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How does TFA stack up to Age of Ultron, if we're talking big franchised blockbusters of 2015?
If you overlook the blatant parallels and focus on the new characters, "The Force Awakens" is at its best. Daisy Ridley is an absolute treat as Rey, the mysterious protagonist. Ridley's portrayal of Rey is one of a self-sufficient young woman who doesn't need anyone's help but is willing to offer it when needed. She has her vulnerable side, particularly around her mysterious past and unknown family, but that doesn't define her. Rey is strong and confident, and it's obvious from the start that she is the star of the show. Come Halloween, don't be surprised if there are thousands of girls wearing Rey costumes, just as there were thousands of boys wearing Luke Skywalker costumes when the original trilogy was in theaters.
The one character I wasn't quite sure what to think of was Kylo Ren (Adam Driver). A Dark Side user following in Darth Vader's footsteps (he even has a Dark Side master, portrayed by Andy Serkis), Ren's driving goal is to eliminate all traces of the Jedi. While his first appearance is imposing, Ren's unstable nature means the character has none of Darth Vader's gravitas. Perhaps things will change in the next film, but for now, Ren can't even compete with Darth Maul as a villain, let alone Darth Vader.
When it comes to the soundtrack, "The Force Awakens" sees a return appearance of John Williams, though like Abrams, Williams seems to be playing it safe and relying on nostalgia rather than something new. Much of the soundtrack is atmospheric, with major cues reusing themes from past films. There are no stand-out tracks like "The Imperial March" or "Duel of the Fates" here.
Ultimately, "Star Wars: The Force Awakens" isn't a bad film, but it's also not an amazing film. Instead, it's a solid first entry in a new trilogy that relies on nostalgia and plays it safe in order to set the stage for what's to come. Star Wars fans are likely to appreciate "The Force Awakens" more for the foundation it lays than the immediate experience it provides. The payoff isn't at the end of the film but in Episode VIII and Episode IX. If you've never seen a Star Wars movie before, you'll probably think better of the film because it won't feel quite so familiar.
Hopefully it blows it out the water from a quality standpoint....given the reviews that seems to be the case.How does TFA stack up to Age of Ultron, if we're talking big franchised blockbusters of 2015?
You're saying camp is bad? Mad Max is super campy, but it's great. And yes, it is cliche reliant. I still don't see how that's a bad thing lolCreed is pretty cliche reliant, a bit campy and barely hides that it is basically retreading the original. Not to mention not having seen the previous films reduces a lot of the films potency. The direction is really good and the acting is solid, which elevates an otherwise fairly by the numbers boxing story and script.
Creed is a solid boxing film with excllent direction while Mad Max is an action and technical masterpiece. One that is seemingly poised to go down as one of the all time greats in its genre. That's not a knock on Creed, it just speaks to the achievement of Mad Max and how impressive it is what they accomplished in all facets of film making.
WorthPlaying Review:
http://worthplaying.com/article/2015/12/16/reviews/97989/
As someone who's trying to stay spoiler free I don't want to read too many of the reviews, but can anyone explain to me why the movie is PG-13? All I've seen was "sci-fi action violence", that pretty much describes all the other SW films are as well... Is this just The ratings board being overly cautious?
As someone who's trying to stay spoiler free I don't want to read too many of the reviews, but can anyone explain to me why the movie is PG-13? All I've seen was "sci-fi action violence", that pretty much describes all the other SW films are as well... Is this just The ratings board being overly cautious?
IGN said there's some blood and serious violence. And a good amount of death.
not much of a spoiler but have to be safe.
Gracias.
I can deal with that. Surprised thatis in there, feels like that's a first for SW moviesblood
Gracias.
I can deal with that. Surprised thatis in there, feels like that's a first for SW moviesblood
It's hard for me to explain it since I've seen Wrath of Khan maybe two dozen times. As a Star Trek fan, it's a poor remake of the most well known (but not the best performing) film of the franchise.why do people hate into darkness so much?
i enjoyed it
Mad Max's strength lies in the fact that it used practical effects. It's amazing because in a sea of CG, it just stands out.Creed is pretty cliche reliant, a bit campy and barely hides that it is basically retreading the original. Not to mention not having seen the previous films reduces a lot of the films potency. The direction is really good and the acting is solid, which elevates an otherwise fairly by the numbers boxing story and script.
Creed is a solid boxing film with excllent direction while Mad Max is an action and technical masterpiece. One that is seemingly poised to go down as one of the all time greats in its genre. That's not a knock on Creed, it just speaks to the achievement of Mad Max and how impressive it is what they accomplished in all facets of film making.
Lots and lots of them, all the traditional wipes and sounds that come with that lots of different wipes, circles and fades and all over the place.But... Just one question
...are there wipes?
Frankly if TFA is as forgettable as most Marvel movies I will ultimately feel the film is a dissapointment.
How did one review just bring it down 2%?
Because -- OMG why you still looking at the score??? Ignore this shit!!!!
