Because Snyder.I do think the nightmare sequence does fuel Bruce's fevered psychosis? How is this sequence any different than Rey's vision in TFA?
Because Snyder.I do think the nightmare sequence does fuel Bruce's fevered psychosis? How is this sequence any different than Rey's vision in TFA?
I understand the Knightmare sequence. Doomsday though - how would the film resolve itself? I suppose you could have Batman & Superman fight as the climax, have the warehouse scene, then cut to Lex in jail, but that would be a different film. And it leaves the film in a different place. Same with the Bat brand - that's Superman's catalyst for even being interested in Batman. And the Kryptonite subplot is needed for Batman to have a leg to stand on against Superman.
The Bat Brand isn't really a good catalyst. I would argue that just the stark contrast between Batman and Superman's methodologies is enough to have Superman be interested in Batman. After all, Superman is coming into this with no idea what Gotham is really like (corruption at level legal level from police to courts) compared to Metropolis. Same goes for Batman when all he sees is a superpowered alien.
As for the Kryptonite subplot, is it really needed when Lex managed to find a way to bend Superman to his will without weakening him? Batman in the comics, is a smart enough character to take advantage of Superman's mental weaknesses. If you only focus on the physical aspect, then yeah, but a fight is much more than simply exchanging blows.
I also dislike Doomsday, but mostly because of how Snyder expects people to buy into Superman's death when it wasn't earned.
I am getting this Ultimate Edition. Didn't watch it at the theaters (i.e. the Theatrical Cut)
The Bat Brand isn't really a good catalyst. I would argue that just the stark contrast between Batman and Superman's methodologies is enough to have Superman be interested in Batman. After all, Superman is coming into this with no idea what Gotham is really like (corruption at level legal level from police to courts) compared to Metropolis. Same goes for Batman when all he sees is a superpowered alien.
As for the Kryptonite subplot, is it really needed when Lex managed to find a way to bend Superman to his will without weakening him? Batman in the comics, is a smart enough character to take advantage of Superman's mental weaknesses. If you only focus on the physical aspect, then yeah, but a fight is much more than simply exchanging blows.
I also dislike Doomsday, but mostly because of how Snyder expects people to buy into Superman's death when it wasn't earned.
You gotta explain this to me
I do think the nightmare sequence does fuel Bruce's fevered psychosis? How is this sequence any different than Rey's vision in TFA?
This only matters if this was the point of the film. The point of the film is Batman's redemption, which happens despite Batman, so yes it is earned.I also dislike Doomsday, but mostly because of how Snyder expects people to buy into Superman's death when it wasn't earned.
The opening is good. Really good. The montage, the Metropolis invasion, that stuff is well done (aside from the dude in the building needing to be told to leave work as hell rains from the sky, but whatevs). But that montage is marred by a really sour final note of Bruce floating out of the cave.
please no one else try to explain how it's a dream. I am well fucking aware...
You gotta explain this to me
I don't believe he means the death itself, but for the audience to feel... anything from the death itself. Superman dying is shocking in itself, so those with years of history with the character likely felt something, but from a thematic point of view it just doesn't make sense for this to be tragic or for anyone to have learned anything from his death. From the theatrical cut at least.You gotta explain this to me
As for the Kryptonite subplot, is it really needed when Lex managed to find a way to bend Superman to his will without weakening him? Batman in the comics, is a smart enough character to take advantage of Superman's mental weaknesses. If you only focus on the physical aspect, then yeah, but a fight is much more than simply exchanging blows.
Good luck. I gave up and I'm just waiting for the blu-ray release now because I refuse to double dip. I had to wait on the phone 25 minutes just to talk to someone to remove my CC information from my account which was asinine to me. Only site I ever dealt with where you can't remove information on your own.
Same here. Giving them a few hours to get their shit together before I give up.
I don't believe he means the death itself, but for the audience to feel... anything from the death itself. Superman dying is shocking in itself, so those with years of history with the character likely felt something, but from a thematic point of view it just doesn't make sense for this to be tragic or for anyone to have learned anything from his death. From the theatrical cut at least.
That's what most mean by "earned." If Andy Dufrense escaped Shawshank after being a poorly developed character with questionable ideologies and plot holes regarding the character, no one would have cared. It would not have been an "earned" victory.
