You ever hear the sound of despair? I'm making that exact sound right now as I contemplate how to go about this. it's as if despair itself could be heard not just felt although rest assured I feel it just as much as I'm emitting it.
A Black Falcon said:
That's a false comparison, fiction doesn't and often shouldn't be like real life -- the whole point it to have something more interesting than the real, pretty much. With a beginning, a middle, and an end. And besides, there are plots in individual real stories, sure. Plenty of things that are based on real-life events have stories and plots.
And part of this just makes no sense, unless you're referencing the usual "bad guy wants to take destroy the world" anime/videogame story. I do think that that plot is overdone. More badguys should just want to take over the country, or the world, or what have you, why do they usually want to destroy it anyway?
But even so, that TTK doesn't really have a main enemy -- there is no Big Bad in TTK, at least not in the anime version (who knows about the later books) -- is an issue for it in its genre. It sort of makes up for it with the interesting, complex stories it does tell, but it is something worth noting.
But anyway, to return to my first point the idea that fiction should be like reality is silly, and obviously false. It shouldn't.
:sigh:
Listen. Everything has a plot. From 12 Kingdoms, Escaflowne, Strike Witches, Kimi ni Todoke to Chi's Sweet Home, heck live action wise even western shows like the Simpsons has a plot. I'm not arguing no plot versus plot, that's absurd, I'm arguing perspective and scale.
For instance, WW2 is a popular theme in media, you got stuff like Saving Private Ryan, Downfall, Band of Brothers and a host of others and they all vary wildly in perception and scale of the same conflict. Saving Private Ryan was about a very short period of the war and getting one man out, after they got him out the war was still going and no-one bitched that the survivors didn't go back and kill Hitler and then jump on a boat and go over to Okinawa and start fighting the Japanese. That was still a plot despite it being threadbare thin and ignoring essentially the entire conflict, there was no big bad, the big bad was just not knowing where Private Ryan was, there was no end to the conflict as the movie ended when they got Private Ryan out of the last battle and the war just goes on, that was the focus. And no-one bitched.
But lets zoom out a little shall we? IF the 12 Kingdoms is about Youko, which I'd wager it's mostly about her but not all about her, than what of comparing her to say, Hitler? There are many movies of him, some that chronicle his rise to political power, others that cover downfall(lol get it?) and some documentaries that cover the whole thing but would one call any of them incomplete or complete? I mean just covering his rise to power is kinda blueballing the viewer right? Or is it really if that's just the specific arc in his life they want to cover? Do they have to cover his whole life? But then if they do cover him during WW2 is it not odd to end it with him dying and yet NOT cover what happens to Germany afterwards or what goes on with Japan afterwards? Or is it fine to just focus again on that aspect of the man?
So I don't really get this gripe at all. So there's no "big bad," well so what? Has there ever
really been a big bad? In real life I don't think it fair to even consider Hitler the big bad, he wasn't the first and sadly he won't be the last, there's no hidden force driving man to evil, just us, so there's no big bad in reality but what about fiction? Well again that's usually a farce. Some titles certainly have a singular big bad but anything long running ends up just replacing them with anew big bad, it becomes a sort of a joke. So again, lets bring in perspective here. Youko's first arc did indeed have a big bad, a villain that needed to be taken care of in the rival King from her neighboring country, not sufficient for you? Not grand enough for you? Too fucking bad. What about Youko's second arc? Oh that one has some big bads too! Again, not grand enough? Not evil enough? Not fictiony really being manipulated by yet another hidden big bad you don't know about enough? Again, too damn bad. Because perspective is everything, when you're one man a big bad can be a simple as a guy trying to screw you over or hurt you, he doesn't have to be Hitler trying to take over a continent and kill a shitload of people he just has to be against you and try and bring you down. Move up a bit in the ranks to ruler or whatnot and now a big bad needs a little more clout as it has to be able to threaten your position but again it need not want to threaten the entire world or anything silly like that.
So this concept of the "Big Bad" is the mark of poor Fantasy in my opinion, the utter pathetic crutch of a poor writer unable to come up with any motive stronger than "pure evil" or some shit. Fucking sad. You say the Big Bads of the 12 Kingdoms weren't big and bad enough? I say thank fucking God. I'm tired of people wanting to conquer the entire world and fucking dabble in shit that has nothing to do with them because they need to be grand enough. Evil enough.
