Ice Lightning
Member
Railgun S1 should get a blu-ray release, it is just a matter of when I suppose. I certainly hope Geneon Universal is not doing the same thing Kadokawa did early last year though for FUNimation blu-ray releases.
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Winter of Anime 2013 |OT -4| It's not my fault!
- Thread starter Dresden
- Start date
- Status
Railgun S1 should get a blu-ray release, it is just a matter of when I suppose. I certainly hope Geneon Universal is not doing the same thing Kadokawa did early last year though for FUNimation blu-ray releases.
No, Seiji Kishi is only gonna take over directing duties once Yamakan gets fired after three episodes.
PoeticProse22
Member
Sakurasou no Pet na Kanojo 9
Despite the introduction of two fairly interesting characters, this was a rather weak episode. As such, this episode wasnt particularly well-paced, as it felt rather scattered and unfocused; disconnected from a certain tonal coherency, as it rarely lingered on a particular development in a satisfyingly methodical manner, due largely to its tendency to frequently shift its perspective throughout. As such, though this episode contained several intriguing developments, they werent altogether effective, especially the closing moments, which were depicted in a seemingly condensed and thoroughly contrived fashion, as Soratas transition into
was a bit too sudden.
The increased prevalence of overwrought dramatics, at least concerning the inclusion of Ritas appearance and the development that involves Mashiros
, felt rather contrived, as this particular complication, though understandable, lacked a necessary foreshadowing, so that it unintentionally resulted in what appears to be a relatively cheap implementation of a momentarily disruptive interference. Though slightly understandable, Soratas insistence that
was needlessly cruel and excessively thoughtless; seeming as though he was foolishly dismissive of
, solely so that his flawed perception of the direction thats best for
could be artificially satisfied on the most simplistic level.
Ryuunosuke seems to be an excellent addition to the cast, as his detached interactions with others, particularly Rita, are highly enjoyable. Though Rita is marginally intriguing, her characterization, so far, is woefully thin, since her true inclinations havent been properly developed yet. However, the subtle and rather slight foreshadowing of some potential for a
is quite compelling, as, above all, such an interesting development would potentially allay the seemingly numerous, but certainly insignificant, instances that were intermittently implemented throughout this episode, in which the nature of the story and the interactions among the characters appeared detrimentally harem-oriented.
Although its certainly a predictable development, I quite like the introduction of
, since, though already inevitable, it further solidifies the eventuality of a romantic relationship between
, while it also reveals a certain potential for the rejected third wheel to hopefully
prior to the conclusion of the story. Of course, due to
naïve idiocy, shell likely remain oblivious or intentionally cruel towards the emotions of any character aside from
. Hopefully, unlike the typical behavior for characters such as her, shell actually attempt to move on before the story concludes, since it would easily be the most satisfying direction to take her character. Misaki continues to be the most enjoyable character in the show, as her consistently humorous antics complement the distinctly lighthearted tone that filters into the majority of episodes exceptionally well. As such, Im really looking forward to the possibility of a heightened focus on the slightly veiled complexities within
, along with the complications that are seemingly derived, for the most part, from
own misguided attempts to display some sort of deeply flawed altruism.
The direction was quite mediocre during several sequences, as it never really established an effective cohesion within the episode, while also possessing rather stale tendencies. The animation throughout this episode was surprisingly impressive, if not a bit inconsistent. Musically, this episode was, similar to the others, quite good, if not a bit unremarkable, since many of the selections arent particularly memorable or tonally dichotomous, save for the melancholic piano that accompanied the initial discussion that followed
, which perfectly complemented the subdued emotions that permeated this sequence.
All in all, Sakurasou has faltered slightly with this episode, but Im expecting the story to improve towards the end of this arc, since the wholly unnecessary infusion of dramatic developments into the narrative appears to be leading to some sort of climactic conclusion. I do, however, fear that the next two or so episodes will be decidedly mediocre, if not altogether worse, as a prevalence of relatively contrived drama and heightened emotions doesnt particularly benefit the effectiveness of the story.
