It's about an anti-social self-obsessed genius and his hopeless lackey.
I'm not sure I really think of oreki as any of those. Smarter than the rest of the cast in figuring out mysteries sure.
It's about an anti-social self-obsessed genius and his hopeless lackey.
You know, somebody should make a thread for this! I'd even post in it!
-Revolutionary Girl Utena
-Night on the Galactic Railroad
-Angel's Egg
-Anne of Green Gables
-Boogiepop Phantom
-NANA
-Trapeze
-Mushishi
-Legend of the Galactic Heroes
-[spot reserved for surprises]
It's about an anti-social self-obsessed genius and his hopeless lackey.
Although, probably the only difference between Hyouka and other recent Sherlock adaptations is that.Oreki is actually sympathetic to other people, as we see when he almost beats down Satoshi for screwing around with Mayaka
I love how most episodes just fade into the ED at the end. It just works as a way to end a lot of these episodes.Definitely what sold me on the series. When it first starts playing in the first episode, so good.
And that's pretty much the only thing it has in common. The tone, setting, types of mysteries, set up and even the character flaws are different. Their reasons for being antisocial are completely different for example. Sherlock was definitely an influence but that's as far as it goes.
It's as Sherlock-influenced as House is. The Oreki-Satoshi relationship is basically the House-Wilson relationship. Oreki himself feels like a toned down version of House anyway, for obvious reasons.Also it's set in a high school, there's no one named Sherlock or Watson, and it's an adaptation of a series of novels that do not star either of those characters nor were written by Sir Arthur Conan Doyle, unlike all of those other Sherlock adaptations.
His version of being anti-social is the whole "don't want to expend any energy" thing. That mostly disappears after the festival though.I'm not sure I really think of oreki as any of those. Smarter than the rest of the cast in figuring out mysteries sure.
Bowler hats > fedoras?There was a question someone asked here not too long about favorite supporting casts, and now that I'm back into Aria with Origination I'm gonna have to add that to my favorites. Everyone seems to have a perfect place in the world and they add so much to it. Also the cafe manager is the classiest looking gentleman in anime.
I resent this comment! Mecha's not dead, it's just been infected with bullshit CGI mecha and trapped between people desperately trying to recreate Gundam and EVA. Rinne was solid, and Build Fighters, in spite of being a show DEDICATED TO APING GUNDAM is a refreshing premise filled with some of the best animation the genre has seen in ages.
For every five horrible shitty mecha shows that come out these days we still get at least one solid one a year. Mecha might be unwell, but it's hardly dying.
Oreki isn't self-obsessed at all. In fact, at the start of the show, he considers himself completely average.
I guess it depends on how apathetic you think the character is at the beginning of the show. Certainly he is depicted as someone who is dragged into the club by both his sister and Chitanda's Chitandaniness.Oreki isn't self-obsessed at all. In fact, at the start of the show, he considers himself completely average.
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It's about an anti-social self-obsessed genius and his hopeless lackey.
Although, probably the only difference between Hyouka and other recent Sherlock adaptations is that.Oreki is actually sympathetic to other people, as we see when he almost beats down Satoshi for screwing around with Mayaka
It's as Sherlock-influenced as House is. The Oreki-Satoshi relationship is basically the House-Wilson relationship. Oreki himself feels like a toned down version of House anyway, for obvious reasons.
Can we compromise and say "in decline"? The number of mecha series being produced is the lowest it's ever been, and twenty years is a long time for a genre to be fixated on attempting to reproduce the success of something that already perfected the concepts being reproduced from the get-go. There are lots of mecha since Eva that are entirely their own thing, but I'm skeptical by default whenever psychic/spiritual/etc. bonds between man and machine are involved.
I may just be more particular, but I still haven't enjoyed a mecha series produced since Gurren-Lagann (note: I have not watched Star Driver, Break Blade, or Gundam Unicorn); there are a couple of cases in which I enjoyed something in spite of mecha content (Rinne S1, Gargantia, Valvrave), but there's yet to be something produced in the past few years that makes me feel the way that I feel when watching older series in the genre. Some of that lovingly-crafted military/industrial imagery and manly spirit is just lost forever since the change to digital and the shift in what constitutes an "otaku-friendly" protagonist.
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This made my day. Thank you I burst out laughing at 2 am
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As a first time watcher, I found this to be a bit better than last week's episode--
*activates flame shield*
ONLY BECAUSE There's no creepy tentacle molestation involved.
I give points for Kirito trying to fight, and points for Leafa for risking herself to save him.
With all that said, I wholeheartedly agree with everyone saying how hilarious the end was.
I almost felt sorry for her, but her reaction was gold.
Evangelion 3
Can't believe I was planning on watching one episode a day, I don't think I can hold out. Most likely gonna finish it before the end of next week.
The battle in this episode was really good. It helped that it was animated pretty good, but more specifically seeing the fucked up state of Shinji was what made it more satisfying. Hope this creepy tone to the fights stays for the majority of the show.
Still, I don't think every Mecha show nowadays need be consigned to the same creatively bankrupt bucket one might dump Valvrave, Buddy Complex, and Majestic Prince into because there are still shows like Gargantia trying to do new things and great shows like Build Fighters that remember what kind of notes Mecha needed to hit to make itself great.
