Crash Station
Member
Yeah but I have perspective.
Jay Gatsby, Holden Caulfield, Kumagawa?
Holden Caulfield is an unlikable, spoiled prick and all I remember about Great Gatsby is someone got hit by a car.
I think it's clear who the winner is.
Yeah but I have perspective.
Jay Gatsby, Holden Caulfield, Kumagawa?
OreImo AC 12
Yu Yu Hakusho 1-3
Between the brief Toonami revival which showcased an episode of this and pizzaroll attesting to the quality of the blurays, I picked up the first half of the show. I'd always sort of glossed over this (like I did with Sailor Moon back in the day) and I'm realizing I seriously missed out. Show is beautiful, characters are great, the first episode was touching as can be, Botan is friggin' adorable, and Kuwabara is a god damn man. Might clear out the weekend viewing plans and prioritize this now.
Yu Yu Hakusho 1-3
Between the brief Toonami revival which showcased an episode of this and pizzaroll attesting to the quality of the blurays, I picked up the first half of the show. I'd always sort of glossed over this (like I did with Sailor Moon back in the day) and I'm realizing I seriously missed out. Show is beautiful, characters are great, the first episode was touching as can be, Botan is friggin' adorable, and Kuwabara is a god damn man. Might clear out the weekend viewing plans and prioritize this now.
Why is Jump disqualified from being great fiction? Because it's aimed at teenagers?
You're seriously going to engage on this?
I am not saying it CAN'T be. I'm saying that the combined history of mankind has shown it not to be the case so far.
There's a line being entertaining and being "one of the best characters in fiction". I somehow doubt Dragonball, One Piece or Medaka Box passes the test.
That's just not possible, she isn't even in every episode.Kuroneko carried the show. She just plain did.
yeah, lets not
i'm hating on how awkward and terrible this shit is.You hatin' on Nakamura Yuichi?
This is a completely subjective argument. What makes a character "good"? How likable they are? How fleshed out they are? How human they are? How well they react to certain things in the context of their own respective universes?
But then you miss Luffy as a baby-sized god.lol one of the few shows that I gotta watch dubbed.
Nostalgia bitches!
This is a completely subjective argument. What makes a character "good"? How likable they are? How fleshed out they are? How human they are? How well they react to certain things in the context of their own respective universes?
Kumagawa is one of my favorite characters in fiction. I might not put him in the top 10, but he's up there. Everyone is free to disagree, but I don't see how my opinion is any less viable than yours regarding those other characters you listed.
That's just not possible, she isn't even in every episode.
I also attest to the quality of the show!Yu Yu Hakusho 1-3
Between the brief Toonami revival which showcased an episode of this and pizzaroll attesting to the quality of the blurays, I picked up the first half of the show. I'd always sort of glossed over this (like I did with Sailor Moon back in the day) and I'm realizing I seriously missed out. Show is beautiful, characters are great, the first episode was touching as can be, Botan is friggin' adorable, and Kuwabara is a god damn man. Might clear out the weekend viewing plans and prioritize this now.
Well, there's a difference between liking a character and stating them to be 'one of the best characters in all of fiction'. Making a statement like that invites people to start comparing them to Raskolnikov or Hamlet or any number of other characters who are accepted as amongst the best characters in fictional stories (or at least, in consideration).
To be the best, a character needs to be an extremely well fleshed out character, who has numerous layers to their personality and complex motivations. Someone who is believable as a real human being, and also compelling to follow the journey of.
To be entertaining doesn't necessarily require all of that, but when you start throwing a term like 'greatest in all of fiction', those points are necessarily going to be brought up.
To be the best, a character needs to be an extremely well fleshed out character, who has numerous layers to their personality and complex motivations. Someone who is believable as a real human being, and also compelling to follow the journey of.
To be entertaining doesn't necessarily require all of that, but when you start throwing a term like 'greatest in all of fiction', those points are necessarily going to be brought up.
Medaka Box 01
Shiranui is the best.
I liked it. I liked the over the top explanation of things, the wholesome dream that will never occur, the wackiness of the characters, just about everything. I get that it pretty much shifts gears into a battle anime in a few episodes so I am looking forward to how it changes.
