Entry level, below $600, any brand.Hcoregamer00 said:What is your price range? I may be a Canon person, but I would gladly recommend other brands once I know what you want to do and your price range.
Entry level, below $600, any brand.Hcoregamer00 said:What is your price range? I may be a Canon person, but I would gladly recommend other brands once I know what you want to do and your price range.
captive said:I dont know how you can disagree. Nothing i said was factually incorrect.
All the brands do make good gear.
tarius1210 didnt give us a price range or what he wants to do with the camera, so its hard to recommend much based off of "a really really really good SLR." For my needs my E-30 covers that very well.(But none of the 'regulars' here would even think about recommending an Oly system and some have gone as far to call Oly a useless investment)
And I would throw Oly into the sony and pentax "innovating" mix as well, Oly brought live view and in body IS among other things to the table, which everyone has copied in some form or fashion.
BlueTsunami said:Thanks! and let me first off state that the price difference between the two is pretty big. But usefulness? You would have to like the 50mm a lot to buy a prime at that focal length. But considering conventions and whatnot, where lighting may be bad but not candlelight bad, the speed of the 24-70mm will probably be adequate.
Just to expand a bit on 50mm lenses. Its a perfectly middle ground focal length for portraits and environmental full body shots on Full Frame. Even on a crop you can get this versatility from it. You basically have to keep moving around and to acquire the right angle and distance for framing shots.
without knowing anything else about your needs, the general advice elsewhere in this thread applies. basically, with the most entry levels of entry level it's pretty hard to go wrong with any of the major player's introductory kits, but be somewhat wary about buying non-canikon (sony is probably your best 3rd party bet). at the 600$ level you aren't really putting yourself too far into a system, so just go with the one that feels best.tarius1210 said:Entry level, below $600, any brand.
fart said:without knowing anything else about your needs, the general advice elsewhere in this thread applies. basically, with the most entry levels of entry level it's pretty hard to go wrong with any of the major player's introductory kits, but be somewhat wary about buying non-canikon (sony is probably your best 3rd party bet). at the 600$ level you aren't really putting yourself too far into a system, so just go with the one that feels best.
Hcore: i think you should spend more time experimenting on limited means before dropping more than a grand on a lens. that's just crazy old me talking though, so go ahead, ignore the fairly sound advice of most people in this thread, and do whatever you want.
tarius1210 said:Entry level, below $600, any brand.
fart said:without knowing anything else about your needs, the general advice elsewhere in this thread applies. basically, with the most entry levels of entry level it's pretty hard to go wrong with any of the major player's introductory kits, but be somewhat wary about buying non-canikon (sony is probably your best 3rd party bet). at the 600$ level you aren't really putting yourself too far into a system, so just go with the one that feels best.
Hcore: i think you should spend more time experimenting on limited means before dropping more than a grand on a lens. that's just crazy old me talking though, so go ahead, ignore the fairly sound advice of most people in this thread, and do whatever you want.
this is fair. i'm not well known for being the most patient person in the world. go ahead and call me on it if you see it/it bothers you.BlueTsunami has it right when it comes to giving advice without being combative. You could be true, but if your tone is more combative than helpful, people will not be so willing to listen.
BlueTsunami said:If your willing to buy second hand, there's some great bodies you can get for real cheap (shit, a Canon 30D goes for like $500 used now). To put things in perspective, two years ago I paid $700 for my Rebel XT and kit lens. Sure it was new but even I would like to upgrade to the 30D (mainly do to the build quality and bigger body).
fart said:yah, there aren't many reasons to buy a new camera body (and yet we all do it so often anyway...)
fart said:this is fair. i'm not well known for being the most patient person in the world. go ahead and call me on it if you see it/it bothers you.
fart said:yes and no. there's a large monetary cost to keeping a large capability margin that isn't linear with the size of that margin. furthermore, using gear with limitations can force you to get creative. this, in particular, is why i love primes.
what do you mean by image quality? is it sharper? if so, do you have a consumer level tele zoom (if not, your teles will naturally be superior to your normals and wides) and is it significantly sharper than that? similarly with contrast, etc. if you have some intuition like this after shooting your lenses, try to turn that intuition into a quantitative notion.
