Putting the show up against the NBA Finals was stupid. They need to move it up an hour earlier and try to avoid going up against a big sporting event like that.
Definitely need a .gif of Hannibal's reaction after being asked if it's that kind of party. Classic Hannibal reaction.
any one else have requests for gifs?
I need a gif of the new dude looking back and giving Hannibal sexy eyes after his lecture finishes.
Also a gif of 'is it that kind of party?'
edit: I see that one has already been made on the previous page XP
Can you gif the "once upon a time" moment when he's with Gideon? Those may not be his exact words but I really liked that.
That was fucking amazing!
Confused on the timeline, were the Florence shots all post last season and the shower scene before Florence?
But it was amazing nonetheless.
any one else have requests for gifs?
Keeping with tradition of nobody watching good shows, Hannibal bombed in ratings (far below the canceled Constantine) at 2.62 million which is a lot lower then season 2 received despite a bigger advertising push.
I can see this show being canceled after this season. For some reason the American audience simply won't watch this show. I know I can't get many of my own friends to even give it a try.
snip snip
That was fucking amazing!
Confused on the timeline, were the Florence shots all post last season and the shower scene before Florence?
But it was amazing nonetheless.
The show has always been bold enough to experiment, especially in terms of visuals/audio, but this felt on another level.
He definitely felt less likable, because we're seeing him as he truly is.
Hannibal is a monster--let's not forget this. Lecter murders people for being rude. That's insane.
I don't think it's necessarily a pure abduction, either--I think Bedelia is, like us, just now realizing the extent of Hannibal's animosity...but I think she was naturally curious, too. She just got in way over her head.
The "are you observing or participating" scene was uncomfortable because it was Hannibal as manipulative as he's ever been.
What I think is important in this episode in particular is that we are primarily viewing it through DuMaurier's lens. In killing her patient, she was presented with a choice regarding Hannibal, and she, much like Dante who is so frequently mentioned in this episode, embarked upon a journey which would lead her into the depths of hell and towards Lucifer himself. In the nine circles of hell, those who reside in the lower circles in Dis do so because they have actively sinned; DuMaurier considers herself only an observer, but she, in her initial desire to involve Hannibal, and most importantly in her unwillingness to begin to intervene herself and try to use her agency, is actively conspiring with Hannibal. Sure, she tries to remain conspicuous such that attention is drawn to her and she establishes a routine such that her absence will be noticed or so that she may face a miraculous intervention, but she's not making steps to prevent the wrongs from occurring herself.
She is, truly, in a torturous, hellish existence. She's living in a situation where she is completely isolated and looks at people with the terrifying expectation that their demise is inevitable, she spends every waking moment in a state of horror as she waits for the time that she is to be served (as we see in a moment of unbridled terror) because she knows, like Dr. Gideon, that it is Will Graham Hannibal wants for company and not her, she wishes to cling onto the belief that she has agency and can submerge herself to shield her from Hannibal's scheming and influence but realises it's fruitless, and worst of all she remains curious to see just what further horror awaits her and enthralled by Lucifer so that she is unable to act. Her existence is cruel, and her perception of Hannibal reflects this, particularly as Hannibal becomes increasingly self-indulgent and flaunts what lies below his increasingly shallower person-suit as he is uninterested in maintaining the appearances that he takes on. It isn't entirely an abduction, as she slowly tiptoes among the flames towards her eventual fate out of curiosity for what awaits, but in this state she is almost in a trance and unable to free herself and do anything but eek out the little time that presumably remains in her hellish existence as a result of her proximity to Hannibal. Had Hannibal been portrayed in any other fashion I think it wouldn't have been entirely fitting, primarily because it would have diminished the state of anguish that she is in. Had Hannibal been less menacing of a figure, her circle of hell would have seemed far less genuine and much more imagined than it does with Hannibal being the suitably nightmarish figure, and the combination of seeing him from her view and Gideon's who both are aware of Hannibal, are victims in two entirely different ways (Gideon much more of a physical victim even if he was plagued emotionally too, whereas DuMaurier primarily has been tortured with emotional turmoil and existential angst as she knows her time is coming to an end any waking moment and is powerless to resist), and who both see him as the devil, worked well to enhance this.
