such an interesting storytelling device, you'd see men being raped too. But you're not. Because the writers aren't using rape in a novel or interesting way, they're using it because women being raped is a predictable, boring trope that they fall into due to how common a plot device it is, rather than because it's truly worth using.
Theon had a rape, or attempted rape, scene that was rather graphic and disturbing.
 
Game of Thrones is amazing because it usually plays stuff like this straight and subverts literature tropes.

Ned is the main character, he is taking away his pride and accepting a punishment for a crime he never committed, can't wait for father and son to be at the wall toge, oh wait he just got his head lobbed off.

You know what would have been a trope? Right when Ramsey is about to rape Sansa he finally snaps and does something heroic after at least a year of constant abuse and mental and physical domination. Yay, Theon saved the day, no rape tonight to our main character.

It's going to take time for Theon to wake up and step up to the plate for his sister, and even then I'm only assuming he is going to snap because of my assumptions that he is internalizing his torture as a personal hell he deserves.

Really, Game of Thrones isn't really that different from other worlds. The only difference is bad people get away with shit on a constant basis and honor is the #1 killer of main characters.

This and all of it. Westoros is not full of people who have the same morals as most people today. It is a product of their environment. Those who think Reek, because Theon ain't there, would have save the day? Lolz no. No way Ramsay doesn't consummate the marriage (in his twisted sick way). If he didn't, he doesn't become ruler of winterfell. There goes your reason for why this was written into the story. Bad things have been happening to good people at weddings all series long, why did we assumed this was gonna be any different. Like he was gonna turn heel. Cringeworthy scene, but it wasn't out of place.
 
Perhaps the sand snakes didn't even poison their weapons? They are pretty shit fighters after all, I wouldn't be surprised if they didnt poison their weapons, but at the same time it seems too obvious with the cut and the fact that Bronn never finished his song.
 

Ferrio

Banned
Perhaps the sand snakes didn't even poison their weapons? They are pretty shit fighters after all, I wouldn't be surprised if they didnt poison their weapons, but at the same time it seems too obvious with the cut and the fact that Bronn never finished his song.

Honestly I'll be disappointed if those weren't poisoned. If your name is the "Sand Snakes" and you fight like shit and don't even poison your weapons you should just give up that name.
 

Nibel

Member
Honestly, a lot of the reactions to this episode come off as a bit childish. This always seems to happen whenever the show defies expectations or brutally cuts a quick left. Screaming "bad writing" because you don't like the direction is especially lazy, and I've yet to read a good argument for that being the case. If anything, Sansa magically gaining the ability to seduce & control the violent manipulative psychopath despite a complete lack of experience, sexual or otherwise, just because her character's trajectory had been trending upwards would've been a far greater example of shitty and contrived writing.

Margaery was 100x more capable & experienced than Sansa, yet she wasn't able to fully reign in and control Joffrey, who wasn't remotely as monstrous as Ramsay. I've asked this question several times and haven't gotten a response: Realistically, what else could have happened?

To me this actually reinforces the Stark motif of naively entering the belly of the beast expecting things to work out perfectly , when in reality, they were never going to. Ned did it when he stood up in the Sept of Baelor and confessed crimes he didn't commit to his bitter enemies. Robb did it by completely dropping his guard and dealing with the wretched, famously untrustworthy House he had previously betrayed, assuming they'd honor their oath. Now Sansa, armed with a new found confidence, further boosted by Littlefinger, agrees to marry Ramsay thinking she could maneuver around these monsters who murdered her family unscathed. In each of these scenarios the writers rely heavily on the hopes, assumptions, and expectations of the characters and audience alike to cloud the fact that shit going to utter shit was inevitable.

With that said it's far too early to assume this represents Sansa falling back into the same ole victim role we've seen her in. This is nothing like being in King's Landing with Joffey and the Lannisters. Not only is she home, but these people are much much worse. There's also a very clear end in sight with both Stannis and Baelish planning to attack Winterfell. My guess is this will not erase the growth and progress we've seen from her character, but reaffirm it. She won't devolve back into the depressed little girl, helpless to do anything. Instead we will see her fight to survive, and maybe even help dole out some comeuppance.

Fantastic post; really making me think about this episode.

I think a lot of people are fed up with the constant 'winter is coming' and 'the north remembers' teasing since they make them expect that there'll be some kind of redemption.
 
Honestly I'll be disappointed if those weren't poisoned. If your name is the "Sand Snakes" and you fight like shit and don't even poison your weapons you should just give up that name.

Were they expecting to fight Jaime and Bronn though? I thought they were just going to steal away Myrcella. Maybe they thought it wasn't necessary for stealing a young girl.
 

cormack12

Gold Member
Just watched it. Before going into anything of interest, that scene with Jaime, Bronn and the Sand Snakes was atrocious. From choreography to costume. Absolutely god awful. It was like someone let the intern have a go at directing and composing the scene. You could actually see how slow and deliberate the strikes were. Horrendous.

Speaking of the Sand Snakes, all three easily held by a pretty decent sellsword and one handed knight past his prime who can barely fight? GRRM is fond of leaning back on the source material dictating what plays out. In no world, would that have played out from what we know and understand.

The Sansa debate is strong. Does no-one else think that she is actually in the safest place right now? LF can't keep her at the Vale - if she was there, he would need to give Cersei dominion to go and retrieve her. He obviously can't take her with him. The Boltons won't hurt her (despite her family being butchered by them), and taking into consideration the unpleasant husband. If Stannis comes down and wages war and wins - she will be reinstated as loyal to the one true king and be Wardeness of the North. If Stannis is defeated she will remain in Winterfell as Wardeness of the North. If this happens, LF will ride down the rest of the Boltons and become Warden of the North. You have to see past the person here and see the position. Sansa needs to keep her position and a result, her life as well. The importance of each is also in that order. If anything, the whole Ramsey scene is a watershed moment, her welfare and lifestyle is secondary (at the moment) to enduring and having a stake in the 'Game' itself.

The whole 'rape' debate is kind of incendiary. The rules of the world are already established long before this scene plays out. Wasn't it actually in episode #1 the scene between Dany and Drogo? It was the same kind of submission from Sansa. She basically just bent over and sunk onto the bed knowing what was going to happen, what 'had' to happen. It's hard not to let the knowledge of Ramsay's character cloud the scene itself, or making Reek watch. But it's an arranged marriage, the point of which is to produce an heir for Ramsey at the moment. Of course they were going to have sex - on their wedding night. How he has sex with his wife has no real bearing on the matter. Sansa knew by committing to marriage, she was giving away her virginity. The realisation that it wouldn't be in a meadow under stars with Lloras Tyrell is what hit her hardest. Harder than any thrust Ramsey Bolton could muster.

I don't know how true to the books this faith thing is, but it's really shit and boring. To be honest, it's completely out of left field as well. It just feels like it's completely out of context with the other four seasons.

Arya's storyline is dragging a bit now. That scene with the heads was a bit weird. Like Return to Oz or something. Shame we didn't see anything of Stannis or Jon but hey ho.

The Cersei, Olenna, Margaery scenes were quite good this week. Cersei still knows how to play the game and played it masterfully. Can't help feel though that she's due a comeuppance, it will be interesting to see if Tommen grows a pair at this point. He can't command they be released as 'The Faith' are not governed by sovereignty so war/battles will need to be had. I feel Olenna is going to have a big part these coming weeks.
 
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