For the record though: I have no problem with a batman who kills people — they just have to do enough to help viewers understand how he got to that place. I know why. but I don't know if they did a good enough job of conveying it
No, this just a mixup because of the time traveler(not flash to Batman). The time traveler specifically asks if he came at the wrong time, which the answer is yes. But to Batman, it's confirmation of his dream being a coming reality. This further pushes him to the edge, knowing other red capes are coming. "I thought she was with you."and perhaps not enough being don't to getbtw, In darkest timeline, is it just me or was it implied that Bruce killed Lois/was responsible for her death?
And I would highly recommended you don't watch the Theatrical Cut first on the dvd / blu-ray either, skip right to the extended version, as it sounds like it does fix some of the movies flaws and is a better movie.
Watching the TC first might put you off watching it again if you don't enjoy it and its long enough without the extended cut.
I still say that the best BvS fight is the one from Hush. It has him use Kryptonite in only one, relatively minor engagement. Everything else, he was using the resources around him creatively. He used all the electricity in the city to shock him, he used lois as bait to get him to snap out of the mind control, etc. There was genuine inventiveness done in that fight.
When you get down to it, I think one of the biggest shocks of the movie is how poorly the film delivered on the spectacle aspect of the fight. When it was announced was I was immediately weary that all Batman would do is use kryptonite to beat down superman, especially since they used TDKR as the direct inspiration. "Use kryptonite -> win", is such a tired formula of the fights now. Unfortunately, not only is that the only thing Batman had of use, it was emphasized even more than in the comics version, where Batman held his own for quite a bit before the Kryptonite was finally used. It's so bizarre how limited the fight was. The fight started off on the roof of one building, Batman is pushed through to the roof of another, then the fight goes inside that building, through some walls, then down to that gigantic hallway place.
It's just weird. For a fight built up to be a battle of the gods, it's so small and limited, using the most uncreative fight choreography and tactics. And it's narrative connections are a mess, but you'd have thought that if snyder knew how to do anything, he'd know how to give us a grand battle.
The fight is dirty and personal as to not glorify the conflict and violence. There's no glory or heroism in the fight. Batman wants to kill Superman. That alone separates it from nearly every encounter in other media with few exception like Red Son.
The fight is dirty and personal as to not glorify the conflict and violence. There's no glory or heroism in the fight. Batman wants to kill Superman. That alone separates it from nearly every encounter in other media with few exception like Red Son.
I swear to god, if part of the movie was literally throwing poop at the audience, people would reframe and rationalize it so as to say the movie was just making a point about how it shitty the audience is for wanting to see two heroes fight.
So you are allowed to interpret the fight your way and criticize it but he can't defend it with how he interpreted it?
I swear to god, if part of the movie was literally throwing poop at the audience, people would reframe and rationalize it so as to say the movie was just making a point about how it shitty the audience is for wanting to see two heroes fight.
But he doesn't want to kill Superman..He wants to torture him, then kill him. And the torture part, getting a kick out of pummeling Superman, was a big part of TDKR
Batman wanting to kill Superman would involve a sniper rifle and a kryptonite bullet.
Zack just takes the TDKR fight, sans context, and ends it with.'and now I have to kill you'
EDIT:
I'm not sure what we're considering spoilers in this thread.
I guess it varies then, because I felt it just fine and thought it was an "earned" death after 2 movies.
If you know why, then isn't that a good enough job? We already had an entire conversation explaining to us why he is who he is, do we really need more? People complain there's too much exposition as it is. We don't need the movie to explain how Robin died and what happened to Bruce.
No, this just a mixup because of the time traveler(not flash to Batman). The time traveler specifically asks if he came at the wrong time, which the answer is yes. But to Batman, it's confirmation of his dream being a coming reality. This further pushes him to the edge, knowing other red capes are coming. "I thought she was with you."
I liked how once they were equal in strength, Clark had no chance against Bruce. The latter being an expert in pretty much every fighting style out there. While Clark barely knows how to throw a punch or defend himself. At one point Bruce straight up punched him in the throat and continued to attack him from all angles, Clark not knowing what hit him.
