This makes it tough to keep Hulu around. Wondering how many of the criterions this will have and how much it'll end up being.
Wonder how much better they can make Ugetsu look, the negatives are gone for that one if I remember correctly. And then there is the question of whether Criterion is interested in upgrading it, the Mizoguchis weren't selling that well for Eureka. But then the boxset became quite the sought after thing. Oh well.
Personally I'm hoping for The Decalogue to get a good release, and the part that says "Most of the films which will be presented will be released in theaters and on DVD/Blu-ray." makes me happy.
It's probably just me being superstitious, but if they do get to Ugetsu, I'm going to be holding onto my DVD until they announce the full specs for it. It comes with such a nice booklet, complete with the short stories that inspired the film, and I'd hate to lose that.
People looking for space saving alternatives usually use either CD binders, or a file catalog type system with sleeves in a drawer (with or without the cover art). Personally, I proudly display my collection on shelves in my office.Since I assume everyone here collects blu's/dvd's.. given its a thread based on home media. What affordable storage do you guys put your movies in? Something simple that can hold a lot of movies.
Nothing is confirmed. It might not be more expensive with criterion. I know Hulu has Criterion until November though.
This month's newsletter clue is cute and funny:
It's Cat People.
I'm a big fan of cats
I love The Body Snatcher. I would go so far as to say it's Karloff's best performance, at least that I've seen.
Really though, if we're getting Cat People, it would be a damn shame not to get Curse of the Cat People as well.
It never ceases to amaze me that Curse of the Cat People works at all. It's such a massive 180 from its predecessor, and it still works very effectively.
Does Ghost Dog have any chance of getting a Criterion? Feels like the only Jarmusch they don't have... still my favorite.
I think that's with Lionsgate these days, who have been one of the more difficult studios to license from.
Companies that do that are scum man.Why release titles when you can just horde them??? They took all those Studio Canal titles from Criterion, released a couple and sat on the rest. What a fucking awful company.
Why release titles when you can just horde them??? They took all those Studio Canal titles from Criterion, released a couple and sat on the rest. What a fucking awful company.
Remember when Studio Canal thought they could be the next Criterion, and then partnered with a company struggling to be the next Cannon Films to make that happen in the US? Good times.
I mean a lot of those discs have been released in the UK. All they have to do is print some up and sell them. It's not like it would cost them a lot more money.
According to a recent interview with Peter Becker, Criterion have acquired the rights to seven films from Ousmane Sembene. Another note is that it took them 10 years to acquire the rights to Satyajit Ray's films and 7 years for A Brighter Summer Day.
According to a recent interview with Peter Becker, Criterion have acquired the rights to seven films from Ousmane Sembene. Another note is that it took them 10 years to acquire the rights to Satyajit Ray's films and 7 years for A Brighter Summer Day.
Women in Love (1969) | Ken Russell
Synopsis: Free-spirited sculptress Gudrun and her sister, schoolteacher Ursula, become acquainted with lifelong friends Gerald and Rupert in 1920s England. Gerald falls in love with Gudrun, and Rupert with Ursula, but their respective relationships are soon put to the test, particularly during an eventful and tense holiday in Switzerland. Adapted from the novel by D. H. Lawrence. Starring Alan Bates, Oliver Reed, Glenda Jackson, Jennie Linden, and Eleanor Bron.
Psychomania (1973) | Don Sharp
LOOK OUT! The Living Dead motorcycle gang is on the rampage, wreaking havoc in their small English town. For gang leader Tom (Nicky Henson), however, mere earthly violence is not enough: he's obsessed with the occult and is convinced that he can kill himself and then return from the dead - with the help of a frog-worshipping cult and his seance-conducting mother (Beryl Reid). Remarkably, Tom succeeds and soon joins the ranks of the walking - and riding - dead! Now if he can only persuade his girlfriend and the rest of his gang to join him - but Mother and her diabolical butler Shadwell (George Sanders) may have other plans for the Living Dead, who are dangerously trespassing on uncharted spiritual grounds.
Psychomania is a pre-punk British horror cult classic featuring trashy violence, suburban witchcraft and some amazing motorcycle stunt sequences. Come and ride with the Living Dead - if you dare! Starring Nicky Henson, Mary Larkin, Ann Michelle, Roy Holder, and Denis Gilmore.
The Glass Shield (1994) | Charles Burnett
A rookie cop and his female partner (Michael Boatman and Lori Petty) uncover a dangerous world of corruption when they realise an innocent man (Ice Cube) has been wrongly jailed for murder. They come up against a test of their loyalty: should they say nothing and abide by the unwritten laws of the precinct, but deny their oaths to uphold the law; or speak out and face alienation from the force? Starring Michael Boatman, Ice Cube, Lori Petty, Elliott Gould, and Michael Ironside.
The Masters of Cinema Series
Three Days of the Condor (Dual Format) - £12.99
The Friends of Eddie Coyle (Dual Format) - £12.99
Eureka (Dual Format) - £12.99
Fixed Bayonets (Dual Format) - £12.99
Novecento [1900] (Blu-ray) - £12.99
Fritz Lang's M (DVD and Dual Format available) - £9.99
Metropolis (DVD) - £9.99
Nosferatu (DVD) - £9.99
Sunrise (Dual Format) - £9.99
Faust (Dual Format) - £9.99
Das Cabinet des Dr Caligari (Dual Format) - £9.99
The Offence (Dual Format) - £9.99
Wooden Crosses (Dual Format) - £9.99
Paper Moon (Dual Format) - £9.99
The Quiet Man (Blu-ray) - £9.99
Personally, I'm more jazzed that they're doing the remake of Invasion of the Body Snatchers the same month on the Scream Factory line, but it's nice to see them broaden out further with their studio deals.
I just meant that I can see more modern audiences being lukewarm on it. "There's lots of talking and a warbling droneish soundtrack, monsters looked fake, look at the mustaches, hey there's Spock" etc. It rides that weird and wonderful time of darker PG material that wasn't meant for adults so it's kind of pulling its own punches.I was under the impression that the remake has been held up as one of the best for a long time now. I certainly loved the hell our of it myself.
On the subject of Scream Factory, am I the only one who's generally not a fan of their artwork? It always seems like they try to capture that cheesy 80s charm and it just ends up looking kind of lame instead. Fortunately their covers seem to usually be reversible with the original artwork on the other side, although that doesn't help with the slipcovers. In most cases they could just stick with the original artwork and be fine, like with Sleepaway Camp for example. With other movies like Ginger Snaps and Night of the Comet though, the original artwork isn't very good either so it hurts even more that SF's artwork is also mediocre.
This right here is the best part of the film. I love this poster.