I spend way too much time shooting nothing as it is. I've sat there with a tripod with each of my lenses going through test shots at every aperture to find the limits of my lenses. And yes, the differences are often a lot less than people think. The kit lens can nearly match my 17-55 f/2.8 in the right circumstances. It's good to know the limit.i think you'll find that a) the differences are smaller than you think and b) regardless, this experimentation will help you to get to know your equipment better, which can only improve your shooting. i've spent a fair amount of time shooting boring test patterns with all my gear specifically so that i can pre-visualize the result of shooting something with each of my lenses. have a lens that's not sharp in the corners wide open? use it to your advantage in your compositions (although don't pay too much for it of course :X)
this is pretty debatable.
counter-argument 1: if you walk into a mine to shoot a piece of coal, sure it would be nice to have an f0.9 superlens to try to handhold the shot, but that gigantic aperture is going to make pretty much the entire frame out of focus (unless the piece of coal exactly matches the curvature of field...) and ultimately the picture, although it may be bright enough and acceptably sharp along the several pixels in dof, will be crap. you would have been better off learning how to add light to a scene or support for a longer exposure.
counter-argument 2: a larger sensor would also have given you a stop or two more SNR. this may not get you back all of the DOF, but it won't introduce any optical aberrations like a huge aperture will, will work for all of your lenses, and may actually end up being cheaper for you.
i'd go for the 85/1.8 on the canon side too. the major benefit of the L is a _completely_ flat field. this is, coincidentally, why it does so well on (the very common on the internet) flat field MTF tests. the maximum aperture is too big for 99.99999% of portraits, quite frankly, unless the subject of your portraiture is the milky way.
what about trading the 50/1.4 for the 30/1.4? alternatively, you could swap the 24-70 for an 18-55 kit lens and a 30/1.4.Tf53 said:I just want to pop in and say that I really like the way the discussion has developed for the past couple of pages. Good job keeping it nice and professional, everybody.
On a more equipment-related note, I currently have a Sigma 24-70 f/2.8 that gets far too little use because of its weight. I originally envisioned it as a walkaround lens, but I find myself strolling around with the EF 50mm f/1.4 instead just because it's a fuckton lighter. I've even thought of selling the Sigma and getting a Sigma 30mm f/1.4 instead, but I don't want to be left without a zoom lens when I need it (like visiting the Oceanarium in Lisbon during our honeymoon). I could just swap it for the newer version when I get better funding, I guess. Any other options? I am (and will be for the forseeable future) rocking a 40D.
panasonic GH1?toxicgonzo said:Anyone know of a good 1080p camcorder? What about a DSLR camera that records 1080p video? Is it worth it? Should I wait a little longer before that gets more widely adopted?
it's another tradeoff. wider aperture lenses give you more options for DOF, exposure, etc. but are bigger, heavier, more expensive, introduce optical aberrations, etc.What I should have probably said was that the wider the aperture lens you get the better - it affords more options. Well. To a certain extent. Like you said a flash may be better, and that's certainly versatile.
there's a very good series of posts on the TOP (theonlinephotographer.com) about how the amount of DOF is not necessarily logically related to the amount/degree/quality of OOF blur. that said, you're right in that viewing size is key, because the definition of DOF (and hence in-focus) actually depends on viewing size.A lot of people go for a more blurred background and sometimes distractingly miss out the focus on the other eye - but a lot of that time, it doesn't matter because the viewing size doesn't make it that apparent. It's always a balance between how out of focus you want the background to be vs. how much DOF you want the subject to be in.
That's exactly the point. The fact that its heavier than the body just illustrates how much weight it has, which most people don't like.MrSeaneyC said:And Tf53 are you serious? I use the Sigma 24-70/2.8 for half of my stuff and don't find it that heavy at all on my 20D, if anything, the camera is too light for the lens and the setup feels unbalanced, rather than heavy. That said I used to regularly wander about race tracks with my Sigma 9D and 50-500 so maybe i'm thankful for something so much lighter!
toxicgonzo said:Anyone know of a good 1080p camcorder? What about a DSLR camera that records 1080p video? Is it worth it? Should I wait a little longer before that gets more widely adopted?
MrSeaneyC said:Anyone know when the new Canons are due to be announced?
I'm sure the 40D was August 2007 and 50D was August 2008 so i'm kinda expecting one soon. Not that I'm actually interested in a 60D at all unless it really explodes with a megaton of features, i just want the 40D price to drop through the floor so i can buy one to compliment my 20D.
And Tf53 are you serious? I use the Sigma 24-70/2.8 for half of my stuff and don't find it that heavy at all on my 20D, if anything, the camera is too light for the lens and the setup feels unbalanced, rather than heavy. That said I used to regularly wander about race tracks with my Sigma 9D and 50-500 so maybe i'm thankful for something so much lighter!
the big sensor cams with video all have bothersome rolling shutter though, which makes them ill suited for handheld camcorder duty. the GH1's has a smaller sensor with quicker readout, lenses with continuous AF in video, and iirc continuous aperture (so metering adjustments look smooth)BlueTsunami said:Canon T1i shoots 1080p @ 20fps and 720p @ 30fps. Its currently retailing for like $800 with Kit Lens. Drop the kit lens and just get the body, get a 50mm lens and I would think that would be a sweet setup.