I got it and its fine for me, but as we all know - the types of people who post on GAF aren't representative of the majority. I meant in the sense of conveying so a mainstream audience "gets it".
Sorry, I should have been clearer.
Yes, that's exactly what I'm saying. /s
No, but I see people reframing literally every possible criticism into something positive, to the point where it is ridiculous.
Especially since the movie itself doesn't sell it like he describes. The movie was sold as an epic battle of epicness. I don't just mean the promotional material, I mean by the characters themselves. Lex had his whole "Day vs Night!" shpeel and Batman was a complete drama queen by setting up the whole Bat signal, had a speech prepared, and even dragged him to a specific kill room just to maximize the symbolism of it all. And there is nothing to indicate the movie is self aware of how small and pathetic the fight its depicting is, it just promised epicness and delivered a small battle.
And besides, my fundamental complaint wasn't just that it wasn't large in scale, but that it was badly depicted. At the end of CW, Cap and Iron man also had a small, intimate battle that was not used to promote heroism or grandiosity, but it still had good fight and interesting choreography. Small and dirty is not supposed to mean dull and uncreative.
Offcourse. Bruce is just a way better fighter. But loved the fight when he is gonna save Martha. He kicks ass. But also shows he lost it also abit now he is older. He still gets some good punches, cuts and even shot in the head. Wouldnt have happened with a younger Bruce.
Friend, people read you lengthy post in hopes of opening a dialogue. If you're not interested in showing others the same courtesy they've shown you, that's fine. But please be forthright about it. It's a discussion forum.
Offcourse. Bruce is just a way better fighter. But loved the fight when he is gonna save Martha. He kicks ass. But also shows he lost it also abit now he is older. He still gets some good punches, cuts and even shot in the head. Wouldnt have happened with a younger Bruce.
It's great. He's so clearly frustrated at letting punks get lucky.
This only matters if this was the point of the film. The point of the film is Batman's redemption, which happens despite Batman, so yes it is earned.
I don't believe he means the death itself, but for the audience to feel... anything from the death itself. Superman dying is shocking in itself, so those with years of history with the character likely felt something, but from a thematic point of view it just doesn't make sense for this to be tragic or for anyone to have learned anything from his death. From the theatrical cut at least.
That's what most mean by "earned." If Andy Dufrense escaped Shawshank after being a poorly developed character with questionable ideologies and plot holes regarding the character, no one would have cared. It would not have been an "earned" victory.
Fair enough. I apologize if it was rude. But I honestly do feel that is the general rhetoric, that it doesn't matter what the complaint is, no matter how well supported, that someone just repurposes it for how it is actually a positive of the movie. It gets tiring, because it feels there isn't any point where both detractors and supporters of the film can agree "Yeah, the fucked up there". This isn't the case for other movies. I like Dark Knight Rises, but neither I nor any fan of it I've seen tries to support stuff like Talia's death scene or some of the more nonsensical bits of that film. With this, you have to fight tooth and nail to be able to call out every flaw as being an actual flaw.
Anyway, I really disagree with your proposition of the fight for the reasons I stated in the other post. Nothing about the movie suggests it's aware of how small the fight is in comparison to what it promised and in any case my criticism extended beyond "it was smaller than I wanted".
Fair enough. I apologize if it was rude. But I honestly do feel that is the general rhetoric, that it doesn't matter what the complaint is, no matter how well supported, that someone just repurposes it for how it is actually a positive of the movie. It gets tiring, because it feels there isn't any point where both detractors and supporters of the film can agree "Yeah, the fucked up there". This isn't the case for other movies. I like Dark Knight Rises, but neither I nor any fan of it I've seen tries to support stuff like Talia's death scene or some of the more nonsensical bits of that film. With this, you have to fight tooth and nail to be able to call out every flaw as being an actual flaw.
Anyway, I really disagree with your proposition of the fight for the reasons I stated in the other post. Nothing about the movie suggests it's aware of how small the fight is in comparison to what it promised and in any case my criticism extended beyond "it was smaller than I wanted".
No I got that. What I meant was, at what point do we trust the audience to understand it for themselves?