Despite the introduction of two fairly interesting characters, this was a rather weak episode. As such, this episode wasnt particularly well-paced, as it felt rather scattered and unfocused; disconnected from a certain tonal coherency, as it rarely lingered on a particular development in a satisfyingly methodical manner, due largely to its tendency to frequently shift its perspective throughout. As such, though this episode contained several intriguing developments, they werent altogether effective, especially the closing moments, which were depicted in a seemingly condensed and thoroughly contrived fashion, as Soratas transition into
believing Mashiro should return to England
The increased prevalence of overwrought dramatics, at least concerning the inclusion of Ritas appearance and the development that involves Mashiros
uncertain decision to leave for England
Mashiro should return to England
Mashiros own happiness
Mashiros life and eventual success
Ryuunosuke seems to be an excellent addition to the cast, as his detached interactions with others, particularly Rita, are highly enjoyable. Though Rita is marginally intriguing, her characterization, so far, is woefully thin, since her true inclinations havent been properly developed yet. However, the subtle and rather slight foreshadowing of some potential for a
relationship between her and Ryuunosuke
Although its certainly a predictable development, I quite like the introduction of
Miyahara
Sorata and Mashiro
find love elsewhere
Aoyamas
Sorata
her emotional connection to Jin
Jins
The direction was quite mediocre during several sequences, as it never really established an effective cohesion within the episode, while also possessing rather stale tendencies. The animation throughout this episode was surprisingly impressive, if not a bit inconsistent. Musically, this episode was, similar to the others, quite good, if not a bit unremarkable, since many of the selections arent particularly memorable or tonally dichotomous, save for the melancholic piano that accompanied the initial discussion that followed
Ritas announced plans for Mashiros future
All in all, Sakurasou has faltered slightly with this episode, but Im expecting the story to improve towards the end of this arc, since the wholly unnecessary infusion of dramatic developments into the narrative appears to be leading to some sort of climactic conclusion. I do, however, fear that the next two or so episodes will be decidedly mediocre, if not altogether worse, as a prevalence of relatively contrived drama and heightened emotions doesnt particularly benefit the effectiveness of the story.
I love how you still love everyone - even if they are are grumpy and/or irritable. I like your style! Everyone is cool with me - even the people that hate me!
I'd totally whine about Yamakan being the better director if not for Kishi having Jirui wa Suitai Shimashita in his list of works.
chickdigger802
Banned
the day duckroll leaves is when animegaf will truly live.
The day duckroll leaves is when some other mod will come to close the shop down.
chickdigger802
Banned
Idk. Look at mangaf.
Regulus Tera
Romanes Eunt Domus
ManGAF has Kagari. We have only the duck. Eep.
Mangaf also has Shouta lurking in the background, and now we have Aeana, so it's all good.
Birdy uh... 6 - 11?
This show is the biggest bait and switch ever. The first three episodes were fantastic, and there was some established plot happening and a ton of action and tension! I was so ready. THEN, everything went 180. After this the main character is now some high school boy who is whiny and apprehensive about everything - the show follows him and his high school friends as they eat lunch together, go on vacations, ride the train, play in the pool, look for ghosts, and try to have romance. Then you hardly see Birdy at all. WTF IS THIS?!?
And now the entire plot is revolving around the fact that shitty MC is willing to put the entire EARTH (along with some 8 billion occupants and countless species) at risk because he is unwilling to accept the fact that his girlfriend is a bomb and that M. Night Shyamalan is a hustler.
I have two episodes to go and I barely have the morale left to do it D:
Fuck. This.
This show is the biggest bait and switch ever. The first three episodes were fantastic, and there was some established plot happening and a ton of action and tension! I was so ready. THEN, everything went 180. After this the main character is now some high school boy who is whiny and apprehensive about everything - the show follows him and his high school friends as they eat lunch together, go on vacations, ride the train, play in the pool, look for ghosts, and try to have romance. Then you hardly see Birdy at all. WTF IS THIS?!?
And now the entire plot is revolving around the fact that shitty MC is willing to put the entire EARTH (along with some 8 billion occupants and countless species) at risk because he is unwilling to accept the fact that his girlfriend is a bomb and that M. Night Shyamalan is a hustler.
I have two episodes to go and I barely have the morale left to do it D:
Fuck. This.
Keep going.
I liked s1 of Birdy, but it sounds like season two is what you were looking for early on. Just push forward.
Chet Rippo
Member
I decided to check out a few series from this season, which is pretty rare for me.
