Jelly Rajah
Banned
Let's face it.
TFA is a big turd that's spray painted gold.
TFA is a big turd that's spray painted gold.
Nope!Let's face it.
TFA is a big turd that's spray painted gold.
Except the original Star Wars trilogy bothers to develop it's characters beforehand.No necessarily but it certainly works for many films including... the original Star Wars trilogy!
Think about it. Besides Rey choosing to save BB-8 and Finn deciding to not leave with the pirates, what character-defining choices do we see them make? The writers choose to supply us with the absolute minimum amount of information possible about these characters, because there's no time. We just see them fighting hordes of enemies together, and apparently, that's enough to get us to 'relate' to them.
It's just lazy writing.
Despite what many would say, this movie isn't Episode IV. It's structured differently and there's plenty of time to get to know Rey and Finn at the start before they're clashed together.Except the original Star Wars trilogy bothers to develop it's characters beforehand.
What you're saying is that it would be OK to skip the entire Mos Eisley sequence from Episode IV and cut straight to the action in the Falcon during their escape.
Despite what many would say, this movie isn't Episode IV. It's structured differently and there's plenty of time to get to know Rey and Finn at the start before they're clashed together.
You're reaching, there.Despite what many would say, this movie isn't Episode IV. It's structured differently and there's plenty of time to get to know Rey and Finn at the start before they're clashed together.
LolIn the same post, you covered the things that you know about Rey. Whether Finn knows them now or not is not as important as whether the audience knows them. We know they're both desperate for different reasons. Finn is looking for something to hold on to, Rey is fighting against her need for the same.
As far as character-defining choices, we see:
- Finn being traumatized and choosing to defect / "do the right thing"
- Finn almost stepping in to help Rey in Jakku (and then needing her help)
- Rey choosing to run from her destiny
- Finn's only priority being the retrieval of Rey on Starkiller
- Finn stepping up to fight even when insanely outmatched against Kylo
- Rey letting the force and her instincts in
Amongst others. The movie could have slowed down a bit and would have been fine (but you're in risky territory with a 2.5 hour long family movie), but there was plenty to process and absorb as a viewer. They just don't stop to spell it all out that much.
Both.Make up your mind, is it a big disrespectful misinterpretation or too derivative??
Lol
Sorry, but I don't 'buy' Finn yelling out Rey's name during her abduction or Rey softly kissing an unconscious Finn while muttering "Thank you, my friend."
That breaks immersion to someone like me. That takes me out of the film because it is not earned.
I'm defending the stuff I think the film excels at and that is definitely the characters. Finn and Rey have more in common then one would think, which is why she doesn't really give a shit that he lies, but does give a shit that he leaves. Stuff like that.You're reaching, there.
And I'm not suggesting that everything should be done like Episode IV. But if you ARE going to emulate Episode IV, as this movie so clearly tries to, at least emulate the GOOD things regarding that film. In the narrative sense, I mean.
You're trying to defend lazy screenwriting.
Are you surprised, given that I don't dislike a film that has a 90+ rating on rotten tomatoes?You don't seem to buy the opinion of anybody that disagrees with you, which makes discussion an exercise in tedium. There was plenty done to flesh out the characters, much of which you cited (but somehow doesn't count because it was shown to the audience instead of said character-to-character). You don't have to like it, but it's there.
If the desctruction of Starkiller was the climax of TFA, then I might agree with you that JJ doesn't give it the oomph it needs to match the destruction of the Death Star in ANH, which is the climax of ANH. But that's not the climax of TFA, and he gives the actual climax of TFA as much Star Wars as I would think is possible.Both.
TFA has a hint of Into Darkness/Wrath of Kahn syndrome. It is to a much smaller degree, and TFA is the much better film, but there are real similarities.
It deliberately imitates the structure and story elements of a classic film. This is enough to raise the ire of certain fans on its own. But it may be forgiveable if it were an accurate revival of what made the original great. The far greater sin is that the retread pulls off many of the moments with far less impact than the original.
That Starkiller attack run is a retread of the Death Star attack run. We all know that. But the Death Star attack run was this tightly edited work of poetry, cross-cutting between our heroes and the enemy attacks, timed perfectly with Williams score, building up to a moment of climax when Luke makes the final shot destroying the Death Star before it can destroy Yavin.
By contrast, the Starkiller attack run was a typically 2010s miasma of meaningless CGI shots that don't ground us anywhere in the action. It doesn't care what the heroes inside the X-wings are doing or thinking. It doesn't care how the enemy is reacting to the attack. It doesn't care about the status of the Williams score and how it is building to a heroic moment. The Starkiller base exploding just kind of happens eventually.
I guess I have to conclude there are things JJ doesn't really understand about Star Wars, and I mean cinematically. I can't believe that someone would consciously recreate story moments from the original movie and at the same time fail to recreate what made them special on a level of direction and editing. Much has been said about how JJ is a wonderful mimic of classic directors like Spielberg and Lucas... I think that's very wrong. I think there are some basic stylistic facts about these classic directorial styles that many of us see plain as day... And JJ doesn't. He is a competent workman who isn't ashamed to step into the shoes of giants, but he is no master reverse-engineer of these classic films.