I-I need this...
Well KuwabaraTheMan already said it but being your favorite does not mean he is one of the best characters in all of fiction. I don't think you, even with your shounen blinders, would claim that Kumagawa is the best character in all of Japanese manga. So expanding that to THE ENTIRE WORLD and accounting for literature and movies, I don't think there is any way, statistically or otherwise, that something as hyperbolic as "Kumagawa is one of the best characters in all of fiction" could possibly be true.
That character seems so amazing.
You're going to go with Gatsby and Caulfield as contenders for greatest fictional characters? Really?Yeah but I have perspective.
Jay Gatsby, Holden Caulfield, Kumagawa?
Unless cosmicblizzard pulls out the BigOne card and adds FACT! to his posts, I don't really understand what's the problem with his subjective opinion on what is one of the best characters in fiction for him (and I don't even have a clue who Kumagawa is).
You're going to go with Gatsby and Caulfield as contenders for greatest fictional characters? Really?
Not even all of that, I'd say. The most important thing is I've found is fitting within the framework, which may not always mean that they be relatable or require human qualities/motivations, and that, within that framework, they have foils that not only exemplify for dramatic purposes, but clarify. You can't really judge characters as single entities/in a vacuum. For example: Lenina of Brave New World was a fabulous character, but wasn't particularly fleshed out by her own actions, or able to relate to; John/Bernard being the foils from which the reader was able to get a perspective on her they could understand.
I loved Catcher in the Rye, but Caulfield was a one-note asshole. I don't remember The Great Gatsby as clearly, but I'm pretty sure Gatsby was a big blubbering manchild.Why not? Sure beats Kumazawa.
Space Bros 1
That was quite good. It did most everything you'd want from an opening episode, including establishing the primary character relationships, building the setting, and laying out clear expectations for where the plot is headed. The editing was also very effective, in how it maintained a smooth pacing, intelligently mixed in flashbacks, and connected events occurring in different places and times. It was particularly interesting how they connected scene transitions using visual composition.
For a few episodes. Then it goes full on battle series.
Medaka Box 1
That being said, I am reminded of just how much I hated Medaka in the beginning (not to say I don't hate her now, but less so). Her perfection, her arrogance, how it's portrayed that she's always right and that is how you are supposed to see her; it's all very aggravating. If I wasn't aware of the things that happen to her, this would probably have soured my experience quite a bit.
You're not going to trick me into watching Bad Aria.
It's really nothing like Baka Test post-genre shift which happens relatively early. Will probably be episode 6 or 7.
Of course I haven't watched S2, but from what I've heard, a part of what's wrong with the second season is exactly that it IS more like the manga, given that S1 of the anime is generally regarded as being better than the manga ever was...I swear, if Ritsu was 3DPG, I'd be on that like white on rice. And not even because she was my waifu, my band just really needs a drummer. You have no idea how important a drummer is to a rock band. ;___;before Katawa Shoujo
I might go into a bit more depth later on, but for some clarity, I think it would be best to point out that the second season stays much closer to the source material than the first, in both story AND art, for better or worse, since Yu Aida was involved in the production. So you know, this is largely the direction the manga took at the start of the Pinocchio arc. Part of the skill of the first season is that they had the writing staff to fill out the episodes in a more satisfying manner and the animation budget to make it look good. The second season did not. Alot of the plodding was pretty ham-handed, but some elements, such as the arc Triela had through the storyI felt was pretty well done, production niggles aside, and at least as well done as Henrietta's arc in the first season, imo. This made the last couple episodes of the season proper outright painful to watch.since Pinocchio was sort of her foil
So you know, in the mangaWhat I'm main surprised about is that you didn't find the OVA in the Sicilian villa to be uncanny.as soon as Franco and Franca et al leave the picture, things largely go back to focusing on the fratelli with a hefty period going to Petrushka, the first second gen cyborg and her whirlwind romance with her handler.It really shows off alot of hidden complexity the franchise operates on. I remember that there were alot of scenes in the first season, such asJean and Jose, decked out in their "Italian finest" aside, that alcohol induced hallucination of his dead little sister was outright disturbing and you got an uncomfortably close look into Jean's state of mind.The second season doesn't fill in those blanks like the original, and in some ways that's good, and others bad.Claes' handler heavily implying that he was ratting out the SWA, when in the comic, it was only that scene where he hands Claes her glasses in one panel, and then was dead by hit and run in the next.
This is really not to say that S2 had it's problems, oh hell yes it did. I wasn't really feeling it until the last few episodes, and that last fight, I just have to say, it was downright painful, PAINFUL to watch. Not because it was bad, but becauseit was so hard to see Triela fight that hard for so little...
I do think that ep. 12 did a good enough job of explaining what they were doing there, if you paid attention, but yeah, it was nice to see some followup on it even so. As I said I do think the show is at its best when they're in space, but it was a fine land-based episode as good as any of the rest of them so far. That is, pretty good.Moeretsu Pirates 13
A nice wrap up episode, I like how they're addressing a lot of the little issues people have mentioned, like the Monarchy fading away in Serenity, and what Grunhilde and Usagi were trying to do at the Colony Ship.
It looks like there will be even more Omigawa next week, yay~ Next episode preview was awesomejust like all the others
On the spoilered point, I'm not sure...Mouretsu Space Pirates 13
Well it was an entertaining after arc episode. Kind of curious of what Ririka's role is now, otherwise fun. Did I miss something, when didLynn become president?
New ED is pretty nice.
I think the the writers didn't really give a shit. It was all pretty badly written from the plot to the dialouge. Stuff not making sense, while annoying, didn't exactly surprise me. They certainly make.that girl's death seem incredibly pointless though
They all were fairly zzzzz. Rinne had finger sex, I suppose.
Sounds like cosmic to me! hahaha
What, trying to prove my point, are you?WRONG
SHONEN IS BESTNEN
KUMAGAWAAAAAAAAAAA
http://i384.photobucket.com/albums/oo289/Un-known_Soldier/fsnl_small.jpg
Fate/Stay Night (2006)
"There are two kinds of dreams. One for which the person is too small to grasp, and one which is too great for anyone to grasp."
- Fate/Zero
This series was a bit of a mess. But it was the kind of mess that all animes should aspire to be. In the end, Studio DEEN was too small to grasp the dream, they weren't given the kind of budget they would have needed, they didn't have the talent they needed, and they weren't given the number of episodes they needed. But in many ways, the dream was too great for anyone to have grasped, unless the show was at least 3 (and probably 4) seasons of 13 episodes each in length and had the kind of budget a Gundam series normally would command. I don't think ufotable could have done that much better considering the limitations that DEEN faced in 2006. Fate/Stay Night was just a dream, but it was the good kind of dream, the kind that all animes would benefit from chasing if they at least tried and failed rather than have never tried at all. Once you've suffered through enough half-assed J.C. Staff animes, even an anime that puts forth effort and doesn't quite succeed is something noteworthy.
Within the limitations of the producing studio, and the budget, and the number of episodes given, this show was given all the effort that Studio DEEN could muster. They really tried to animate every fight to the best of their ability, they really tried to cover as much of the story as they could while condensing the 3 routes of the VN into an omnibus format, and they really tried to give the whole affair a life of it's own. I found Shirou insufferably annoying most of the way through, but without knowing the source material it's difficult to say how much of this was exactly as it was in the VN. The other characters were enjoyable, even if the anime didn't find it relevant or interesting to ever tell us what anybody's real motivations for their actions were for it's entire run.
Like the Servant a Master summons into the world, F/SN was both alive with it's own vibrance and yet fundamentally dead, because ultimately it couldn't cohesively convey the story of the VN without the viewer having previous knowledge of it beforehand. There is no way I would have known anything that was going on if I hadn't watched the first half of Fate/Zero before tackling this series, and that is pretty much the worst crime an adaptation of source material from another medium can commit. Having not read the VN, I can't speak to how well it stands as a companion piece to it, but as a standalone anime it puts forth a monumental effort and falls just short in key areas like explaining why people are doing what they are doing.
