Those water bottles in the top pic were EIGHTEEN FUCKING DOLLARS so I just got the coffee mug... which was still $16 =\
The sick triceratops was awesome and still holds up today. A scene like that where there is direct interaction between people and animals can be much more effective when done with animatronics. It also helps the actor get involved with the scene.
I'm just gonna head to Target after work and grab a good 'ol fashioned Jurassic Park shirt.
OK Lowery.
To capture lighting references associated with the hero dinosaurs, the visual effects team used stand-in maquettes throughout the filming process. Explains ILM animation supervisor GLENN MCINTOSH: “Maquettes were used to capture all the beautiful details—the colors, the texture of the scales, details of the eyes—to help in re-creating the character in the computer and bring it to life.”
True-to-scale lifelike maquettes were created for select Velociraptors that appear in the film, some of which have heads as big as saltwater crocodiles. Indeed, these maquettes—which provided eyeline references for the performers—were sized to match a raptor body up to 14 feet long. During night shoots in the jungle, the crew had its share of fun with the maquettes. “It was fun to sneak around and come up behind people and slowly turn the head to look at them when they weren’t expecting it,” laughs McIntosh.
To create the maquettes, filmmakers turned to Legacy Effects, the proud home of talented artists, imaginative engineers and intricate puppeteers that was founded by Jurassic Park alumnus and industry legend Stan Winston.
The genius behind the iconic and ferocious T. rex, quick and nimble Velociraptors and gentle long-necked Brachiosaurus seen in the original, Winston provided audiences with iconic and indelible images of how dinosaurs looked and moved. Although advancements made in computer-generated VFX and CGI essentially replaced the need for animatronics during filming, Trevorrow pushed for the use of an animatronic dinosaur in the film to honor the spirit of the artists and craftspersons who paved the way.
While searching for Claire’s nephews in the lush valley of Isla Nublar, Owen and Claire stumble upon a fallen Apatosaurus and quietly sit alongside the gentle giant as it takes its last breath. For the powerful scene capturing an intimate moment shared between human and dinosaur, Trevorrow felt the animatronic dinosaur would help the actors experience the intensity of the moment as organically as possible. “Animatronics are not necessarily the go-to answer these days when looking to create a monster or a creature, as it is a lot easier to have people run around the jungle and be chased by computer-generated effects,” says the director. “But I knew that we would be able to accomplish something here that is so rare in film today, which is to create something tactile that you can touch and that you can feel breathe. That is priceless and I don’t see how we could have made a Jurassic Park movie without it.”
The inclusion of an animatronic was a tribute to the artistry of Winston and his immeasurable contribution to the Jurassic legacy and the world of filmmaking. “Colin pushed to have a working animatronic in the film because Jurassic was built on the wonderful inventiveness of Stan Winston and his people, and he wanted to pay homage to that,” commends Crowley.
Serving as the production’s animatronic supervisor, Jurassic alumnus JOHN ROSENGRANT led Legacy Effect’s team of digital designers, concept artists, 3D sculptors, moldmakers, machinists, fabricators, engineers and puppeteers who gave life to the Apatosaurus, an extensive process that took close to three months to complete.
The lifesize head utilized a hard skull surrounded by soft tissues that are able to fold and bend, as well as built-in bladders to simulate breathing. With Rosengrant and a team of four puppeteers operating her, the Apatosaurus had the ability to lift and turn her head, breathe through her nose and mouth, and had eye movements that included blinking and twitching, all choreographed and simultaneously operated during the scene. Explains Rosengrant: “It’s like a concert where all the members of the band make sure they’re hitting their notes on time and in rhythm. We each have our individual manipulations that, when put together, bring it to life; it’s the sum components that create it.”
The results were magical and not lost on even the most seasoned of crew members. Crowley recalls: “There was this confluence of people—all who had been involved in the previous films—and to see this wonderful dinosaur, struck a chord. When you witnessed its eyes blinking and breath come out of its nostrils right in front of you, it brought home just how much we care about animals and the quality of work that people in our business can do.”
For our heroes, the experience of working with a “live” dinosaur was momentous. “It was remarkable to have this creature there to interact with, and we all become children when seeing something like that,” says Howard. “It’s a live medium and art form that makes you feel giddy and full of awe. I’m so grateful to have experienced that.”
Concludes Pratt: “When I saw it, I thought, ‘Wow, there’s a fallen dinosaur here.’ Then it started breathing and moving around and had so many different motions of the mouth, the tongue, the eyes and the neck that it came to life. It gave me goosebumps.”
User rating report from imdb:
Pretty interesting. Seems like Pratt's charm is doing its thang.
No JP 3D? I wonder which color grade version of JP is included, the original BR release or the warmer, more forgiving to the cg (and more accurate to the original theatrical/vhs release?) 3D release.I already have the originals on bluray but I decided to double dip for the collection, i love the indominus skin cover.
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Has spaces for JW and JW 3D as well, think I'm gonna watch all three before I see JW.
No JP 3D? I wonder which color grade version of JP is included, the original BR release or the warmer, more forgiving to the cg (and more accurate to the original theatrical/vhs release?) 3D release.