Kotura-san 1
Holy shit the first ten minutes were depressing. I really liked the way it transitioned from soul crushing sadness to silly happiness without being jaring. The mother being in the opening makes me think there will be more sadness later in the show but for now it looks like it'll be mostly fun.
Da Capo III 1
I'm a pretty big fan of the Da Capo franchise so it's no suprise that I liked this. It's pretty amusing that this is set in 50 years after the second Da Capo but it's only 2001. Robots and mobile phones in 1951 was weird but mobile phones not advancing at all in 50 years is even weirder. Not much to say about this episode as it was just a character intro episode but I shall continue watching. I have to wonder why a tree had to be CG though.
Encouragement of Climb 1
It ends just as it's starting. Could be fun so I'll keep watching.
Cuticle Dectective
I hated it. I just didn't find it funny, which is weird because I usually like this type of humour. Will not keep watching.
Senran Kagura 1
It's exactly what I expected it to be. I couldn't see shit during the opening sequence so I hope there's not too many more sequences like it. I won't follow it but I will watch it when it's finished.
Kotura-san 1
Holy shit the first ten minutes were depressing. I really liked the way it transitioned from soul crushing sadness to silly happiness without being jaring. The mother being in the opening makes me think there will be more sadness later in the show but for now it looks like it'll be mostly fun.
Da Capo III 1
I'm a pretty big fan of the Da Capo franchise so it's no suprise that I liked this. It's pretty amusing that this is set in 50 years after the second Da Capo but it's only 2001. Robots and mobile phones in 1951 was weird but mobile phones not advancing at all in 50 years is even weirder. Not much to say about this episode as it was just a character intro episode but I shall continue watching. I have to wonder why a tree had to be CG though.
Encouragement of Climb 1
It ends just as it's starting. Could be fun so I'll keep watching.
Cuticle Dectective
I hated it. I just didn't find it funny, which is weird because I usually like this type of humour. Will not keep watching.
Senran Kagura 1
It's exactly what I expected it to be. I couldn't see shit during the opening sequence so I hope there's not too many more sequences like it. I won't follow it but I will watch it when it's finished.
Amazing. So good. I can taste the tears from here. I remember laughing so hard the first time I saw this in the show.
Season 1 is awful. Completely awful. Season 2 is much better and a complete step up.
I like how every episode of Birdy ends on some pessimistic cliffhanger, it's all ominous and moody - then the ED kicks in all "Let's go have a good time!! Everybody peace and a magic good time, put your hands, put your hands, put your hands up in your ass and your grandparents diieeee ^__^"
Most inappropriate ED ever.
Most inappropriate ED ever.
PoeticProse22
Member
Sakurasou no Pet na Kanojo 10
This was a decidedly mediocre episode, as the latter half was unnecessarily dramatic, while noticeably lacking the compelling developments that would allow such a tonal dissonance to be welcome, or, at the very least, understandable. As such, this was likely the worst episode since Aoyamas mini-arc, as it didnt particularly develop any of the characters; nor did it provide any essential and meaningful insight into the characterization within the majority of the characters, aside from Rita and, to an extent, Ryuunosuke.
Ritas portrayal was a
throughout this episode, particularly when she
. Though the self-involved emotions were understandable and quite realistic, she really doesnt have anyone to
. This ultimately, once again, depicted a callous disregard for
, since it infuses a significant
into the thoughts of a character that isnt responsible for others petty and weak-willed actions. Essentially,
shouldnt be
into unconsciously
, solely so that the other
could artificially be satisfied with their own.
As such, though
was suffused with a plethora of painful emotions, that particular sequence wasnt nearly as convincing or poignant as it should have been, as, instead, it illustrated a disappointing and surprisingly trite tedium that I hope doesnt persist throughout future episodes, as it isnt really indicative of the dramatic subtleties that were woven into earlier episodes. However, Ryuunosukes
of Ritas
was thoroughly satisfying. Of course, Sorata and Aoyama simply had to then proceed to
, which was entirely unjustified and quite perplexing, since he was simply stating the truth and
; an action that they were too
, for whatever reason. At least Rita realized that
words were the most honest and helpful.
