Dimension W
This is a solid show, but obviously directed more towards a younger crowd than Bebop was. Any ambiguity in the relationships and symbolism are explicitly mentioned through conversation so the viewer can't miss them. Ambiguity being a key aspect of storytelling and one of the gifts given to us through modern cinematography, I can't honestly say I appreciate this, but it doesn't really detract from the shows entertainment value - and that is fine considering this show is not meant to be an art or thought piece. It's in the same vein as Bebop, but not on the same stage.
The action is solid though and the camera actions - while not particularly unique - use a lot of solid low shots to build tension and excitement. Particularly, the action scenes use a nice blend of above and below eyeline shots to create a strong sense of dynamicism. We very rarely see the camera go above eye level - which makes sense since this is an action anime, we want the characters to appear strong and powerful. Not much to really say here since almost every non-action shot is simply panning.
Loser and Kyoma are both frames of each other - Kyoma not using any coils and being fairly conservative, whereas Loser is flamboyant and makes use of coils in all aspects. Again, not very hard to pick this up from the beginning. They are on different sides at this point, and both have an assistant who uses technology to assist them. But the common history they have allows more of the world to be revealed without feeling too heavy handed.
A large proportion of wives are murdered in Dimension W. We have at least two in two episodes.
The dimensional collapse seemed.. strange. But I'm not an expert on dimensional implosion, so I won't argue too much.
I wasn't going to write very much about this show, but I happened to have a new reply window open so I just quickly tapped out some notes as I went along.