tarius1210 said:Entry level, below $600, any brand.
hulkamania-owns-you said:don't get an olympus 1030sw. technically i took it out of its box a year before it leaked on me, but of course that came in just a few days after my technical warrany period on the receipt
followed all instructions, always kept care of it with nice case, cleaned it, etc. got it for hawaii where it lasted, but it let water through the doors when it was taken into a pool for a brief period of time.
the thing is hosed, no allowing of drying let this one come back to life. now after the fact i have searched on google and im far from being the only one to experience this crap.
i knew it wasnt the best camera at the time, but i wanted something that would be rugged. i took it dirtbiking and around water, i have dropped it, got it wet, pissed and shat on it, and it almost kept ticking.
giga said:That's exactly the point. The fact that its heavier than the body just illustrates how much weight it has, which most people don't like.
fart said:the big sensor cams with video all have bothersome rolling shutter though, which makes them ill suited for handheld camcorder duty. the GH1's has a smaller sensor with quicker readout, lenses with continuous AF in video, and iirc continuous aperture (so metering adjustments look smooth)
oh, and
http://4.bp.blogspot.com/_LMV40M_lP...AAlM/RvXlVXBIiYU/s1600-h/44309_1249560837.jpg
panasonic GF1 (g1 mini-me), 20/1.7 and 45/2.8. i think someone's finally going to get the big sensor compact right.
fart said:the big sensor cams with video all have bothersome rolling shutter though, which makes them ill suited for handheld camcorder duty. the GH1's has a smaller sensor with quicker readout, lenses with continuous AF in video, and iirc continuous aperture (so metering adjustments look smooth)
oh, and
http://4.bp.blogspot.com/_LMV40M_lP...AAlM/RvXlVXBIiYU/s1600-h/44309_1249560837.jpg
panasonic GF1 (g1 mini-me), 20/1.7 and 45/2.8. i think someone's finally going to get the big sensor compact right.
mrkgoo said:Before the 40D, however, it was an 18 month cycle. The switch to a 12 month cycle may be a once off, or it could be the new thing in the face of more heated competition. REgardless, I'm curious too. I think the 60D WILL have an explosion (or miniplosion) of stuff, as every second model is where it seems to make sense to upgrade. I'm guessing video, and contrast focus (touch screen too?). The video mode may have proper controls to make it actually useful. There's also talk of them going to a slightly larger sensor size (1.3x).
Ya, the 60D should be impressive. I hardly consider the 50D much of an upgrade over the 40D, outside of the screen. I know DPReview found the 40D to have better dynamic range as well as better ISO performance than the 50D because of the smaller sized pixels in the 50D, and the 5 megapixel advantage it has wasn't even very apparent.mrkgoo said:Before the 40D, however, it was an 18 month cycle. The switch to a 12 month cycle may be a once off, or it could be the new thing in the face of more heated competition. REgardless, I'm curious too. I think the 60D WILL have an explosion (or miniplosion) of stuff, as every second model is where it seems to make sense to upgrade. I'm guessing video, and contrast focus (touch screen too?). The video mode may have proper controls to make it actually useful. There's also talk of them going to a slightly larger sensor size (1.3x).
fart said:has anyone actually had a shutter go out yet? canikon shutters are so ridiculously overengineered, you very rarely see them malfunction.
fart said:you may be waiting a while then. if you grep back through the thread you'll see rentahamster put like 150k or something insane on a d40, and then the _sensor_ broke. the freaking sensor malfunctioned before his lowest-end-nikon shutter did! and i'm convinced that's only because he's in a tropical climate.
yah, i dunno. i definitely would not try to sell a cheaper FF than the 5d2 if i were canon. i don't think the rumored sony is a threat at all, and it will just cut into the higher margin 5d2 sales. the 7d rumors don't add up to a d300s competitor (too slow), and pushing 5d2 costs down with higher volume is the best competition against the d700.XMonkey said:7D doesn't make any sense, especially at the rumored prices Best Buy had in its system. The 5D MarkII is just too awesome right now to even try putting another product near it's price range. I bet that is the top of the 60D.
fart said:the big sensor cams with video all have bothersome rolling shutter though, which makes them ill suited for handheld camcorder duty. the GH1's has a smaller sensor with quicker readout, lenses with continuous AF in video, and iirc continuous aperture (so metering adjustments look smooth)
oh, and
http://4.bp.blogspot.com/_LMV40M_lP...AAlM/RvXlVXBIiYU/s1600-h/44309_1249560837.jpg
panasonic GF1 (g1 mini-me), 20/1.7 and 45/2.8. i think someone's finally going to get the big sensor compact right.
golem said:Olympus: