Kendrick Lamar - To Pimp A Butterfly |OT| It's The American Dream

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This CD does lead me to wonder where Kendrick goes on his next record.

This is the "I have too much cachet in the game, so fuck the sales and the critics, Imma make what I want to make" record that most people can't come out with until they are a well established superstar in the game and certainly not on their second solo on a major.

Does he keep exploring this WC jazzy-funk soul sound or does he go with a more aggressive, bombastic sounding release? Will he have the collaborative album with Pharrell that the world needs? Will Dre ever give him a beat?

Lean into the Jazz Fusion and Soul/Funk imo, straight up Weather Report, Chick Corea, Billy Cobham, jazz fusion hip hop destruction. So far loving what I am hearing, just started spinning the record.

Keep it West Coast forever too, obviously.
 
Lean into the Jazz Fusion and Soul/Funk imo, straight up Weather Report, Chick Corea, Billy Cobham, jazz fusion hip hop destruction. So far loving what I am hearing, just started spinning the record.

Keep it West Coast forever too, obviously.
Agreed.
 
Been listening to this for 2 1/2 days straight now. Pretty confident in saying this is the best album I've listened to in many years. Maybe it's just where I'm at right now, but it hits every note for me perfectly. Kendrick doing God's work.
 
After many forced listens, I just don't feel this project man. The album just really hasn't registered with me in it's entirety as of yet.

I've loved Kendrick from when I first heard his buried alive skit on Take care. Immediately listened through section 80, listened through nearly everything of his on youtube - cartoons and cereal, look out for detox, Hiipower and his dumb it down remix.

I mean, I appreciate his attempt to push the envelope in a genre which is becoming more and more stagnant. I dig the OutKast vibes from the production, but I still cant fuck with the album as a whole, maybe it's his flow? I don't know. I get the same feeling from his flow on this album as I did from Eminem's accents on Relapse. However at the same time I appreciate his attempt at approaching the album differently, going for something more than a standard rap flow.

I don't know, maybe it needs time to marinate and some day I'll come back to it and truly appreciate it. But as of yet I get part way through and end up switching back to Testuo & youth.

In short, i don't feel this album and I feel bad for not feeling this album :(
 
really good read

oh and mind fucking blown at
"And as we hear the last 'Pac' or 'pop' of the album, just like we were told on King Kunta, '…the funk shall be within you'."

Yep, that part was brilliant. I first thought the pop was the one immediately after 'the funk shall be within you' but nope. Amazing stuff.
 
Yea, that is why it is also so good. I feel emotional from what is said and the very disingenuous sound behind his words really drive it home.

it's like the polar opposite to Poetic Justice. the music in Poetic Justice has this haunting allure to it. it sounds a bit hollow, likely because we as the audience already know that shit goes down so the allure can't be fully effective, but the music still manages to entice the ear. For Sale? doesn't even need that because obviously Sherane ain't got nothing on the devil. Lucy doesn't really need to work hard to lure you in, it's basically inevitable. the track is like the musical equivalent of the devil just innocently batting his eyes at Kendrick.

it's just a wild track and it grows on me with each listen. the imagery created from the music, lyrics, and the vocals is crazy.
 
Listened to the album once yesterday. I couldn't get into GKMC the first time, but I had a better first impression of this. I'll have to listen to it a couple more, but I don't really feel like there's a weak track. By weak, I mean thematically or finally inconsistent. I think we all know Kendrick is a good writer but I think the important thing is to understand how the album works together as a whole. It's just that kind of thing. There are some slow songs, of which I'm not sure that I like though.

I also don't think it's comparable to GKMC at all, and I want to try to understand it in its own context (with the content solely on this album) rather than as a piece of history in the context of the artists discography (judging it in relation to his other albums).
 
This CD does lead me to wonder where Kendrick goes on his next record.

This is the "I have too much cachet in the game, so fuck the sales and the critics, Imma make what I want to make" record that most people can't come out with until they are a well established superstar in the game and certainly not on their second solo on a major.

Does he keep exploring this WC jazzy-funk soul sound or does he go with a more aggressive, bombastic sounding release? Will he have the collaborative album with Pharrell that the world needs? Will Dre ever give him a beat?
I think he tries electronic/wonky stuff. I feel like he'll try something like Flying Lotus does but maybe with heavier beats and more abstract lyricism.
 
it's like the polar opposite to Poetic Justice. the music in Poetic Justice has this haunting allure to it. it sounds a bit hollow, likely because we as the audience already know that shit goes down so the allure can't be fully effective, but the music still manages to entice the ear. For Sale? doesn't even need that because obviously Sherane ain't got nothing on the devil. Lucy doesn't really need to work hard to lure you in, it's basically inevitable. the track is like the musical equivalent of the devil just innocently batting his eyes at Kendrick.

it's just a wild track and it grows on me with each listen. the imagery created from the music, lyrics, and the vocals is crazy.