Mashiro was highly sympathetic throughout this episode, since Rita and Soratas interests were far too unintentionally selfish, as it was clear that their feigned selflessness was only a manufactured mirage, having never allotted the time and opportunity to properly assess and subsequently consider
. As such, these tendencies illustrated a distinct absence of respect for
. Aoyama was, for the first time, bearable in her brief appearance, since, unlike her typically irritating personality, her portrayal was, ever so slightly, more subdued. Of course, she reverted back to her usual tendencies in the latter half of the episode, so this relative decency was very short-lived, unfortunately. The touches of romance between
provided what were easily the best moments within this episode, and Im really hoping they continue.
This arc of sorts has felt quite contrived and needlessly dramatic, noticeably lacking a compelling balance between a plethora of disparate elements, as the narrative execution throughout this episode and the last, though effectively establishing a necessary initiation towards a climactic conclusion, was thoroughly mediocre and disappointingly chaotic, as it rarely focused on an essential emotion in an appropriately significant fashion, thus faltering in its ability to consistently resonate. The
is easily the most compelling element within the current narrative, aside, of course, from the two primary relationships, which havent exactly been insightfully focused on throughout the last two episodes.
Sakurasou no Pet na Kanojo 11
This episode was a considerable improvement over the last two, since it thankfully returned towards a balanced approach to storytelling, as the lighthearted nature of the narrative wasnt needlessly diminished with an excessive prevalence of detrimental drama. As such, this episode was far better paced than the last two, as it was largely devoid of a chaotic narrative, instead relying on a cohesive focus throughout, as this episode deftly weaved several enjoyable and rather compelling threads into one tightly structured whole.
Ryuunosuke and Ritas interactions have thoroughly elevated the effectiveness of the show, particularly whenever the narrative slips into an uninteresting and nearly unenjoyable mediocrity. Though Rita has gradually become more likable, due entirely to her
, she still continues to be
, continuously clinging to the thoughtless desire for
. Jin and Misakis
is one of the most compelling elements within the show, and, though their development is somewhat predictable, I really enjoyed the heightened focus on their seemingly
.
Mashiros slight
was evident once again throughout this episode, especially noticeable when she amusingly
. Though subtle, this illustrates a particularly satisfying development within her characterization, as
continue to be filtered into her interactions with others, particularly Sorata. As such, Im really looking forward to her continued development, as this aspect of the narrative remains highly intriguing, and will likely be heavily focused on throughout the latter half of the show. Thankfully, Aoyama was fairly non-existent throughout this episode, aside from a few
and a
, which appears to be all that shes necessary for lately, having been superbly isolated to the perpetually dull and insignificant periphery.
The development of Mashiro and Soratas relationship remains one of the most impressive elements within the show, as it very methodically matures into a connection thats surprisingly complex. As such, the final scene, in which
was beautifully minimalistic and an incredibly effective note to conclude the episode on. The comedic elements throughout this episode were very well-implemented, particularly any scene that involved Misaki, who was, as usual, very amusing, as well as the majority of moments that focused on the confrontational interactions between
. Mashiros
line, in particular, was hilarious.
The direction was certainly a marked improvement over the last episode, as it felt more appropriately restrained, deftly handling an abundance of interconnected storylines without faltering in its essential focus. The animation, though typically quite good, was quite inconsistent throughout this episode, especially evident in the woefully poor and inconceivably repeated sequences that consisted of
.
All in all, Sakurasou, though quite inconsistent, continues to exceed expectations, resulting in what has become one of the biggest surprises of the last year. Im rather looking forward to the fruition of their
. As such, Im hoping that the conclusion of this arc is satisfying, since, though the elevated dramatics have been quite poorly implemented and thoroughly ineffective, they have propelled several climactic developments into existence, and it would be disappointing if those dramatic developments werent appropriately concluded.
This was a decidedly mediocre episode, as the latter half was unnecessarily dramatic, while noticeably lacking the compelling developments that would allow such a tonal dissonance to be welcome, or, at the very least, understandable. As such, this was likely the worst episode since Aoyamas mini-arc, as it didnt particularly develop any of the characters; nor did it provide any essential and meaningful insight into the characterization within the majority of the characters, aside from Rita and, to an extent, Ryuunosuke.
