I honestly don't know what you mean. The CG was fine. What was so bad about the DNA helixes ??
It was just cheesy to me, it wasn't elegant. I guess it fits the movie.

I honestly don't know what you mean. The CG was fine. What was so bad about the DNA helixes ??
It was just cheesy to me, it wasn't elegant. I guess it fits the movie.![]()
I would probably do an engineer but it would just destroy any human with snu snu.
might be worth it...
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People called me crazy when after having first seen it I said it would have been better under Cameron.
It's time to turn in, Salsa. Avatar has smarter scientists than this crack team of scientific pioneers.
People called me crazy when after having first seen it I said it would have been better under Cameron.
People called me crazy when after having first seen it I said it would have been better under Cameron.
The director wasn't the problem. The movie wouldn't have looked as good as it did under Cameron. The problem was the script, and Cameron's done shoddy scripts before (Avatar.)
Please, this is quite the insult to JC. Avatar's script is aeons away from Prometheus's.
Well, he had better scripts to ape.
Please, this is quite the insult to JC. Avatar's script is aeons away from Prometheus's.
Please, this is quite the insult to JC. Avatar's script is aeons away from Prometheus's.
more polished? maybe. More interesting and original to begin with? lol
Avatar's problem is that it's basically a beautifully shot and polished souless piece of boring story turd.
Their shortcomings are in different aspects, and from what I look forward to in movies; I vastly prefer Prometheus.
It's entirely a matter of taste and perspective, so discussing further is kinda pointless.
It's not really a matter of taste at all. Or perspective. Or polish. It's quite simple really. Avatar's characters have motivations and make decisions that make sense. You're not constantly to yourself "what the fuck, why", like in Prometheus. The basic plot, while not original(although neither is Ancient Aliens, just so you know), again, works, makes sense, and is not ridden with plot holes. Unlike, Prometheus.
edit: now that I think about it, the main gist of Prometheus is extremely similar to 2001. Only done horribly, of course.
Again, Prometheus' most interesting story is what is happening in the background. What isn't seen. Whilst the surface narrative that we're following is executed very, very poorly.
Avatar might be missing the deeper themes, but it is far more enjoyable to watch because what is on screen in executed like a fucking pro.
It reminds me of that scene in The Simpsons:
Lisa: You have to listen to the notes she's not playing!
Man: I can do that at home.
Contrary to what jett says above: these arguments are both entirely made from a matter of taste AND perspective.
People look and appreciate different things in movies. I get the simpsons comment, but I dont necesarelly associate with it to that point, I still think there's true to what Lisa says, wich mostly would diss as "lol pretentious".
Even if you bring it down to simple terms: Avatar did nothing for me. I watched it and thought "well that sure looked pretty" and forgot all about it the next day. Im still thinking about Prometheus. It's a much more subtle film, and I could even give you that it's less polished, less realistic, more hard to believe in terms of character interactions, but at the end of the day it sayed with me more than Avatar ever did. And believe me, if I have something against Cameron now: I never did before watching Avatar, I love T2 and Aliens, a lot. I went with no made-up mind about it.
And yes, there are ways to fuck that up, easily (before someone says: "oh but then you're only interested in the concept and nothing else!"), and Ridley didnt go as far as to screw up the movie for me, not even with it's shortcomings.
Exactly. He had 10 years after Dances to come up with his spin, and then he sat on the script for another 10 I believe.
I completely get where you're coming from, because I come from the same mindset. But to me there is a difference between a film that encourages further investigation into the narrative that is being subtly painted in the background and a film that requires that self-edification for any sort of enjoyment because it fails on the most basic narrative level.
It tells me that the filmmakers didn't have the skill or the brass to tell the more interesting story, so they told it in a way that didn't force them to confront it's finer details. So they hid it behind this really poorly written surface story that apparently they didn't care enough about to explore to it's full extent. That annoys me because if they won't invest in the characters and situations that the film is spending it's time with, then why should I?
Okay, now I can ask.
What the hell does that xenomorph have to do with the ones we actually know? Is it the original? The first of its kind? Because it's so different. Its head resembles a dolphin, lmao
And the first engineer creating life on Earth. If there was fresh water running and breathable air, there should already be life. They should have showed a more hostile environment where life was beginning to strive, shouldn't they?
And Vickers running away from a rolling ship was really annoying. Just do like Shaw did.