Edit: Anyways, I really enjoyed this episode. It was one of the boldest episodes of television I've ever seen, visually arresting, and marvellously crafted. I left it rather unsure of my feelings immediately afterward even if I appreciated the craftsmanship, but I've grown to really enjoy it.
What I think is important in this episode in particular is that we are primarily viewing it through DuMaurier's lens. In killing her patient, she was presented with a choice regarding Hannibal, and she, much like Dante who is so frequently mentioned in this episode, embarked upon a journey which would lead her into the depths of hell and towards Lucifer himself. In the nine circles of hell, those who reside in the lower circles in Dis do so because they have actively sinned; DuMaurier considers herself only an observer, but she, in her initial desire to involve Hannibal, and most importantly in her unwillingness to begin to intervene herself and try to use her agency, is actively conspiring with Hannibal. Sure, she tries to remain conspicuous such that attention is drawn to her and she establishes a routine such that her absence will be noticed or so that she may face a miraculous intervention, but she's not making steps to prevent the wrongs from occurring herself.
She is, truly, in a torturous, hellish existence. She's living in a situation where she is completely isolated and looks at people with the terrifying expectation that their demise is inevitable, she spends every waking moment in a state of horror as she waits for the time that she is to be served (as we see in a moment of unbridled terror) because she knows, like Dr. Gideon, that it is Will Graham Hannibal wants for company and not her, she wishes to cling onto the belief that she has agency and can submerge herself to shield her from Hannibal's scheming and influence but realises it's fruitless, and worst of all she remains curious to see just what further horror awaits her and enthralled by Lucifer so that she is unable to act. Her existence is cruel, and her perception of Hannibal reflects this, particularly as Hannibal becomes increasingly self-indulgent and flaunts what lies below his increasingly shallower person-suit as he is uninterested in maintaining the appearances that he takes on. It isn't entirely an abduction, as she slowly tiptoes among the flames towards her eventual fate out of curiosity for what awaits, but in this state she is almost in a trance and unable to free herself and do anything but eek out the little time that presumably remains in her hellish existence as a result of her proximity to Hannibal. Had Hannibal been portrayed in any other fashion I think it wouldn't have been entirely fitting, primarily because it would have diminished the state of anguish that she is in. Had Hannibal been less menacing of a figure, her circle of hell would have seemed far less genuine and much more imagined than it does with Hannibal being the suitably nightmarish figure, and the combination of seeing him from her view and Gideon's who both are aware of Hannibal, are victims in two entirely different ways (Gideon much more of a physical victim even if he was plagued emotionally too, whereas DuMaurier primarily has been tortured with emotional turmoil and existential angst as she knows her time is coming to an end any waking moment and is powerless to resist), and who both see him as the devil, worked well to enhance this.
Edit: Anyways, I really enjoyed this episode. It was one of the boldest episodes of television I've ever seen, visually arresting, and marvellously crafted. I left it rather unsure of my feelings immediately afterward even if I appreciated the craftsmanship, but I've grown to really enjoy it.
Would love one of Bedelia walking towards the shop with the dead birds. I believe she had an umbrella in her hand and its a gorgeous shot of a building in Florence behind her.
This a good article on EW, talking about how a lot of people who aren't watching Hannibal probably should... If you have friends who are wary, just have them read this (there are mild spoilers, but, they're not too bad).
In the very least, I think the conclusion is something we can all agree on, hehhh
lolololThe more he insisted that I would love it, the more I mentally decided I probably wouldnt love it. Who needs Hannibal? I told myself. Ive got Orphan Black! Then Orphan Black had a second season, and I started wondering if Staskiewicz was maybe onto something.
That's the trick- NBC isn't spending that much. It's a collaborative international effort with a bunch of different networks pitching in, as the Hannibal IP is super-popular overseas still.I'm amazed by how good the show looks and rather how NBC is willing to spend so much. It's like they got a blank cheque this episode, not the previous seasons felt hampered in any major ways.
I'm not complaining though, keep doing it!
lololol
Good episode. I liked the Gideon flashbacks. Also I kind of thought we would see something about when Bedelia and Hannibal first meet.
I feel like Fuller is doing whatever the fuck he wants and it's glorious.
