Sabagebu 11
I tend to avoid writing about comedy anime because it is incredible difficult to do without spoiling punchlines. Leaving aside spoiler philosophies aside, I just thought this week's episode was just amazing.
The Child Don
Here you have a segment where the comedy is based on a delay of expectations. The punchline isn't that the shopkeeper confuses Momoka for a crime family's daughter, even though that in itself is amusing, but Momoka's ultimate comeuppance at the end of the segment. The set up for the joke is the initial premise of the episode, where Miou wants to get her prized gun serviced, and what happens at the end when Momoka fails at her task.
Day of the Feet
This segment's punchline is based on complete misdirection. But what makes it work is that it still logically consistent within the framework of the series' mythology and fiction. With this strange Cinderella premise, where a rich man desperately wants to meet the woman who was able to walk so gracefully in a pair of heels that he offers a large cash reward on national television in order to find her, you are led to believe that it is a set up for the fact that Momoka is up to her selfish, evil tricks once again. This leads to an overwrought training arc and some weird fetishism expressed in the episode:
But this male gaze and objectification pays off, because the segment is not really about how Momoka tries to scheme her way into winning the reward money, but how Lemon - the pervy otaku - plays into the episode. The punchline is funny because it comes out of nowhere and has nothing to do with the premise of the episode. Momoka's arc is just a big bluff until you see the pay off to the set up.
Sega should have hired these guys to make an Aliens game
The third segment sets up a punchline that plays off of what you know about Momoka and how she would act in any situation that involves profit.
So you have a premise about the club being about to eat an expensive crab, leading to a large scale slapstick/action comedy sequence involve Platy and the Crab fending off the members of the Survival Game Club.
The story ends with you thinking that this is a simple morality tale about respecting the wishes of friends, as the club, Platy, and the Crab find a way to resolve their differences (namely, the club's desire to eat the Crab). The punchline comes when you see how Momoka reacts when compared to the other girls in the club, in that it is amusing that she lives up to your expectations of the character.
But that's not actually the final punchline. The episode returns to the absurdity of a sentient Crab at the very end, with a scene that makes no sense in any other context except the heightened reality of the show. It's funny because the rules of the anime world suddenly clash with the rules of the "real world", and this collision between these two disparate rules leads to a killer punchline that essentially laughs at the original resolution of the segment. Momoka's final reaction is just icing on the cake, selling the punchline and reminding you of the absurdity of the cartoon logic in the episode and the show.
Comedy of Errors
There are many types of comedy of course, but this is a show that is sophisticated in how it plays with expectations. It's not just expectations of the characters, or the contexts that they find themselves in, but our expectations of the comedic structure as well. Comedy is a strange art in that it can be very easy to make someone laugh, but it is so decidedly subjective that a joke that is funny to one person might fall flat with another person. It's why even though there are probably thousands of stand-up comics in the world, there will always be someone who writes and performs a routine that is both new and exciting to watch.
I feel like anime comedy is the same way, since there are so many ways to do situational comedy. It could be the gender expectations in this season's
Nozaki-kun, or the cartoon absurdity of
Nichijou and
Seki-kun, or even referential humour found in something like
Lucky Star. While other genres seem bogged down by replication of some sort or another, whether tropes, storylines, or characters, anime comedies seem to be able to run the gamut. I knew when I watched that low-res pre-air streaming episode of the show when this season first started that I was going to love this show, and I'm glad that as we near the end, it has become one of my favourite anime comedies.