And you know why else these generic big bads suck? Because for them to even exist you have to walk some ridiculous line of incompetence versus competence. You can't build both your hero and villain up, have them meet and it not fucking end just to make them fight again. That shit is fucking absurd. If the bad guy's so evil s/he should just kill the hero if the hero's the lesser person and if the hero's really the hero the hero needs to finish it, how the fuck do you build two competent characters that are both bad ass and then have them dance around each other like that? I don't want some shitty comic book storyline here, if people are going to cross paths then don't sully the characters by dragging this shit out. You delegate the sides to GI Joe and Cobra, to CONTROL and KAOS, to bring it down to the character level, Inspector Gadget and Dr. Claw, essentially making both sides bumbling idiots save for the few times you want one of them to do something cool or evil.
A Black Falcon said:
Aria and Escaflowne have something in common plotwise? What? I can't think of anything of note...
Yes, they're both so not grounded in any kind of reality, fictional nor otherwise that every plot twist comes off as artificial and for nothing but thatsthetwist.jpg effect.
A Black Falcon said:
But no, to me your complaint just makes no sense at all. Sure, action with no plot can be pointless, but plot and action with mediocre characters isn't like that at all. With a good plot and story, and characters just good enough to make the story work, things work just fine. Rollercoaster ride of images? But if the plot's good, and interesting, it's going to be much more than that...
What the hell are you saying here? Are you championing having just the base amount of characterization necessary to not make a story a fucking joke and holding it up as some kind of standard? "Characters just good enough to make the story work?" Why would anyone set the bar so low? I... I don't even... I have no idea where to even start with this. Do you do this on purpose? Hmm?
:sigh:
I guess, yes, if the characters are "just good enough" than it works, fine, why anyone would shoot for the minimum amount of characterization to make something work I don't know, but sure...
A Black Falcon said:
I agree that Escaflowne's pace isn't realistic, certainly, though. It's a very, VERY fast paced show, and it skips over almost all of the downtime in between the major events. I just think that it works that way. Escaflowne is proof that you can have a full-length series of 100% plot-centric, fast-paced episodes and it can work, too. They had a huge story to cram into a 26 episode series (I believe the rumors that the series was originally supposed to be longer, it makes sense), and they made it work. Sometimes that kind of thing can break down, where events just get too fast and confusing to be able to make sense out of it, but it didn't in this case. Not at all.
Escaflowne's plot was too fast. None of the characters mattered, how can the viewer care? The love triangle dynamic was just as weak and threadbare as the other half of the story, which I guess would be lovepower makes things right or some shit. So for this discussion to go any further we'd have to agree on what constitutes "working." If by working you mean have a start, a middle and an end that's followable then yes it worked like almost every other show out there. However, if we were to define working as the above and add the stipulation competently then no, Escaflowne did most certainly not work.
Because of the pacing and weak character relationships those that did die were meaningless, events that should have been traumatic were not, events that should have been exciting were not, events that should have been touching were not, they were all very by the numbers and had no weight. Attributing further to the madness that is Escaflowne's shallowness is the absurdity of it all. While one gets the feeling that there is some kind of backstory to Escaflowne no-one is privy to it, probably not even the writers, so you're just left laughing to yourself at what shit they'll pull out of their hat next. Heroine falling? Hidden Wings for the win! Hero's robot down? It's ok, just press the magic button and the fix will drop from the fucking sky? Need money for the fix? No worries, fucking moneypants rendezvoused with you just the prior episode and he's one of the heroines fiance, imagine the odds! It goes on and fucking on. There probably was some mythos there and after the fact they'll go and half-assedly explain it but because of that it reeks of them just making it up as they went along, like a bunch of nerds were just locked in a room trying to outdo each other with each page of the script. It was high school English level shit at best.
A Black Falcon said:
So yes, a lot happens in each episode. That's one of the show's major unique points, I would say. If you disliked that, I can see why you'd dislike the series. I, on the other hand, think that that's one of the good things about the show.
Again this is but a tangent, my gripe isn't how much or how little happens but how it happens.
Part 1 End, Part 2 coming later.