Ritas portrayal was a
highly unsympathetic one
cruelly and ludicrously placed all the blame for her own insecurities and weaknesses on Mashiro and the immense talent she possesses
criticize but herself and the lack of strength she previously displayed
Mashiros feelings
guilt
Mashiro
emotionally manipulated
lowering the quality of her work
painters
As such, though
Ritas outburst
harsh, but appropriate, criticism
deeply flawed perception of reality
chase after Rita and lash out at Ryuunosuke
defending Mashiro
fearful and naïve to attempt themselves
Ryuunosukes
Mashiro was highly sympathetic throughout this episode, since Rita and Soratas interests were far too unintentionally selfish, as it was clear that their feigned selflessness was only a manufactured mirage, having never allotted the time and opportunity to properly assess and subsequently consider
Mashiros own desires for her future
Mashiros ability to decide these momentous matters on her own
Rita and Ryuunosuke
This arc of sorts has felt quite contrived and needlessly dramatic, noticeably lacking a compelling balance between a plethora of disparate elements, as the narrative execution throughout this episode and the last, though effectively establishing a necessary initiation towards a climactic conclusion, was thoroughly mediocre and disappointingly chaotic, as it rarely focused on an essential emotion in an appropriately significant fashion, thus faltering in its ability to consistently resonate. The
Nyaboron anime
Sakurasou no Pet na Kanojo 11
This episode was a considerable improvement over the last two, since it thankfully returned towards a balanced approach to storytelling, as the lighthearted nature of the narrative wasnt needlessly diminished with an excessive prevalence of detrimental drama. As such, this episode was far better paced than the last two, as it was largely devoid of a chaotic narrative, instead relying on a cohesive focus throughout, as this episode deftly weaved several enjoyable and rather compelling threads into one tightly structured whole.
Ryuunosuke and Ritas interactions have thoroughly elevated the effectiveness of the show, particularly whenever the narrative slips into an uninteresting and nearly unenjoyable mediocrity. Though Rita has gradually become more likable, due entirely to her
slowly-developing relationship with Ryuunosuke
obstinately misguided
Mashiros return to England
troubled relationship
fractured connection and mutually forlorn existence
Mashiros slight
jealousy
squirted ketchup onto Soratas face
flourishes of emotion
moments of jealousy
fanservice sequence
The development of Mashiro and Soratas relationship remains one of the most impressive elements within the show, as it very methodically matures into a connection thats surprisingly complex. As such, the final scene, in which
Mashiro asked Sorata to stay with her until she falls asleep
Rita and Ryuunosukes maid
I believe in panties
The direction was certainly a marked improvement over the last episode, as it felt more appropriately restrained, deftly handling an abundance of interconnected storylines without faltering in its essential focus. The animation, though typically quite good, was quite inconsistent throughout this episode, especially evident in the woefully poor and inconceivably repeated sequences that consisted of
Mashiro running
All in all, Sakurasou, though quite inconsistent, continues to exceed expectations, resulting in what has become one of the biggest surprises of the last year. Im rather looking forward to the fruition of their
developed game
ZachDeKoromaru
Banned
Tell that to Sora no Woto.
Crash Station
Member
The place where duckroll also posts? Along with Kagari and Shouta?
Clannad After Story felt like that at times too.
firehawk12
Subete no aware
I don't have anything against SS+, it was just rather muted since it was only 12 episodes and probably didn't really set the sales charts alight.
(It was basically a Rihoko OVA with lots of weird bonus episodes slapped on!)
AI JOU YU JOU
Makes you wonder why they don't churn out a bunch of different character songs. Why not promote those same songs in the anime too?
What a pointless OVA that was. She was too big for the anime that they had to separate her from the cast.
S2's ED more than makes up for it. You're almost to the promised land.
firehawk12
Subete no aware
More of her to love, etc.
Im a lover.
I cannot help it!
There is never enough Misaki.
Apply this to all shows with a Misaki.
PoeticProse22
Member
Sakurasou no Pet na Kanojo 12
This was a terrific episode; easily the best since the fourth, since it served as a thoroughly satisfying conclusion to this arc. As a whole, this episode was thoroughly well-paced, largely due to the immense improvement within its ability to balance its dichotomous elements, as the focus rarely lingered on a particular emotion or development beyond what was necessary. As such, the developments within this episode were handled with a skillful deftness that was quite satisfying, particularly exemplary in the final sequence, as each woven subtlety allowed for a thorough illumination of the complex emotions that surrounded
. Though quite predictable, the latter half of this episode was consistently fantastic and a considerable improvement over the first half, which, though still pretty good, was largely focused on the introductory aspects of their occasionally monotonous presentation of the
.
