^oh yeah, OST wise it wins. i used to argue this, then i revisited them again last year or so...dammnnn
I recommend reading this to better appreciate the soundtrack:
->
http://www.chronocompendium.com/Term/Music_(Chrono_Cross).html#Liner_Notes
It makes you aware (as if you couldn't hear how different from everything made back then it sounds) how much of a pain in the arse doing it must have been and they explain song by song the original intention too, which is nice.
I really do gotta try it again one day & remove my expectations of CT2 i guess, its just hard giving it a fair shake
I usually suggest it the other way around, but Baten Kaitos Origins feels like a more focused Chrono Cross (Chrono Cross minus the 45 playable characters) and hence feels like a middle point between Chrono Cross and Chrono Trigger actually.
But since it doesn't have Chrono in the name (and is instead a disguised love letter to it) you might just enjoy it. It feels more like a Chrono heir and a Chrono Cross spiritual follow-up does feel like Baten Kaitos 2/0. Baten Kaitos 1 is also reminiscent obviously, but it's nowhere near as good. They absolutely nailed it on Origins. Even the soundtrack.
If you have an aversion to Chrono Cross starting with BKO and appreciating it is a surefire method to being able to get into CC later on, IMO.
Started a new game a few years later, actually gave it a shot, understanding it wasn't Chrono Trigger 2. Loved it.
I loved it from the beginning to the end, precisely because it didn't rest on Chrono Trigger's formula.
I love it when a game surprises me and surprises me well... I guess it's to Chrono Trigger what Majora Mask is to Ocarina of Time or something.
The playable cast was definetly overdone, I appreciate it, but I appreciate massive character development focused on key characters a lot more. They tried and managed to give backstories and backquests to everyone, but they obviously couldn't make 45 characters "intrinsically" needed by the plot. Loses focus there.
But with certain characters the story and "instrumentality" is all there so it's all good.