Therefore, the irony of the F/SN anime is that in 2006 it would have failed utterly to convert anyone to becoming a fan of the franchise or Type-Moon properties in general. In 2012, when viewed after the (far superior) F/Z anime, it is a reasonable continuation of the story begun in it's prequel. If nothing else, the maddening way the show just jumps from set piece to set piece without explaining why anything is happening will encourage people to go and read the VN so they find out. Maybe that was the goal all along, but annoying the viewer to death by having people do things just because they apparently feel like it isn't the right way to encourage that because most people will just get mad and quit.
I'm assuming the ending of the show matches the Fate route it mostly adapts, and so it's not really a happy ending, but it was a good ending. As a proud member of the All-Around Mustache Club, I don't really have a ton of criteria for judging how good an anime really is besides was the animation pretty and did it have a good ending. The animation wasn't pretty, and Shirou's character stood out as being exceptionally ugly though the other characters fared better. But I did cry several times at the end, and that always counts for something when I rate animes.
Fate/Stay Night
"Shirou's Law: The dumber the shounen lead is, the more awesome his love interest will be."
Final Rating: 7.5SabersRinsIlyas out of 10
Symphogear 13
Whereas in a show like BRS TV, you watch something in which people suffer and, if you're so inclined, you can take delight in that suffering, here you watch a show that makes you suffer, and that isn't as delightful.
The last episode managed to cancel even theIf the art was better, the animation was better, the songs the girls singed were styled differently and, most importantly, the pain and hardship these characters were seemingly going through felt more real and mattered, I might have enjoyed it more.suffering the character had in the first episode, because, naturally, the girls didn't die.
As it stands, it's one of the worst shows of the winter for me. Not GC bad, but still...
Sad to see Milky Holmes II start off selling half as much as the first season did. Hopefully it picks up with later volumes, as the season improved...Current Winter Temporal Sales Rankings:
12,828 *2 Inu x Boku SS [DVD+BD]: 2012/03/21
10,345 *2 Natsume Yuujin-chou Shi [DVD+BD]: 2012/02/22
*9,121 *1 High School DxD [DVD+BD]: 2012/03/21
*6,128 *1 Ano Natsu de Matteru [DVD+BD]: 2012/03/23
*4,973 *2 Brave10 [DVD+BD]: 2012/03/21
*4,588 *2 Mouretsu Pirates [DVD+BD]: 2012/03/07
*4,454 *1 Senki Zesshou Symphogear [DVD+BD]: 2012/03/28
*4,012 *2 Papa no Iu Koto wo Kikinasai! [DVD+BD]: 2012/03/07
*3,089 *1 Rinne no Lagrange [DVD+BD]: 2012/03/23
*2,353 *1 Tantei Opera Milky Holmes 2 [DVD+BD]: 2012/03/21
*2,192 *1 Another [DVD+BD]: 2012/03/30
*1,525 *1 Zero no Tsukaima F [DVD+BD]: 2012/03/21 (v2 sales)
**,686 *1 Kill Me Baby [DVD+BD]: 2012/03/07
Dantalian in die Bibliothek vol. 09
Some good art in here, even if it comes at the cost of the animation being bad. Even for such a good hook I wasn't particularly engaged with what was going on (although I suppose that could be a side effect to not watching much else of the series). There's something really off about the pacing, and how one scene transitions into another. There are a lot of strange fades to black, like the shots aren't really there to be strung together. I also can't say that the near silence spanning across most of the episode really does a lot for me. I wasn't sure if this was because an artistic choice because they were in a book, but if it is it isn't consistent, and certain scenes suddenly pick up with a song in the background.
Interesting to watch for the unrealized potential, but Dantalian is still Dantalian.
Eh, if you look at her in an action pose and not that one there, I think Otome's Tokugawa's at worst no worse than Basara's. I mean, like all the characters in that series, she is a good fighter of course. Oh, going just by costumes, I think Basara and Collection's are the worst. Otome's is slightly, but not much, better.I think that there's a pretty linear decay in how the characters reflect the persona of the actual Tokugawa. The grizzled, armor-plated, cannon-wielding Tokugawa of the Sengoku Musou games still looks convincingly like someone who had the military might to unite all of Japan under his name. Basara's Tokugawa still exudes might but is much more bishounen (and in the game is a perfect idealist who prattles on about the power of "bonds"), Otome's Tokugawa is a young girl, and Collection's Tokugawa is an even younger girl.