The final scene was a sweetly emotional conclusion to the episode, since
, which, aside from considerable growth for
slowly-developing character, was a very satisfying note to conclude the episode and this arc on. Hopefully, now that this has occurred, their
wont be repetitiously stalled throughout the latter half, especially if its in favor of ridiculously unnecessary and tedious
. Aside from the final scene, which was very well-executed, my favorite sequence was
, as it was essentially an initial realization by both that they
. It also illustrated Soratas
, which hadnt been noticeably depicted until this episode.
The subtly romantic and excellently simplistic opening sequence, in which, as a direct continuation from the end of the previous episode,
and, due to his
, he
, was great, as it effectively established the wistfully romantic atmosphere that permeated the rest of the episode. As such,
relationship was portrayed in such an excellent and superbly satisfying manner throughout this episode, particularly during the highly effective
. Their refreshingly nuanced and methodical development, along with their exceedingly beautiful interactions, really elevate this element of the show beyond mere mediocrity. This episode essentially illuminated their
as a certain and lasting inevitability. Im only hoping, though altogether foolishly, that their newly experienced
wont be entirely reverted by the next episode, as it, unfortunately, seems quite likely that
throughout much of the show.
I greatly enjoyed the slightly heightened focus on Misaki and Jins rather complex, but seemingly inevitable
, as it progressed immensely in this episode, specifically illuminated by the moment
, as it indicates that he might actually begin to
. Ryuunosuke and Ritas interactions have been really enjoyable throughout the last two episodes, culminating with
. As such, Im really looking forward to their
, since their extensively contrasting personalities have superbly complemented the occasionally quirky nature of their
. The implied
between
is a surprisingly compelling addition to the narrative, so a heightened insight into their
would be great, as it would provide some opportunity for a certain level of development for Chihiros character.
Aoyama has increasingly become a thoroughly inconsequential character, since, following the fourth episode, she seems to be largely used for repetitive fanservice and intermittent jealousy. This flaw could have been remedied entirely in this episode, but, of course,
solely so that the show can continue to perpetuate the illusory mirage of Aoyamas involvement within
as something even remotely important, when, in fact, its nothing of the sort, since
will inevitably remain
. As such, the stagnancy and near non-existence of her development has become increasingly apparent throughout the latter half of this arc, which is understandable, since the other characters are far more interesting and integral to the larger narrative. Of course, I prefer this approach, as it isolates an already pointless character, but an attempt to layer her dreadfully miniscule characterization would be appreciated. Essentially, her portrayal has consistently been illustrated as some sort of
; a
that effectively exists in order to tangentially compel
into existence. I did, however, like that Aoyama was fully willing to
, so it would seem like a considerably unnecessary misdirection if shes only going to fully
in the near future.
The production values remain quite impressive, particularly the animation, which was much improved throughout this episode, especially over the last two. The direction was pretty great throughout, especially during the final sequence, which was beautifully shot and creatively framed, displayed most notably by the moment the
. The visuals, for the most part, really complement the nature of the story, as the colorful aesthetic typically accentuates the lighthearted atmosphere. Musically, this episode was quite good, since, above all, it was less repetitious than in the past. The comedy was also greatly effective throughout, save for
. The altered Ed was nice.
All in all, despite its inconsistency, Sakurasou remains one of the most surprising shows of the past year, particularly impressing with the thoroughly engaging interactions that suffuse each episode, along with the relatively intriguing story and the narrative execution. This episode served as a fantastic, highly satisfying conclusion to the first arc, since it drew upon a plethora of foreshadowed emotions and climactic developments, such as
,
, and
. The narrative has been consistently compelling throughout the show, but it had noticeably faltered into a certain monotony and listlessness that was quite disappointing throughout several of the episodes that preceded this. Thankfully, however, this episode illustrated a departure from the excessively dramatic and tedious developments that had occurred throughout the latter half of this arc. However, I slightly dread whats to immediately come, since it seems disappointingly likely that, as its going to continue for another twelve episodes,
just so that some inevitably pointless drama could be filtered into the narrative.