Both.
TFA has a hint of Into Darkness/Wrath of Kahn syndrome. It is to a much smaller degree, and TFA is the much better film, but there are real similarities.
It deliberately imitates the structure and story elements of a classic film. This is enough to raise the ire of certain fans on its own. But it may be forgiveable if it were an accurate revival of what made the original great. The far greater sin is that the retread pulls off many of the moments with far less impact than the original.
That Starkiller attack run is a retread of the Death Star attack run. We all know that. But the Death Star attack run was this tightly edited work of poetry, cross-cutting between our heroes and the enemy attacks, timed perfectly with Williams score, building up to a moment of climax when Luke makes the final shot destroying the Death Star before it can destroy Yavin.
By contrast, the Starkiller attack run was a typically 2010s miasma of meaningless CGI shots that don't ground us anywhere in the action. It doesn't care what the heroes inside the X-wings are doing or thinking. It doesn't care how the enemy is reacting to the attack. It doesn't care about the status of the Williams score and how it is building to a heroic moment. The Starkiller base exploding just kind of happens eventually.
I guess I have to conclude there are things JJ doesn't really understand about Star Wars, and I mean cinematically. I can't believe that someone would consciously recreate story moments from the original movie and at the same time fail to recreate what made them special on a level of direction and editing. Much has been said about how JJ is a wonderful mimic of classic directors like Spielberg and Lucas... I think that's very wrong. I think there are some basic stylistic facts about these classic directorial styles that many of us see plain as day... And JJ doesn't. He is a competent workman who isn't ashamed to step into the shoes of giants, but he is no master reverse-engineer of these classic films.
If the desctruction of Starkiller was the climax of TFA, then I might agree with you that JJ doesn't give it the oomph it needs to match the destruction of the Death Star in ANH, which is the climax of ANH. But that's not the climax of TFA, and he gives the actual climax of TFA as much Star Wars as I would think is possible.
A pretty big difference in structure is that the Death Star exploding was the climax of a New Hope. The climax of TFA is the saber fight. Specifically when Rey grabs the Light Saber.
The Starkiller X-Wing attack is connective tissue that attaches the two most important beats of the film. Solo's death and Rey's acceptance of the Light Saber. It's difficult to compare it to the ANH sequence that serves an entirely different purpose.
Oh absolutely. I know I can say goodbye to that distinction forevermore from now on.The interesting thing is what a "real" Star Wars movie is might not matter much anymore. By the time we get to Episode 13 and have gone through a bunch of different writers, directors and spin-offs Star Wars will be in a completely different place than everyone is currently used to.
I think there's something to say for watching a movie when you're young (and over and over again) that moments feel more significant. TFA spends just as much time with the X-Wing pilots as ANH does.By contrast, the Starkiller attack run was a typically 2010s miasma of meaningless CGI shots that don't ground us anywhere in the action. It doesn't care what the heroes inside the X-wings are doing or thinking. It doesn't care how the enemy is reacting to the attack. It doesn't care about the status of the Williams score and how it is building to a heroic moment. The Starkiller base exploding just kind of happens eventually.
Hi ROTJ, I'm a sloppy action sequence involving teddy bears and two of the main characters that drags the rest of the third act down.Sure... Make the climax the lightsaber conflict between Rey and Kylo. Great.. I love it. But to have an anemic Death Star battle in the background? Why even bother. A real Star Wars movie would have expertly cut between the space battle and lightsaber conflict, both of them having weight, and both of them having satisfying conclusions that more or less time up together. ROTJ says hello.
Despite the differing opinions of fans, I'm sure many can agree it's both an exciting and scary prospect.Oh absolutely. I know I can say goodbye to that distinction forevermore from now on.
One month ago, there is no way in hell that the ending to TFA was a proper Star Wars ending. It's a direct cliffhanger setting up the next film, starring a living macguffin, shot from a damn helicopter. The first movie in a Star Wars trilogy should end at a ceremony with the heroes standing around grinning. Obviously?
But it's a Star Wars ending now, and no one will be able to tell that it ever wasn't soon enough...
Despite the differing opinions of fans, I'm sure many can agree it's both an exciting and scary prospect.
Personally I'm at least looking forward to many different creatives working on it.
There's this weird perception Disney outside of Lucasfilm was involved in the creative decisions of The Force Awakens. Everything we've seen suggests Lucasfilm was calling all the shots.creatives, shareholders, board members, disney executives, all stirring away at one artistically bankrupt mulch.
star wars by whiteboard.
Sure... Make the climax the lightsaber conflict between Rey and Kylo. Great.. I love it. But to have an anemic Death Star battle in the background? Why even bother. A real Star Wars movie would have expertly cut between the space battle and lightsaber conflict, both of them having weight, and both of them having satisfying conclusions that more or less time up together. ROTJ says hello.
There's this weird perception Disney outside of Lucasfilm was involved in the creative decisions of The Force Awakens. Everything we've seen suggests Lucasfilm was calling all the shots.
