Boney said:
Beats me man. The stupidest thing is that they claimed if Adam was a woman, then they wouldn't have had a problem. Oh and agreed with Maelstrom's article that EmCee posted that said Super Metroid was an awful game or something like that.
He Who Shall Not Be Named's crusade against Other M and Sakamoto is astoundingly, pathologically epic, so the "Super Metroid sucks" business is just part of that noise; that particular blogger has put out a lot of chaff to distract the net with on the subject.
As for the sexist stuff, having beaten the game well shucks, I guess I must be a (gay) male pig 'cause it doesn't seem sexist. All the reasoning I've read to back up the "sexist" claims seems to hinge on the accuser saying Samus' characterization is nothing like a "real woman". (Not whether it's good or bad, not whether the voice acting is good or bad, just "not a real woman".) The problem I have is, the accusers tend to insist that the correct portrayal, what one would presume to be the "real" womanly Samus they're postulating, seems to fall back on the silent bad-ass space marine stereotype.
I suppose that is why my take on the whole controversy is that it's absurd. On one hand, you have Other M's script and characterization which, while not fantastic, is still alright by typical video game standards. And above average by Japanese standards. On the other hand, you have the purists and "Sakamoto is a dirty old sexist man" camp seeming to insist that Samus Aran should instead be a cold super soldier who suppresses all emotion because, err, that's feminine I guess?
To me, neither is all that great purely in terms of it's uh, robust portrayal of the opposite sex. I've even seen direct comparisons to Ripley in Aliens, held up as the correct model for the liberated bad-assed warrior woman of the future. (Interesting since so much of Metroid is inspired by Alien.) But folks pointing to that comparison don't seem to take into account that there are other scenes in Aliens besides Ripley screaming like a wild animal while launching grenades into the queen's nest. To run with that a moment, Ripley, especially in the full version of the movie has very vulnerable moments, breaks down at points, experiences paralyzing fear, cries, and displays motherly care and emotion. Ripley also pushes through weak and scared moments and acts like one tough f**king chick.
I fail to see how this is vastly different than That One Franchise Destroying Scene in Other M in which Samus gets jumped and genuinely surprised for like one time, freezes, then snaps out of it and goes back to kicking ass like a pro. And after that moment, grows increasingly determined for the rest of the plot.