This was a terrific episode; easily the best since the fourth, since it served as a thoroughly satisfying conclusion to this arc. As a whole, this episode was thoroughly well-paced, largely due to the immense improvement within its ability to balance its dichotomous elements, as the focus rarely lingered on a particular emotion or development beyond what was necessary. As such, the developments within this episode were handled with a skillful deftness that was quite satisfying, particularly exemplary in the final sequence, as each woven subtlety allowed for a thorough illumination of the complex emotions that surrounded
Mashiros realization of love
Nyaboron anime
The final scene was a sweetly emotional conclusion to the episode, since
Mashiro finally acknowledged her feelings for Sorata as love
Mashiros
eventual relationship
triangle antics
Sorata and Mashiros hug
have feelings for one another
partial dependency on Mashiro
The subtly romantic and excellently simplistic opening sequence, in which, as a direct continuation from the end of the previous episode,
Mashiro lays next to Sorata
evolving feelings for her
internally struggles with the impending possibility of her leaving him
Sorata and Mashiros
final sequence
eventual romance
romantic inclinations
Sorata will remain oblivious
I greatly enjoyed the slightly heightened focus on Misaki and Jins rather complex, but seemingly inevitable
relationship
Jin gives her the necklace he had once bought on his date with Mashiro
relinquish his perpetual hesitancy towards entering a relationship with the only one he seems to truly love
their excellently simplistic kiss prior to her departure
continued relationship development
romantic sensibilities
relationship
Chihiro and the game designer
romantic, yet seemingly complicated, past together
Aoyama has increasingly become a thoroughly inconsequential character, since, following the fourth episode, she seems to be largely used for repetitive fanservice and intermittent jealousy. This flaw could have been remedied entirely in this episode, but, of course,
Miyahara simply had to be rejected
the triangle
her feelings for Sorata
unrequited
third wheel
glorified plot device
Mashiro and Soratas romantic relationship
assist in Soratas attempts to convey his feelings to Mashiro
return to her tsundere affectations or resume clinging onto her love for Sorata
The production values remain quite impressive, particularly the animation, which was much improved throughout this episode, especially over the last two. The direction was pretty great throughout, especially during the final sequence, which was beautifully shot and creatively framed, displayed most notably by the moment the
plane swiftly passed by in the background and her confession was isolated against the wind
Misakis exaggerated driving
All in all, despite its inconsistency, Sakurasou remains one of the most surprising shows of the past year, particularly impressing with the thoroughly engaging interactions that suffuse each episode, along with the relatively intriguing story and the narrative execution. This episode served as a fantastic, highly satisfying conclusion to the first arc, since it drew upon a plethora of foreshadowed emotions and climactic developments, such as
Mashiro and Soratas hug
Rita and Ryuunosukes kiss
Mashiros realized love
Aoyama will be elevated to a third wheel once again
We shall see :T
You're an inspiration if there ever was one! Gaf's shining light!
Yeah, pretty much had this same reaction too.
Thats not my memory of it. My memory is getting new Haruka and Ai stuff. For which I said huzzah.
I guess the odd bit is that the stories for the most part fit inside the first season ones, rather than being next chapters.
firehawk12
Subete no aware
Just stop watching now. lol
WAUUUUUWWWOOOO
We had Jormungand for that though!
lol, I'm glad Kotoura-san will get more DORAMA.
spoilers obv: http://i.imgur.com/IrZo3.jpg
in the manga.
spoilers obv: http://i.imgur.com/IrZo3.jpg
For whatever reason (time constraints? Wanting to finish out the tournament in a single cour?), they're handling the
Anzio battle
Alright, that's good enough. I'll check that.
chickdigger802
Banned
sakurasou
eh.
Is it even :kanna... no not yet, will wait for tears.
And skirts in snow weather? Damn.... hope she got some nice padded panties or something.
eh.
Is it even :kanna... no not yet, will wait for tears.
And skirts in snow weather? Damn.... hope she got some nice padded panties or something.
dakkumauji
Member
Oh, ew. Guess I was right.
I kind of wish they would just write her out, rather than treating her so poorly. That way I could stop watching.
That reminds me, is GuP an anime original property or is it based off a manga?
It's original.
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