Oh good. Thanks.3D is in there.
Shit, looks like I'm gonna double dip.3D is in there.
I've got the original 3 pack and the 3D release... even I'm tempted.Shit, looks like I'm gonna double dip.
I don't even have the 3D one. Don't you need a 3D TV for that, though?I've got the original 3 pack and the 3D release... even I'm tempted.
The new JP box thingy is very nice. There are some problems though.
1. When I buy Jurassic World on Blu-ray, there's no way I'm just going to take the disc out and dispose of the case
2. I kind of like individual cases anyway as I enjoy a shelf library
3. It seems to think that The Lost World is part of the Jurassic Park series
The new JP box thingy is very nice. There are some problems though.
1. When I buy Jurassic World on Blu-ray, there's no way I'm just going to take the disc out and dispose of the case
2. I kind of like individual cases anyway as I enjoy a shelf library
3. It seems to think that The Lost World is part of the Jurassic Park series
For 3D, yes (obviously) but I'm pretty sure it'll default to 2D should you not have a 3D TV. I'm not 100% sure on this, but I know that when my TV prompts me with "view in 3D? Yes or No", it defaults to 2D if I don't make a selection in time.I don't even have the 3D one. Don't you need a 3D TV for that, though?
I don't think number 3 is a real problem, though.
3. It seems to think that The Lost World is part of the Jurassic Park series
If anything, TLW had a public aware of both the idea of a dinosaur zoo/park and dinosaurs existing. So hopes and fears existed which resulted in the construction of a new, safer park.Sure, Jurassic World sorta helps make elements of JP3 more important, but hey, there's that. Ingen still messing around on the island, D'Onofrio's character being a result of the pteranodons escaping at the end, etc. Plus again it furthers the velociraptor subplot established in the original and TLW does nothing with it. I just think that when you consider all four movies together as a whole that TLW is the one that just doesn't offer anything for the forward momentum.
I still consider both sequels mainly pointless, but at least JP3 has things that tie into JW and the raptor subplot. If you erased TLW from the series nothing would change.
If anything, TLW had a public aware of both the idea of a dinosaur zoo/park and dinosaurs existing. So hopes and fears existed which resulted in the construction of a new, safer park.
3. It seems to think that The Lost World is part of the Jurassic Park series
Well not so directly, but I know I'd have been buzzing about what could have been on a visitor level. Just imagine on a business/ investor level, why let Biosyn capitalize on InGen's misfortunes?That's long-winded, but apart from my raptor argument, it's as valid as anything else I've said in defense of the third. I also don't personally think that the San Diego incident is what led to a new and safer park.
Well not so directly, but I know I'd have been buzzing about what could have been on a visitor level. Just imagine on a business/ investor level, why let Biosyn capitalize on InGen's misfortunes?
Sure, Jurassic World sorta helps make elements of JP3 more important, but hey, there's that. Ingen still messing around on the island, D'Onofrio's character being a result of the pteranodons escaping at the end, etc. Plus again it furthers the velociraptor subplot established in the original and TLW does nothing with it. I just think that when you consider all four movies together as a whole that TLW is the one that just doesn't offer anything for the forward momentum.
I still consider both sequels mainly pointless, but at least JP3 has things that tie into JW and the raptor subplot. If you erased TLW from the series nothing would change.
This isn't implausible. However, I believe that in context, Jurassic World was built under a drive unrelated to San Diego. That being said, again, I'm defending JP3 by connections to Jurassic World that weren't intentional until Trevorrow and co. had the respect and motivation to at least make some things about JP3 relevant, so my arguments in favor of JP3 are not more valid than yours or Superflat's.
Still, the raptors is really what I consider to be the most important element in the grand continuity.
The one unique thing I learned from JP3 is that these amazing intelligent hunters were somehow culled by a raptor ocarina.
This didn't happen though. Also the thing about TLW filling in gaps with information about Ingen and the NDA's are not what I feel to be important plot points.
That's a good way of putting it.It's safe to say TLW continued Malcolm's plot point (life finds a way, big mistakes) and JP3 continues Grant's (needing funding, Raptor expert) and that JW continues.... BOTH!
Edit: Park loses visitors, makes big mistakes to get more funding while Pratt works with the intelligent raptors to make them a draw as well. But life finds uhway.
I think the sick triceratops illustrates my biggest problem with cg believability. No dirt. The animals are clean as fuck. Look at a rhinoceros or an elephant and tell me a large sauropod or ceratopsian wouldn't be caked in dirt.
Bug repellant, cooling, and no ready appendages to wipe off dirt / groom anyway.
I'm from Earth and dinosaurs died a long time ago! No believability.Where are the flies around the dinos?!
Also, I live in Costa Rica, if they're in the rainforest, the characters should be pushing bugs off their face like every 3 to 5 seconds (specially if they're all sweaty), and killing mosquitoes non stop.
Maybe they'll have the applying bug spray scene, but bug repellent wears off (specially if you're jumping into rivers), and mosquitoes find a way! No believability.