This is the most beautiful and probably the most ambitious show I've ever seen. Not ambitious in the classical scale sense, but as I said, the creator seems to have free reign or he doesn't give a damn, so we have this sort of unleashed, but self-restrained, creativity. It's hard to explain but a joy to watch.
I honestly prefer these sort of episodes instead of all the police work.
Great write up. Did not think to compare Dante's journey to DuMaurier's. Instead I found her situation parallel to that of Judas, whom Hannibal seemed to have selected on purpose to mess with her indirectly.What I think is important in this episode in particular is that we are primarily viewing it through DuMaurier's lens. In killing her patient, she was presented with a choice regarding Hannibal, and she, much like Dante who is so frequently mentioned in this episode, embarked upon a journey which would lead her into the depths of hell and towards Lucifer himself. In the nine circles of hell, those who reside in the lower circles in Dis do so because they have actively sinned; DuMaurier considers herself only an observer, but she, in her initial desire to involve Hannibal, and most importantly in her unwillingness to begin to intervene herself and try to use her agency, is actively conspiring with Hannibal. Sure, she tries to remain conspicuous such that attention is drawn to her and she establishes a routine such that her absence will be noticed or so that she may face a miraculous intervention, but she's not making steps to prevent the wrongs from occurring herself.
She is, truly, in a torturous, hellish existence. She's living in a situation where she is completely isolated and looks at people with the terrifying expectation that their demise is inevitable, she spends every waking moment in a state of horror as she waits for the time that she is to be served (as we see in a moment of unbridled terror) because she knows, like Dr. Gideon, that it is Will Graham Hannibal wants for company and not her, she wishes to cling onto the belief that she has agency and can submerge herself to shield her from Hannibal's scheming and influence but realises it's fruitless, and worst of all she remains curious to see just what further horror awaits her and enthralled by Lucifer so that she is unable to act. Her existence is cruel, and her perception of Hannibal reflects this, particularly as Hannibal becomes increasingly self-indulgent and flaunts what lies below his increasingly shallower person-suit as he is uninterested in maintaining the appearances that he takes on. It isn't entirely an abduction, as she slowly tiptoes among the flames towards her eventual fate out of curiosity for what awaits, but in this state she is almost in a trance and unable to free herself and do anything but eek out the little time that presumably remains in her hellish existence as a result of her proximity to Hannibal. Had Hannibal been portrayed in any other fashion I think it wouldn't have been entirely fitting, primarily because it would have diminished the state of anguish that she is in. Had Hannibal been less menacing of a figure, her circle of hell would have seemed far less genuine and much more imagined than it does with Hannibal being the suitably nightmarish figure, and the combination of seeing him from her view and Gideon's who both are aware of Hannibal, are victims in two entirely different ways (Gideon much more of a physical victim even if he was plagued emotionally too, whereas DuMaurier primarily has been tortured with emotional turmoil and existential angst as she knows her time is coming to an end any waking moment and is powerless to resist), and who both see him as the devil, worked well to enhance this.
Edit: Anyways, I really enjoyed this episode. It was one of the boldest episodes of television I've ever seen, visually arresting, and marvellously crafted. I left it rather unsure of my feelings immediately afterward even if I appreciated the craftsmanship, but I've grown to really enjoy it.
Ditto. They do a good job with them. But considering how those scenes are such a staple in your typical crime shows, it comes off as cheap now. Sometimes, with the right crew, the best story telling is done visually and without dialog. Gillian's actions and expressions in ep1 just reeked of torture. It was great.
Great write up. Did not think to compare Dante's journey to DuMaurier's. Instead I found her situation parallel to that of Judas, whom Hannibal seemed to have selected on purpose to mess with her indirectly.
Wow. the cinematography is even more stunning this season. I still hate the sound mix though.
Bedelia running down the stairs during Hannibal's lecture would be grand.any one else have requests for gifs?
can't stand the sound mix or most of the dialogue. tbh i think i could fuck with a silent version of this show lol.
took longer than I realized. I didn't want to ruin so much of the imagery by either cutting it too short or reducing the coloring profile to nothing that it comes out splotchy. 10mb will have to do
It's the summer, no one cares. Thursday ensures it gets attention on a Friday from recaps and such.IMO they should have left Hannibal on Friday nights. Less competition I think. If nothing else, being in Australia, I would have been watch it live on Saturday.