That wouldn't make any sense in Sengoku Otome though, given that male humans literally don't exist in that world... but sure, I'd be interested to see something like that for sure. I do like Koihime Musou, but a more realistic take like that would be pretty interesting to see too.I don't need total historical accuracy in how Sengoku-era figures are portrayed in games and anime, but I do prefer designs that reflect something about the character of the actual historical figure. Even genderswapped characters are fine in theory, but instances of genderswapping that serve a purpose beyond mere sexualization are rare. If Oda Nobuna was going to be a story about Nobunaga falling in the Spring of Drowned Woman, emerging female, and rising above doubts about a female's fitness to lead an army, I would probably be interested.
Pretty much, yeah, though it looks like Sengoku Collection is turning out worse than Sengoku Otome did.As it stands, every genderswapped Sengoku/Sangokushi show ever has been a blatant fanservice vehicle attempting to reconfigure a genre generally dominated by fujoshi to appeal to male otaku. The highlight of everything that we know about Oda Nobuna so far is that there's a character whose armor has breast jiggle. That's pretty sad.
No, they're female versions of the names. I think the two groups worked together to come up with names they'd both use or something... I mean you could be right, but I doubt it, there are so many characters that I'd think that someone would have a slightly different name, if they weren't coordinating it.I would assume that characters sharing names in Ikkitousen and Koihime Musou are probably the result of their being named directly after the historical figure they're meant to represent.
Unfortunate.Sadly, there were no yuri confessions at the real Honnouji.
Space Bros 1
That was quite good. It did most everything you'd want from an opening episode, including establishing the primary character relationships, building the setting, and laying out clear expectations for where the plot is headed. The editing was also very effective, in how it maintained a smooth pacing, intelligently mixed in flashbacks, and connected events occurring in different places and times. It was particularly interesting how they connected scene transitions using visual composition.
http://i.minus.com/ibhX5g935ggsTf.gif
http://i.minus.com/ibvspQUlZXxyjr.gif
I didn't even notice that red card connection when I was watching. After reading the first chapter of the manga for comparison, I'm impressed at how the anime improved on it in many subtle ways in the process of making it fit its new medium.
Space Bros 1
That was quite good. It did most everything you'd want from an opening episode, including establishing the primary character relationships, building the setting, and laying out clear expectations for where the plot is headed. The editing was also very effective, in how it maintained a smooth pacing, intelligently mixed in flashbacks, and connected events occurring in different places and times. It was particularly interesting how they connected scene transitions using visual composition.
I'm pretty surprised of how active this thread is; didn't know Gaf liked anime this much.
I'm pretty surprised of how active this thread is; didn't know Gaf liked anime this much.
Anyway, I'm amazed at how much Oreimo entertains me, basically nothing happens in some episodes, like the one when Kuroneko's just doing regular things around her house and Kirino spends the day playing her new Eroge; but I just breeze through them and end up strangely amused.
You obviously haven't spent enough time reading this thread.I'm pretty surprised of how active this thread is; didn't know Gaf liked anime this much.
I'm pretty surprised of how active this thread is; didn't know Gaf liked anime this much.
Ah, that one girl did die in ep. 1, yes?
Jay Gatsby is one of the greatest characters in Fiction. He exhibits pure class.You're going to go with Gatsby and Caulfield as contenders for greatest fictional characters? Really?
No we mostly like talking about word meanings and other pointless areas of discussions then actually discussing anime itself.I'm pretty surprised of how active this thread is; didn't know Gaf liked anime this much.
-snip- Gunslinger Girl stuff
So do you guys think Medaka Box is going to be better or is it ultimately just a bad show through and through? Will the aforementioned genre shift change it for the better?
So do you guys think Medaka Box is going to be better or is it ultimately just a bad show through and through? Will the aforementioned genre shift change it for the better?