Run Melos (1992)
It really is a shame this film is so unknown. It doesn't even have a DVD release, let alone a BD release, so the only way to watch it is with a very low quality VHS version. Even through the appallingly bad video the artistry still shines through, however.
Perhaps the most notable aspect of this film is that it is an early work of Hiroyuki Okiura as character designers and animation director, before he went on to his more famous work on Ghost in the Shell and Jin-Roh. Okiura's style of realism isn't as fully formed yet as it became in Jin-Roh, but you can still see it in nascent form in the designs and character animation throughout this film. The list of key animators who worked on this film is insane. Top credited are powerhouse animator Toshiyuki Inoue and Satoshi Kon himself, who apparently did a substantial amount of the layouts for this film. Beyond that there's still a star-studded list of names such as Kazuto Nakazawa, Michio Mihara, Mitsuo Iso, Satoru Utsunomiya, Shin Matsuo, Shinji Hashimoto, Tensai Okamura, Toshiyuki Tsuru, and Yasunori Miyazawa. The animation quality is what you would expect from animators of this caliber - it's not quite as lavishly produced as the really top animated films, but it's got excellent animation throughout with some great highlights, and some nice attention to detail in the character movement. The art, handled by Hiroshi Ohno who most recently was art director on Miss Hokusai, helps to create an appropriate Grecian landscape to set the characters in. I don't know how historically accurate the setting is, but it feels authentic for what is essentially a legend.
This film is an adaptation of a famous short story by Osamu Dazai, a reworking itself of a German ballad. I've seen the Aoi Bungaku version of Run Melos, but that adaptation by Ryousuke Nakamura takes a very unconventional approach to the material, framing the original story within a modern story of strained friendship that reflects its themes. This version is a more straightforward telling of the story, but at the same time it somewhat alters and greatly expands on the sparse original. Melos, a simple country peasant, comes to the big city to buy a ceremonial sword for his younger sister's wedding. (As an aside, I find it amusing that the voice actors for Melos and his sister are Kouichi Yamadera and Megumi Hayashibara, the same duo who were the sole voice actors for the Japan Animator Expo.) After getting into one trouble after other with city folk eager to take advantage of a bumpkin, he runs into a friendly ex-sculptor named Celine, and the two of them quickly form a bond. When Melos gets mistaken for a potential assassin, the king orders him executed, Melos begs for three days freedom to attend his sister's wedding, and the king agrees, but only if Melos can find a substitute. As it turns out, Celine is the only one who will agree to take Melos' place. Melos makes it back to his home village safely for the wedding, but getting back to the city is more of a struggle.
The main theme of the film is trust, and whether that is a strength to be treasured or a weakness to be discarded. Each of the three main characters - Melos, Celine, and the king - are given good reasons and backstories that motivate what they believe and the actions they take. The film does an admirable job of fleshing them and several of the side characters out in a multi-faceted way. This can perhaps best be seen in its treatment of the king, who could easily have been a maniacal despot out solely for power, but instead is presented as a harsh but not inhuman ruler who has trained himself to act stern to prevent challenges to his rule. This expansion of the characters adds substance to the thematic exploration, and creates greater sympathy with Melos and Celine during their struggle. It's an admirably grounded film, not excessively flashy but simply trying to portray various facets of humanity - its flaws and its strengths.
Do check out this film if you are able; a well-told story with strong production values should not be missed.