FLCL sequel sounds like an awful idea. Then again, I spent years thinking the same about a Gunbuster sequel and how wrong I was to doubt.
Diebuster is way different then Gunbuster and is hardly a sequel at all. This seems more direct.
Anime sequels have never let us down.
K-On!!Narag pls
Anime sequels have never let us down.
Celty best girl
Honestly, disregarding that the very basic idea of a FLCL sequel might be really flawed, so far the information looks to be potentially hopeful at least? At least they're trying to get everyone together and nothing disastrous is confirmed. Whether they succeed in getting the right staff is open, which is better than having already failed to do so.
Classicaloid PV.
I hope the show has better music arrangements, but otherwise it looks pretty interesting.
i know nothing about this but I assume it's anime about a girl living with musical geniuses?
i know nothing about this but I assume it's anime about a girl living with musical geniuses?
The story follows high school students Kanae and Sōsuke, who live in a provincial town that is trying to revitalize itself with music. One day, suddenly "Classicaloid" versions of Beethoven and Mozart appear in front of Kanae and Sōsuke. When the suspicious-looking Classicaloids play music they call "mujik," it has a strange power: stars start to fall, and giant robots appear. Now every day is tumultuous. Eventually, more Classicaloids start to appear such as Bach, Chopin, and Schubert. What is the great power that the Classicaloids have? Are they friends or foe to humanity?
Classicaloid PV.
I hope the show has better music arrangements, but otherwise it looks pretty interesting.
I had no idea Beethoven and Mozart were so dreamy.
Classicaloid PV.
I hope the show has better music arrangements, but otherwise it looks pretty interesting.
Everything seems disastrous though, from Tsurumaki being merely a consultor to the actual synopsis that places emphasis on irrelevant plot details showing that the dudes behind this don't understand what gives value to the original.Honestly, disregarding that the very basic idea of a FLCL sequel might be really flawed, so far the information looks to be potentially hopeful at least? At least they're trying to get everyone together and nothing disastrous is confirmed. Whether they succeed in getting the right staff is open, which is better than having already failed to do so.
Everything seems disastrous though, from Tsurumaki being merely a consultor to the actual synopsis that places emphasis on irrelevant plot details showing that the dudes behind this don't understand what gives value to the original.
And the random-ass director and scriptwriter they put out are anything but hopeful.
Well hosann said it's unlikely that director is actually going to be the primary one when he's from live action. That's why I'm saying hope isn't lost, yet. (again, if you disregard the existence of such sequels to begin with)
Beethoven is rocking those ripped jeans:
Everything seems disastrous though, from Tsurumaki being merely a consultor to the actual synopsis that places emphasis on irrelevant plot details showing that the dudes behind this don't understand what gives value to the original.
And the random-ass director and scriptwriter they put out are anything but hopeful.
I don't think "boring" is the main problem with Aria; it's that it's a Hallmark greeting card world with obnoxiously cloying sentimentality. Even as a piece of relaxing atmosphere, it fails to be as good as, say, the best episodes of Non Non Biyori.
Huh. Toonami is making more FLCL, with IG, but the director and writer aren't even anime people. Interesting. But like with Psycho-Pass, they'll probably need an actual director for the animation production process. Wonder who at IG is going to draw the short straw for this totally unneeded sequel cash-in.
Personally I disagree with that. While it's true that Aria is very... pleasant, I've always found that its best episodes were the ones focused on the mysteries of their world (the fox spirits, cat kingdom, etc). It's these strange little things that aren't fully explained, yet entirely accepted that really warm me up to Aria. I also find that as relaxing as Non Non Biyori is, it fails to be quite as relaxing as Aria due to a higher focus on comedy. This isn't to say that Non Non Biyori is entirely focused on comedy; it's certainly not, and it's the little day to day moments that really make the show special, but at least to me Aria is unlikely to be beat in this category. It has a calm, mysterious sort of atmosphere in its best episodes, and I find that more appealing.
That's why I said the best episodes; Non Non Biyori certainly isn't consistent in its mood, but its best parts are really good.
At any rate, maybe if I rewatch Aria or watch the second/third seasons sometime I'll change my mind, but when I watched the first season I had great difficulty getting into it.
It'll be Shiotani.
It'll be Shiotani.
When they announce it's Atsushi Takeuchi, you'll wish it were Shiotani. Lol.