They created humans, not all life. Maybe. Maybe not. Who knows. Good lawd this movie.
I think it's better for all of us if we disassociate Prometheus from Alien, completely. I mean, really. Gawd.
Yep, how stupid I am. Their DNA matches the humans'. Duh.They created humans, not all life. Maybe. Maybe not. Who knows. Good lawd this movie.
This is the kind of stuff I dont get. I mean with this line of thinking I dont know how you could ever create a new world around your movie unless you explain how every single thing in it works.
I dont know how people put "plot holes" and "stuff that doesnt need explanation and wouldn't affect the story the movie is trying to tell" in the same bag.
One of my main gripes is the dichotomy between what the audience knows and what the characters know. I really felt that the movie should have opened with the shot of the ship tracking across the emptiness of space. The cave painting scene was totally unnecessary and having the engineer DNA seeding explicitly shown screws up almost everything. It basically plays the entire hand of the movie immediately and then asks you to stick around until the characters catch up to you.
It's not really a matter of taste at all. Or perspective. Or polish. It's quite simple really. Avatar's characters have motivations and make decisions that make sense. You're not constantly to yourself "what the fuck, why", like in Prometheus. The basic plot, while not original(although neither is Ancient Aliens, just so you know), again, works, makes sense, and is not ridden with plot holes. Unlike, Prometheus.
edit: now that I think about it, the main gist of Prometheus is extremely similar to 2001. Only done horribly, of course.
This is basically like claiming Asimov sucks because R. Daneel Olivaw is the only character that grows in the Robot novels. Or that McDevitt is unreadible.
[in Avatar] You're not constantly to yourself "what the fuck, why"
How did I miss redletters video. All so true.
http://youtu.be/-x1YuvUQFJ0
One more thing. Why is it that only the captain came to the sudden realization that the engineers are dangerous? while david and weyland thought they could just wake them up and be best friends forever. The captain didnt even have to know about the alien baby to make that connection.
Speak for yourself, man. That movie's full of people doing stupid shit. Complete with Evil McTransparentlyEvil as the surprise evil-white-dude.
Eh. There are two kinds of sci fi. Character driven ones and big idea ones where the characters aren't important and are simply a vehicle for exploring the concepts.
This is basically like claiming Asimov sucks because R. Daneel Olivaw is the only character that grows in the Robot novels. Or that McDevitt is unreadible.
Speak for yourself, man. That movie's full of people doing stupid shit. Complete with Evil McTransparentlyEvil as the surprise evil-white-dude.
He is, though.
What stupid shit do they do that doesn't make any sense? What character pulls a complete 180 in terms of logic and contradicts how they might have been written thus far?
Going further with the Avatar comparission: many of the "plot holes" or "scripting mistakes" or "nonsense" or etc that are attributed to Prometheus are in the same vein as some of those applied to Avatar. Inconsistencies that are so small in terms of mantaining your suspension of disbelief and in adding/taking away anything from the story that's being told that they dont really amount to anything.
Example: Michelle Rodriguez defying orders to attack the tree thing, but apparently her punishment allows her to run around freely so she can later save Scully.
Its the same as Millburn going from scary fucker to wanting to play with the white alien thingie in Prometheus: its an oversight in terms of rationality that is sacrificed in favor of moving the story to where you need to go. It could be labeled as lazy, but is not undheard of and it's present in pretty much any kind of fiction. It depends on how much you base your appreciation of films in that kind of stuff.
Why is this Alien clip featuring Bolaj Badejo rehearsing movements creepier than anything in Prometheus?
http://www.youtube.com/watch?v=xpKi41a1rJI&feature=player_embedded#!
It's not a 180 turn, but Sully sure doesn't take orders well considering he's a military boy. I get the whole "OMG, I can walk?" thing must have been nice... but damn it son have a little patience. They aren't going to unplug you just because you waited the extra few min to get everything checked out.
Any military superior would have been flipping shit at his behavior.
(This type of scene is a particular pet peeve of mine so it stands out)
You have Shaw bleeding, looking a wreck after just having pulled an Alien out of herself. Followed not only by the Weyland scene which renders everybody into unquestioning robots toward him and Shaw, but you then have a scene where Elba's character distinctly and very seriously tells her 'I can't let any of that kind of stuff get on this ship' to which she just nods at. She just pulled an alien out of herself, is stumbling around in a heap and has knocked out two of the other crew members and nobody cares to address the flaws in logic here?