I guess it's because people like the simple narrative of Disney purchasing Star Wars and then "ruining" it with their influence somehow. They assembled the heads for the project, but everything good or bad from the movie really is thanks to those heads and the rest of Lucasfilm.
In A New Hope, the entire plot is centered around the Death Star plans and the Death Star itself.Did the Starkiller even really need to be in the movie? I mean, I understand it gave The Resistance something to fight against and a sense of urgency, but I feel like the same could have been gained if they had say, just found our where The First Order's home base was and decided to mount an attack on it.
The whole Starkiller being the death star 3 and the retreat of the trench run scene seemed so...inconsequential. Obviously not to the actual characters of the movie, but in terms of the film itself. Like people said, the Death Star's destruction was the climax of ANH. This movie would be like if they tried doing that AND Luke's encounter with Vader all in one movie
Saw it yesterday. Enjoyed most of it.
Didn't care for the killing of Han. Seemed like an easy way to get Ford off the payroll.
And did the movie explain Kylo's reasoning for joining the dark side aside from "reasons"? I didn't really buy why he was bad.
Didn't care for the killing of Han. Seemed like an easy way to get Ford off the payroll.
That's just not the case. Childhood nostalgia? It's right there on screen and you can look at it right now.I think there's something to say for watching a movie when you're young (and over and over again) that moments feel more significant. TFA spends just as much time with the X-Wing pilots as ANH does.
ROTJ is not ideal. It's also a pale retread of the first Death Star, and that attack also fails to capture the tense beauty of the original sequence.Hi ROTJ, I'm a sloppy action sequence involving teddy bears and two of the main characters that drags the rest of the third act down.
First Order would have been better if it was guerrilla fighters.
I would have enjoyed a different style. Unfortunately, I think a lot of focus was placed on continuing the iconic imagery at the expense of doing something new with the First Order, especially after the prequels' CIS covered that ground already.First Order would have been better if it was guerrilla fighters.
Looking at that box office, there must be a lot of loud boisterous OT only Star Wars fans.
Except the original Star Wars trilogy bothers to develop it's characters beforehand.
What you're saying is that it would be OK to skip the entire Mos Eisley sequence from Episode IV and cut straight to the action in the Falcon during their escape.
I really liked the movie because it brought back the adventurous fun feeling the OT had but it's certainly not without issues. I do like how we got some seemingly different characters though this time around, even if all of the plotting and action were very familiar. A storm trooper actually defecting and a villain who directly out of the gate is having some internal conflict as to whether or not he is on the right side. I really liked the menacing nature of Kylo, he seemed very dangerous and impressively strong... that is until the very end where they appear to have dumbed him down so he doesn't instantly slaughter the 2 heroes.
I liked the lightsaber fight choreography itself as it seemed more like a fight and not a musical dance video, but ultimately there are a bunch of issues I had with how it actually went down. So he forced pushes the girl into the tree knocking her out then... he decides to fight with the guy instead of doing the same to him. It would have made more sense for Finn to get knocked out and Rey be able to resist the force push or whatever seeing as how she now has a grasp on her powers. Finn somehow being able to defend himself at all against a guy who we earlier saw freeze people with a thought and is seemingly a Jedi master with expert lightsaber skills just seemed unconvincing. At least Rey has the easy copout of saying it was the Force that gave her a chance at fighting, but Finn's just some regular dude.
He wasn't trying to kill Rey and he was toying with Finn.
I'm assuming you mean where he wants to turn her to the dark side, but what exactly does he gain from toying with a traitor? Some random no-name trooper that got scared and ran away? Why toy with him? What purpose does he serve him? It just makes no sense.
It seemed like he just enjoyed tormenting people. He did the same with Poe and Max von Sydow's character near the beginning of the film. He seemed far more eager to play with his food than Vader ever did.
I'm assuming you mean where he wants to turn her to the dark side, but what exactly does he gain from toying with a traitor? Some random no-name trooper that got scared and ran away? Why toy with him? What purpose does he serve him? It just makes no sense.
He was torturing Poe to get information and did he not just murder that dude after talking with him for a moment? I can't remember that part as well.
A pretty big difference in structure is that the Death Star exploding was the climax of a New Hope. The climax of TFA is the saber fight. Specifically when Rey grabs the Light Saber.
The Starkiller X-Wing attack is connective tissue that attaches the two most important beats of the film. Solo's death and Rey's acceptance of the Light Saber. It's difficult to compare it to the ANH sequence that serves an entirely different purpose.
Heh.
So, Disney intentionally made a film to push women..
..but subsequently didn't push Rey figures.
.. and thought the way to promote said agenda was to make said character a "Mary Sue"
This is why the Mary Sue argument falls apart, IMO.
No it's doesn't because that has nothing to do with being a Mary Sue within the context of the story, Mary Sues are typically the result of bad writing and deux ex machina's. Rey at the very least has one of those down.
By having someone completely untrained a defeat Dark Jedi with years of, as bad as some the fight were in the PT they were never that bad in terms of believability. It's a far worse climax than the destruction of star Killer.