GeekyDad
Member
Edit: didn't realize we had a new thread, awesome
Edit: didn't realize we had a new thread, awesome
Great movie with some memorable moments (Dafoe's speech) but loses a lot of points due to how Eggers copied it from the Smalls lighthouse tragedy.The Lighthouse
Robert Eggers has a pretty impressive streak with his movies. I've enjoyed all of his work, but The Lighthouse is probably his best film. It features not only outstanding direction and writing from Eggers, but also two powerhouse performances by Willem Dafoe and Robert Pattinson.
Two sailors tasked with working as lighthouse keepers on a remote island goes clinically insane after they are marooned on the island due to stormy weather. It has Lovecraft written all over it, with evocative imagery of the ocean and what lies beneath, but it seems much of the influence comes from horror stories on the open sea, mythical monsters, Prometheus, Prodeus, sea gods and other strange creatures.
I cannot imagine how rough this shoot must have been on Dafoe and Pattinson. They are all constantly drenched in water, blood, mud and all sorts of filth, and they are displaying a range of emotions from fear and sadness, insanity, joy, paranoia to laughter and happiness, I mean they are really showing off their acting chops here. Holy shit.
The Lighthouse is creepy, funny, unique and weird at the same time, impossible to even categorize. It's a beautiful mind fuck with stellar acting and writing. Highly recommend to anyone who just loves the art of cinema.
but loses a lot of points due to how Eggers copied it from the Smalls lighthouse tragedy.
There's a lighthouse off the coast of Wales in the United Kingdom called the Smalls Lighthouse. In 1801 one of the two lighthouse keepers died in a freak accident, the other keeper placed the body inside a coffin and fixed it to the outside wall. Violent storms and winds forced the body out of the box, making it appear as though the dead man's hand was beckoning him. As you can imagine the remaining keeper had to deal with his partner's dead body and being all alone on a remote lighthouse, but despite losing his sanity somewhat he managed to keep the light going. There's also another historical event that took place in 1900 at another lighthouse in the UK, but that involved three people vanishing from it without a trace. Robert Egger's movie is clearly a copy of the Smalls Lighthouse tragedy, it's not surprising he chose a British actor as payback for the idea.Not something I'm familiar with. Care to elaborate?
There's a lighthouse off the coast of Wales in the United Kingdom called the Smalls Lighthouse. In 1801 one of the two lighthouse keepers died in a freak accident, the other keeper placed the body inside a coffin and fixed it to the outside wall. Violent storms and winds forced the body out of the box, making it appear as though the dead man's hand was beckoning him. As you can imagine the remaining keeper had to deal with his partner's dead body and being all alone on a remote lighthouse, but despite losing his sanity somewhat he managed to keep the light going. There's also another historical event that took place in 1900 at another lighthouse in the UK, but that involved three people vanishing from it without a trace. Robert Egger's movie is clearly a copy of the Smalls Lighthouse tragedy, it's not surprising he chose a British actor as payback for the idea.
Model of the original lighthouse where the 1801 event happened. The white one in the middle is the second lighthouse installed on the same spot. The third image shows the similarity between the second lighthouse and the movie one.
He said he was partly inspired by the tale, but honestly it’s more of a straight adaptation with some things changed around. The two lighthouse keepers who quarrel, the constant isolation and bad weather, heck even the lighthouses look similar in the images I’ve provided.Interesting. Did Robert Eggers acknowledge any of this in Lighthouse?
Two disappointing movies unfortunately...
Evil Dead Rise for me is not an Evil Dead flick. I initially said the same thing about the 2013 reboot, but looking at it now (and after rewatching it twice) I acknowledge the similarities with the original despite switching to a more serious tone. This one doesn't have that except for the overall idea how to summon the 'evil dead' and some one-liners & scenes (like the flying eyeball) desperately trying to remind it's still Evil Dead. Plus it's not even close to being as creepy as the previous film. Jane Levy has done an awesome job in the previous movie playing a possessed person. Plus this new one has got annoying kids, I rolled my eyes when theand that's one of the awful scenes involving them.little girl has decided to open the door
The Pope's Exorcist reminds me why I hate current Hollywood flicks. It's more like an adventure movie with the exorcist theme and not a proper creepy horror about an exorcism. The possessed kid acted horribly and I actually started laughing at some point during his scenes. Russell Crowe has done a solid job with his part, but that's not nearly enough to recommend watching this even if you're a fan of exorcism flicks. There are far better movies to choose from (and even an Exorcist tv series with a very good first season).
Seems as though you're still holding onto nostalgia and crapping on everything subsequent, as if the original Evil Dead movies were masterpieces in plot, pacing and direction. The latest movie has recieved solid review scores on Rotten Tomatoes and 69 on Metacritic which is something not many films accomplish, especially ones from beloved intellectual properties.Evil Dead Rise is pretty terrible. Its got a few good scenes but on the whole its a mess. The entire set-up and wrap-around is contrived and clunky, and the action throughout is poorly paced and lacking in flow and energy. Its a movie where the everything is driven by plot convenience not logic or physical reality. Its genuinely badly directed in that the way a lot of the set-pieces are staged only works because of really obvious editing. Characters literally teleport around from setup to setup, something that's painfully apparent at the climax.
This lack of physicality and consistency is particularly noticable in the gore scenes, which I found weightless and again peculiar in that people frequently get skewered by knives as if they were made of papier-mache, but a chainsaw to the head resists like cutting concrete! Same deal, with the powers of the possessed which go from struggling to walk to literally flying at victims, from having the supernatural awareness to detect the presence of a specific individual behind a door with their back turned, to later being unaware of them because they are hiding behind a car!
Its possible to get away with this sort of thing when the tone is hyped-up splat-stick like Raimi's originals, but the way this is directed... no chance.
Its bad. Really bad actually.
Seems as though you're still holding onto nostalgia and crapping on everything subsequent, as if the original Evil Dead movies were masterpieces in plot, pacing and direction. The latest movie has recieved solid review scores on Rotten Tomatoes and 69 on Metacritic which is something not many films accomplish, especially ones from beloved intellectual properties.
That hasn't been the case as classic movies have pretty much always been either popular with audiences and critics for a reason. And Rotten Tomatoes has a specific section for "top critics" to combat that barrier for entry. I haven't watched the movie so I personally cannot comment, but it always comes across as fanboys bitching and nit-picking over something as though the original was a flawless masterpiece. The only movies in recent times that have received warm reception in comparison to the originals are Halloween 2018, Mad Max: Fury Road and Blade Runner 2049.Not at all. EDR is just a bad horror movie by any standards.
As to critical reception, if you believed the critics at the time of release you'd end up discarding practically every classic movie in the genre. They have never been a reliable indicator of quality for one reason or another. And now with the barrier for entry to be a critic being basically non-existent... doubly so.
That hasn't been the case as classic movies have pretty much always been either popular with audiences and critics for a reason. And Rotten Tomatoes has a specific section for "top critics" to combat that barrier for entry. I haven't watched the movie so I personally cannot comment, but it always comes across as fanboys bitching and nit-picking over something as though the original was a flawless masterpiece. The only movies in recent times that have received warm reception in comparison to the originals are Halloween 2018, Mad Max: Fury Road and Blade Runner 2049.
^People, the new thread is here: Movies You’ve Watched Lately [OT] - 2023