Actually it isn't - there isin A New Hope.blood
You mean discounting thein A New Hope?bloody stump of a dismembered arm and smoking skeletons
It dropped to 95%, can't wait to see how it holds up on the 18th!
Reading the blurb portion of most reviews in an attempt to avoid spoilers, yeah, this definitely sounds like being extremely derivative is a consistent takeaway. My enjoyment is going to be dependent on whether it comes across as more full of callbacks or a straight rehash. The latter is going to be a major turnoff for me.
It's depressing how much it sounds like the concerns I've had since Abrams landed the job were spot on. I expected a good but not great film that feels incredibly derivative. Maybe I'll like it a ton despite that though. The only way to know is to see it for myself. And if it's just a good movie that doesn't live up to the hype, that'll be OK. We all know it could have ended up so much worse.
You're saying camp is bad? Mad Max is super campy, but it's great. And yes, it is cliche reliant. I still don't see how that's a bad thing lol
It seems like you just like action movies more than sports ones
Blaming Abrams is LOL!! Lucas film, the freaking writer of ESB and few others all worked on this film.
I think KoTOR2 is probably the most interesting Star Wars story to come out of decades of Expanded Universe bullshit. But that's way too grey for a mass market.I'll still blame Lucas. He created this universe and there's only so much you can do with it.
Absolutely.The ratings board has become more and more cautious over the years. To the point where adding PG-13 has basically become irrelevant. Where we used to have G, PG, and R. We now have PG, PG-13, and R. (In most recent years there have been less than 5 movies that get G ratings by the MPAA.)
By today's standards, all six Star Wars films would probably be PG-13.
Absolutely.
I got into this argument multiple times when I made the case this film was guaranteed to be rated PG-13.
I heard excuse after excuse after excuse for why I was wrong. But what you say is true. The MPAA has gotten more strict, not less so, to the point that subjective adult themes gets you a PG today. Pretty much any blood or a decent bit of violence gets you a PG-13.
A bloody decapitated limb and a burnt body in full view would never pass PG standards today.
The MPAA is such a clusterfuck though that it takes essays to properly explain all the weird logic they operate with.
Lots and lots of them, all the traditional wipes and sounds that come with that lots of different wipes, circles and fades and all over the place.
I think they probably had a lot more work off-screen than on.Saw a review that said The Raid actors are waisted in this tho
I think they probably had a lot more work off-screen than on.
Yeah, it pretty much feels like adding PG-13 way back when was pointless. We used to have G - PG - R. Now G and PG are pretty much interchangeable and arbitrarily assigned, and we have G/PG - PG13 - R.
Shit, Disney's The Hunchback of Notre-Dame was rated G. How the hell is Star Wars: the Force Awakens two whole ratings more adult that a movie where a guy threatens to burn a family alive if a woman won't let him rape her?
Yeah, it pretty much feels like adding PG-13 way back when was pointless. We used to have G - PG - R. Now G and PG are pretty much interchangeable and arbitrarily assigned, and we have G/PG - PG13 - R.
Shit, Disney's The Hunchback of Notre-Dame was rated G. How the hell is Star Wars: the Force Awakens two whole ratings more adult that a movie where a guy threatens to burn a family alive if a woman won't let him rape her?
Yeah, it pretty much feels like adding PG-13 way back when was pointless. We used to have G - PG - R. Now G and PG are pretty much interchangeable and arbitrarily assigned, and we have G/PG - PG13 - R.
Shit, Disney's The Hunchback of Notre-Dame was rated G. How the hell is Star Wars: the Force Awakens two whole ratings more adult that a movie where a guy threatens to burn a family alive if a woman won't let him rape her?
Not only that but PG-13 itself has been neutered over the years. To the point that many PG movies of yesteryear would actually be R today.
A film like Poltergeist and maybe even Jaws would probably get R ratings today and a pg-13 film like the original Red Dawn would certainly be R rated now.
It really is:
Modern PG = encompasses most of the boundaries of classic G ratings.
Modern PG13 = a much more restrictive version of the old PG rating
Modern R= hard classic PG, early PG-13 and up.
Some twat handle posted a spoiler in a youtube comment section the other day but i obviously didn't know if it was genuine or not. Then today my brother got spoiled, we were just talking about it and both comments said the same thing.
So, thats the ending ruined. People are such bad dickheads.
It's depressing how much it sounds like the concerns I've had since Abrams landed the job were spot on. I expected a good but not great film that feels incredibly derivative. Maybe I'll like it a ton despite that though. The only way to know is to see it for myself. And if it's just a good movie that doesn't live up to the hype, that'll be OK. We all know it could have ended up so much worse.
Not only that but PG-13 itself has been neutered over the years. To the point that many PG movies of yesteryear would actually be R today.
A film like Poltergeist and maybe even Jaws would probably get R ratings today and a pg-13 film like the original Red Dawn would certainly be R rated now.
It really is:
Modern PG = encompasses most of the boundaries of classic G ratings.
Modern PG13 = a much more restrictive version of the old PG rating
Modern R= hard classic PG, early PG-13 and up.