RIPNo, there was a Superbowl commercial I belieb.
Lol @ this random ass band outdoing Madonna
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Our Grandmother vogued for our sins.
RIPNo, there was a Superbowl commercial I belieb.
Lol @ this random ass band outdoing Madonna
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I believe that's 100000% right. Glee cast did it better than the original. The song is boring though :/ Glee does wonders on itunes though so..Is that why "We Are Young" is charting so high?
Gross.
Get your reductive ass back in here, the Madge thread is flopping even harder than this one.
Jessie J has been growing on me
Jessie J has been growing on me
I've gotten banned for that fave. The stan documents were sealed for life.
that PM is under a strict confidentiality agreement, by the way
We are a lot alike lol stan wise i mean your taste is flawless btw sis
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But I still loathe [artist] and think there needs to be more of my [better artist] in here. Something something pressed stan something faves something #dead.
Oh, and here's a GIF:
This is like the perfect template for posting here. Should be added to the OP imo.
She finally realized no one wants all of her.http://ecx.images-amazon.com/images/I/51Ntl1iyZQL._SS500_.jpg
should be added to the OP
The Misunderstood Power of Michael Jackson's Music said:More than two and a half years after his untimely death, Michael Jackson continues to entertain. Cirque du Soleil's crowd-pleasing Michael Jackson Immortal World Tour is currently crisscrossing North America, while a recent Jackson-themed episode of Glee earned the show a 16 percent jump in ratings and its highest music sales of the season. Even Madonna's halftime Super Bowl spectacle harkened back to a trend first initiated by Jackson.
But there is another crucial part of Jackson's legacy that deserves attention: his pioneering role as an African-American artist working in an industry still plagued by segregation, stereotypical representations, or little representation at all.
Jackson never made any qualms about his aspirations. He wanted to be the best. When his highly successful Off the Wall album (in 1981, the best-selling album ever by a black artist) was slighted at the Grammy Awards, it only fueled Jackson's resolve to create something better. His next album, Thriller, became the best-selling album by any artist of any race in the history of the music industry. It also won a record-setting seven Grammy awards, broke down color barriers on radio and TV, and redefined the possibilities of popular music on a global scale.
Yet among critics (predominantly white), skepticism and suspicion only grew. "He will not swiftly be forgiven for having turned so many tables," predicted James Baldwin in 1985, "for he damn sure grabbed the brass ring, and the man who broke the bank at Monte Carlo has nothing on Michael."
Baldwin proved prophetic. In addition to a flood of ridicule regarding his intelligence, race, sexuality, appearance, and behavior, even his success and ambition were used by critics as evidence that he lacked artistic seriousness. Reviews frequently described his work as "calculating," "slick," and "shallow." Establishment rock critics such as Dave Marsh and Greil Marcus notoriously dismissed Jackson as the first major popular music phenomenon whose impact was more commercial than cultural. Elvis Presley, the Beatles, and Bruce Springsteen, they claimed, challenged and re-shaped society. Jackson simply sold records and entertained.
It shouldn't be much of a strain to hear the racial undertones in such an assertion. Historically, this dismissal of black artists (and black styles) as somehow lacking substance, depth and import is as old as America. It was the lie that constituted minstrelsy. It was a common criticism of spirituals (in relation to traditional hymns), of jazz in the '20s and '30s, of R&B in the '50s and '60s, of funk and disco in the '70s, and of hip-hop in the '80s and '90s (and still today). The cultural gatekeepers not only failed to initially recognize the legitimacy of these new musical styles and forms, they also tended to overlook or reduce the achievements of the African-American men and women who pioneered them. The King of Jazz, for white critics, wasn't Louis Armstrong, it was Paul Whiteman; the King of Swing wasn't Duke Ellington, it was Benny Goodman; the King of Rock wasn't Chuck Berry or Little Richard, it was Elvis Presley.