Yes, exactly. Poetic Justice was the inevitable happening, but it still got its job done, but For Sale? ties everything in with the music playing as a wolf in sheep clothing which helps with creating the image of the devil being a sneaky bastard and making everything he is presenting you with - money, fame, and getting your mom out of the hood - looking genuinely good. The lyrics tell you that Lamar is already sold and it shows later on in the following tracks. The kid pretty much telling Kendrick he knows shit and the homeless man being a test from God.

This album is too good, man. I also love that he tied in GKMC, and a little bit of Section 80, into the album. It really feels like a sequel.
 
Yes, exactly. Poetic Justice was the inevitable happening, but it still got its job done, but For Sale? ties everything in with the music playing as a wolf in sheep clothing which helps with creating the image of the devil being a sneaky bastard and making everything he is presenting you with - money, fame, and getting your mom out of the hood - looking genuinely good. The lyrics tell you that Lamar is already sold and it shows later on in the following tracks. The kid pretty much telling Kendrick he knows shit and the homeless man being a test from God.

This album is too good, man. I also love that he tied in GKMC, and a little bit of Section 80, into the album. It really feels like a sequel.

yeah foreal. his verse about the dude who shot Dave in These Walls was just...I don't even know.

also I love the intro to Hood Politics with the dude leaving a voice message. makes me think of Spiteful Chant.
 
yeah foreal. his verse about the dude who shot Dave in These Walls was just...I don't even know.

also I love the intro to Hood Politics with the dude leaving a voice message. makes me think of Spiteful Chant.

The beat for that part is so good. Every time it plays I'm just bumping my head with it.
 
That girl is America. She even says "I'm going to get my Uncle Sam on you".

yeah true but lucy is more of a representation. you can't really sell your soul to the devil for free. that song takes place before kendrick had become big so it just shows how he gets treated differently. before it was in lucy's best interest to just keep him down and perpetuate the cycle but when he starts making money she's very different, aka in for sale.
 
yeah true but lucy is more of a representation. you can't really sell your soul to the devil for free. that song takes place before kendrick had become big so it just shows how he gets treated differently. before it was in lucy's best interest to just keep him down and perpetuate the cycle but when he starts making money she's very different, aka in for sale.

I still say she's America. He references America several times. "I need my 40 acres and a mule, not a 40 ounce with 2 pitbulls." America owes blacks, this dick ain't free.

Oh she's definitely America.

Oh America, you bad bitch, I the picked cotton that made you rich
Now my dick ain't free

http://genius.com/Kendrick-lamar-for-free-interlude-lyrics?
 
I still say she's America. He references America several times. "I need my 40 acres and a mule, not a 40 ounce with 2 pitbulls." America owes blacks, this dick ain't free.

who says america isn't included under that umbrella? are you saying america is run by a majority of people that are morally sound, void of any evils?
 
I can't think of anything to say here that won't sound like trolling or hating...but man, I'll never listen to this again. i really tried.
I could even get into everything he has to say, because his flow, beats and track construction are SO annoying.

Don't take me wrong...I love hip hop. I love HiiiPower, Bitch Don't Kill By Vibe, Swimming Pools, Poetic Justice and a lot of his features. But to me he just sounds crazy now.
 
Lucy is definitely the devil. The play on Lucifer, the lyrics in For Sale?, and the intention tells you.

yeah foreal. his verse about the dude who shot Dave in These Walls was just...I don't even know.

also I love the intro to Hood Politics with the dude leaving a voice message. makes me think of Spiteful Chant.

That was the best correlation with GKMC on the whole album. Love the continuation of the small stories within the album.
 
this is basically his gkmc dealing with fame instead of his past

That was the best correlation with GKMC on the whole album. Love the continuation of the small stories within the album.

it was a kyle bosman-esque nod

edit: never mind I'm high, I though you were talking about the voicemail. that was a kyle bosman-esque nod ;p
 
lucy's the devil

edit: so in for free My other nigga is on, you off.

in for sale Lucy got million stories
About these rappers I came after when they was boring

I picked up on the Lucy being the devil part. I just take For Free as America throwing another musician to the side as Pop culture usually does, and Kendrick talking back.
 
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