The serious problem facing Mecha right now, as I see it, is twofold. First, CGI Mecha. There must be something done to either improve the quality of them or they must be done away with. When they move well like in MJP, they're still hideously overdesigned, or they move at jarring paces like in Nobunaga the Fool. CGI has not been kind to the genre, and looking back at older shows with CGI mecha only makes it worse. Second, the plots. Tonally, mecha shows are sort of struggling to find their place. They wind up flat comedies like MJP or full-blown-retard when they try to be serious, like VVV, and when they seek to branch out from the EVA/MSG umbrella, like Gargantia, they're met with some complaint or another.
The only studios who are producing 2D mecha are Sunrise and BONES. Sunrise doesn't even do 2D for all their shows now either. Gainax is done and KyoAni's interest in the genre is for the most part, seemingly long gone. Production IG does mecha but so far their recent output has been CGI.
Very few directors are seemingly interested in this level of artistry.
Shotgunning Evangelion messed me up. It was worth it.Evangelion 3
Can't believe I was planning on watching one episode a day, I don't think I can hold out. Most likely gonna finish it before the end of next week.
The battle in this episode was really good. It helped that it was animated pretty good, but more specifically seeing the fucked up state of Shinji was what made it more satisfying. Hope this creepy tone to the fights stays for the majority of the show.
Jarmei, you do know that Gundam Build Fighters is filled with nothing but glorious 2D mecha action right?
It's not really a mecha show though in structure and tone. It's a toy/sports show with mechs around it.
2D mecha is dead and the mecha genre as a whole is pretty much garbage now. There are a few people/directors that do 2D, but in general nobody bothers. It's too much work seemingly and the people who actually know how to do it, are dwindling down. The payoff vs reward, is seemingly not there.
The only studios who are producing 2D mecha are Sunrise and BONES. Sunrise doesn't even do 2D for all their shows now either. Gainax is done and KyoAni's interest in the genre is for the most part, seemingly long gone. Production IG does mecha but so far their recent output has been CGI.
Now as for the writing, welp, this has been a problem with anime as a whole. Anime is seemingly infested with adaptations instead of original works and the stuff being produced on the LN side is seemingly not that mecha heavy. So now we're talking about anime original adaptations. Star Driver was the closest attempt recently to making a great mecha show, and I don't mean a show with just mecha in it, but fell apart due to the writing. BONES while still outputting 2D mecha, also has had some dogshit level writers on board causing their works to fall apart *looks at AO*. So what you pretty much want are either BONES or Sunrise to get better and more ambitious writers.
Honestly if you guys want to see a 'mecha' show, in that the characters are being awesome and yelling and punching the fuck out of shit, I would cautiously recommend Star Driver. The structure and style is much more in line with some older shows while still being heavily Utena themed. It's flawed as fuck but it's the closest thing I've seen that would qualify.
THANK. YOU.
It's not really a mecha show though in structure and tone. It's a toy/sports show with mechs around it.
It's not really a mecha show though in structure and tone. It's a toy/sports show with mechs around it.
THANK. YOU.
I dunno, I still think things like Rinne, Gundam Build Fighters, and Gargantia give a spark of hope for the genre's continuation. I mean, it's not like the money for the mecha market has dried up, and I doubt that interest in 2D mecha is so rare a thing. I know it is beyond reason to do so at this point, but FMP's return to SRW also gives the world's tiniest spark of hope for an adaptation of the rest. I'm not averse to LNs, though.
It's a show about mecha fighting in a tournament. G Gundam's entire second half had the same premise and it was a perfectly good mecha show. Just because it isn't wasting its youth going "HEY GUYS SEE HOW THE ALAWS ARE REALLY THE TITANS WHY DON'T YOU LOVE 00 YET" doesn't mean it isn't a mecha show. I don't even know what "Structure and Tone" mean in this sense. Getter Robo's structure and tone is wildly different from Martian Successor Nadesico, but both are undeniably mecha shows.
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It's a show about mecha fighting in a tournament. G Gundam's entire second half had the same premise and it was a perfectly good mecha show. Just because it isn't wasting its youth going "HEY GUYS SEE HOW THE ALAWS ARE REALLY THE TITANS WHY DON'T YOU LOVE 00 YET" doesn't mean it isn't a mecha show. I don't even know what "Structure and Tone" mean in this sense. Getter Robo's structure and tone is wildly different from Martian Successor Nadesico, but both are undeniably mecha shows.
I don't understand why people make this kind of post lol
The money is still there I'm sure. The problem is that the money seemingly doesn't differentiate between CGI and 2D. That's partially why I can't hate Igarashi too much as he is trying to put out legit 2D mecha shows with serious stories to them.
Sure it's a mech show. Just like Yu Gi Oh is a show about powerful creatures fighting each other with sorcery and strategy....
lol
what anime is this from?
Sure it's a mech show. Just like Yu Gi Oh is a show about powerful creatures fighting each other with sorcery and strategy....
lol
In fairness I gotta say that what I've seen so far has yet to lead me to understand Anime GAF's love for it.
The money is still there I'm sure. The problem is that the money seemingly doesn't differentiate between CGI and 2D. That's partially why I can't hate Igarashi too much as he is trying to put out legit 2D mecha shows with serious stories to them.