Given this history of white coronation, it is worth considering why the media took such issue with referring to Michael Jackson as the King of Pop. Certainly his achievements merited such a title. Yet up until his death in 2009, many journalists insisted on referring to him as the "self-proclaimed King of Pop." Indeed, in 2003, Rolling Stone went so far as to ridiculously re-assign the title to Justin Timberlake. (To keep with the historical pattern, just last year the magazine devised a formula that coronated Eminemover Run DMC, Public Enemy, Tupac, Jay-Z, or Kanye Westas the King of Hip Hop).
All the boys of One Direction are cute. But at the end of the day Chris Brown will always be my one and only.
Billboard said:Should any song released from "Confection" reach No. 1, it would count as a Hot 100 No. 1 from "Confection" and not "Dream".
You best get on yo feet because Rihrih about to claim back her piece of that chocolate.All the boys of One Direction are cute. But at the end of the day Chris Brown will always be my one and only.
I just read a pretty great article about Michael Jackson:
http://www.theatlantic.com/entertai...stood-power-of-michael-jacksons-music/252751/
No he's not LOL people are so uninformed.You best get on yo feet because Rihrih about to claim back her piece of that chocolate.
Thanks Mumei, I'll give the full article a read during class tomorrow. Judging from the first paragraphs, it seems fairly interesting.
Robyn's pijama pants are so gross.
I will add a STANIPEDIA section at some point (lifted entirely from the Bible, of course). I'm also thinking of shoving a Billboard 100 & 200 section; we can watch together as ADELE racks up 3498534 more weeks at #1 and your faves cry out in terror.
I'm also thinking of adding a GREAT LIVE PERFORMANCES section (I could start this one asap); this will be based entirely on submissions posted here, so y'all will need to post links PLUS brief info (ARTIST - SONG - VENUE). Limit one performance per artist.
Great article.
Stranger In Moscow >>> many discographies.
Sounds like someone might've been trolling the concert. Or they're just legitimately sick.And she sang a song from From Justin to Kelly as her fan request song. WHO WAS REQUESTING THAT?
It was actually okaySounds like someone might've been trolling the concert. Or they're just legitimately sick.
The POP OT is paying tribute to Whitney Houston.
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Can her stans provide links to her best performances?
God. She was amazing. I was watching a lot of her performances recently because I was working on something, and so a lot of these are fairly fresh in my mind:
All The Man That I Need (Arsenio Hall 1992)
I Have Nothing (1993 Billboard Music Awards
La Donna e Mobile w/ Sting, Elton John and Pavarotti (Rainforest Benefit Concert)
Jesus Loves Me (Radio City 1993)
A Song for You (Welcome Home Heroes 1991)
Hold Up the Light w/ BeBe & CeCe Winans (Soul Train Awards 1989)
I Wanna Dance with Somebody (Welcome Home Heroes 1991)
Greatest Love Of All (Welcome Home Heroes 1991)
One Moment in Time (1989 Grammys)
I Will Always Love You (World Music Awards 1994)
Guide Me, O Great Thou Jehovah Live Acapella
Lover Man, My Man, All The Man That I Need Medley (Billboards 1991)
Porgy & Bess, And I'm Telling You, I Have Nothing Medley (American Music Awards 1994)
All At Once (American Music Awards 1987)
Do You Hear What I Hear? (Jay Leno 1990)
Bridge Over Troubled Water w/ CeCe Winans (Live)
You Give Good Love / That's What Friends Are For
You Give Good Love (Tonight Show 1985)
This Day (VH1 1996 Honors)
The Voice
It's been around twenty years since she passed her peak and I think people have forgotten how good she really was.
Thanks for those concert links, Mumei. Welcome Home Heroes is a good encapsulation of the Whitney material I tend to favor. Looove "I'm Your Baby Tonight."
Paris Hilton is releasing a new album soon.
Yas!!"I am f***ing off for four or five years. If I am constantly working, my relationships fail. So at least now I can have enough time to write a happy record. And be in love and be happy. And then I don't know what I'll do. Get married. Have some kids. Plant a nice vegetable patch"
The good things: I am attentive. I will do anything for my man. I am a good cook. I'm funny. Always want to have sex - Well, most girls don't!'
I’ve a few days off now, and then it’s the Brit Awards here at home and then I’m straight into the studio. BOYYAHH! 5 years? More like 5 days!