Jex
Member
They seem popular enough to keep making them at least. The even do stage plays based on games.
Well, it certainly seems to happen with surprisingly.
Interesting. Thanks for sharing your knowledge on this topic.The one part of the industry I can give a vaguely professional answer on!
I expect the audience for anime theatre, based on the main audience for (musical) theatre in Japan, are young adult women who see the shows multiple times (particularly if they have rotating casts). The shounen musicals (TeniMyu, Rock Musical Bleach etc.) are aimed at fangirls; SeraMyu, Utena etc. were performed with all-female casts in the Takarazuka style which has traditionally always skewed to a female audience, etc.
I'm mildly surprised to see Working being made into a stage play (Phoenix Wright surprised me less given the Phoenix/Miles fandom). I'm guessing that the audience is larger than I would have thought - does Working have much crossover appeal? I generally dislike all shounen/seinen comedy so I never watched it.
Fun anime theatre fact of the thread - Oh! Edo Rocket was originally a stageplay!
I feel like I already know something about the Takarazuka based on reading Helen McCarthy's works on Miyazaki. Or was it Tezuka? I forget. I need to consult my text books.To be honest, the Geass show surprised me. I know other anime adaptations have previously cut the female characters out completely (this is what they do for the Prince of Tennis shows, for instance) but I can't think of anything that's cast men as female characters before.
I think there's a couple of reasons why all-female casts are popular, particularly with shows based on anime:
i) For something like Sailor Moon or Utena, where the target audience is pre-teen to early-teen girls, they don't care about boys in the same way.
ii) The Takarazuka (who do many of these adaptations - they did the Phoenix Wright show in 2009, and have previously done Black Jack and Rose of Versailles) are all about heightened fantasy and emotion - like shoujo manga, really. Reality is discarded entirely and the lush sets and over-the-top performances heighten the overall experience. The actresses are trained specifically for "male" and "female" roles and there's a big female fandom surrounding them as people and performers. I think all of this contributes to something which is much more popular with women than with men - and it just so happens that they are the ones doing stage adaptations of melodramatic anime/manga/games!
So I guess it's partly about what the audience is looking for and partly where the talent actually lies (and who's willing to stage these shows).
Of course there are anime adaptations with mixed gender casts - Bleach and Ao no Exorcist, for instance. But many of them go with all-female casts purely because they're done by the Takarazuka!
(this is OT, but the Takarazuka are owned by TOHO, who also have their own "normal" theatre production arm that stages shows with mixed gender casts. The companies have been known to stage the same shows as each other in radically different versions because the Takarazuka's audience are looking for a "hyper-real" experience - they cut plays and musicals to remove all political storylines etc. because they have no place in the "world" of the Takarazuka.)