I kinda feel you but does it really matter? The much bigger sin that scene committed was that it was not visually interesting or fun to watch, at least in my opinion. It was extremely anti-climactic and felt baaaaarely justified. It's that thing of "the only reason these characters are fighting is because they don't take 30 seconds to talk to eachother", which you can handwave away with "Batman is out of his fucking gourd in this movie", but that in itself wasn't really explored in an interesting way. He just came off as Very Angry (and really, really uncharacteristically stupid) throughout most of the film.
I thought the whole thing was tremendously boring and pretentious. It asks "what if Superman was actually bad??" but... Superman isn't bad. He's not even morally dubious, like Batman is, not by a long shot. The story would've made more sense if people wanted to hang Batman out to dry, rather than Supes, from a thematic standpoint. It asks all these questions about the nature of power but doesn't answer them in any interesting way. Batman's "redemption" is him hearing his mother's name, which is incredibly lame. So he was straight murdering fools and pretty much torturing them with his brand but now he's just a good guy at the end? It was a ramshackle mess. It wasn't even coherent - the editing was so shitty. It's a 3 hour movie that barely uses any establishing shots. Scenes just collide into eachother with a dream-like logic (fitting in some cases). Despite its length, not one character felt properly fleshed out or coherent.
Oof that turned into a bit of a rant. Glad some of you really liked it, there should be something else than Marvel out there doing superheroes. I just didn't like this at all.
I thought an improved film would caused for improved discussion but this thread is FUBAR from page one.
BvS apologists doing way too much.
I'll probably give this a rent, but no way am I buying this outright just to watch the new cut.
Normally I'd agree with you on this. I don't think you should always pander too heavily to the audience. But BvS had to do the job of reintroducing people to "Batman" and letting them know that this is a different continuity than Nolan Batman.
I don't want to get into a whole Mavel CU / DCCU thing, but Marvel has the benefit of having several of their characters getting solo flicks to give you insight into them. By the time you get to the ensemble movies, people already have knowledge about the characters and whats going on with them etc.
BvS doesn't have that luxury because DC wanted to jumpstart DCCU asap. So it has more weight to carry. While we know what's going on with Clark (from MoS), the same isn't as true for Bruce.
People like us know it, but for mainstream, they turn up to the film and all of a sudden they have a Batman who has no qualms about killing people.
Fair enough. I apologize if it was rude. But I honestly do feel that is the general rhetoric, that it doesn't matter what the complaint is, no matter how well supported, that someone just repurposes it for how it is actually a positive of the movie. It gets tiring, because it feels there isn't any point where both detractors and supporters of the film can agree "Yeah, the fucked up there". This isn't the case for other movies. I like Dark Knight Rises, but neither I nor any fan of it I've seen tries to support stuff like Talia's death scene or some of the more nonsensical bits of that film. With this, you have to fight tooth and nail to be able to call out every flaw as being an actual flaw.
Anyway, I really disagree with your proposition of the fight for the reasons I stated in the other post. Nothing about the movie suggests it's aware of how small the fight is in comparison to what it promised and in any case my criticism extended beyond "it was smaller than I wanted".
Watch it. If you somewhat enjoyed the TC you will like this.Apologists will always come with the territory. Marvel movies have plenty on this forum as well.
I'm just glad the cut seems to apparently fix the editing and story telling flaws of the film. There are meh action sequences and certain story decisions in the movie that will keep me from ever loving it but maybe I'll like this cut at least.
I left the theater not liking it much but really admiring it's ambition. At least with this ultimate cut it seems to have met those lofty goals it had.
Broadly speaking, this film, and Snyder's work overall, have a problem of scenes contradicting each other. So I absolutely see where you're coming from. There are scenes that contradict my interpretation. But for me, I excuse it to make because it makes the scenes I like more powerful.
Wait, am I basically saying BvS only makes sense if I force it to?
Watch it. If you somewhat enjoyed the TC you will like this.
It's sprawling and more epic in scope, as well as more unapologetic about the tone the stuff added is all real good.
Watched the UC, it was definitely better than the TC but still not a good movie. It still suffers from a bad script and characterization.
I can't take one of the guys in the Collider review seriously - a 10/10 for this? Really? This isn't even near as good as Civil War and that movie is like an 8/10.
For me, the TC was a 4/10 and the UC is about a 5.5/10.