'Bad action scenes'
I don't even. Like he's clearly not the best, but some of you guys clearly demonstrate no knowledge of truly bad action sequences. Like the chase between Blade and Drake in Blade 3.
Prepare for Gifs
'Bad action scenes'
I don't even. Like he's clearly not the best, but some of you guys clearly demonstrate no knowledge of truly bad action sequences. Like the chase between Blade and Drake in Blade 3.
'Bad action scenes'
I don't even. Like he's clearly not the best, but some of you guys clearly demonstrate no knowledge of truly bad action sequences. Like the chase between Blade and Drake in Blade 3.
Yeah, but it's not like the French and British forces were just going to surrender at Dunkirk. Though I suppose the German mobile divisions could have used that time to advance to Dunkirk and cut off their main route of escape. /armchair generalIt was less about the French surrender and more about the incompetence of the German High Command. If they had decided to move on Dunkirk instead of consolidating their forces they would have captured hundreds of thousands of Allied troops and probably gotten a surrender out of Britain.
My only fear is that this movie will have some hackneyed Sci-Fi twist, because that is what people expect.
Nolan should make a great genre film, not a Nolan film.
Pirates 5 (7th July) - Action blockbuster for teenagers and some millenials.
Planet of the Apes (14th July) - Thinking man's action blockbuster for old people and young people alike.
Pitch Perfect 3 (21st Juy) - Targeted to female audiences.
Dunkirk (21st July) - Thinking man's drama for Nolan's fans, adults, people sick of comic book movies, people sick of four straight months of action blockbusters, people sick of sequels, people sick of prequels, people sick of reboots...
Spiderman (28th July) - Targeted to comic book fans.
Nice release date
I love Joe Wright, but that scene is honestly kind of empty outside of the fact it was done in one take. It's an incredibly impressive visual and technical feat that draws attention to itself and away from the film at hand.
I'm going to start a firestorm with this, but I hate this shot. Okay, hate is strong, but this shot is, in my opinion, the quintessential example of a shot that takes you out of the movie. The shot has no meaning, no importance to the film. It's not enhancing what's going on on screen, it's not important to build a mood, it's simply there to be impressive. You end up being impressed by the shot rather than being drawn further into the story.
Comparatively, the tracking shot in the first season of True Detective perfectly enhances the chaos on screen as they rush through house after house. In the opening of Touch of Evil, a bomb is planted under a car, and the lack of cuts focuses tension since we're acutely aware of the passage of time.
There are tons of other examples, of course (Gravity, Nostalghia, Children of Men), but the important point is that in every case, the shot is saying something about what's happening in the story. Here, it's just saying "look what a cool shot this is!"
My only fear is that this movie will have some hackneyed Sci-Fi twist, because that is what people expect.
Nolan should make a great genre film, not a Nolan film.
FTFY,
Besides, Nolan always makes him film relatively cheap, and in under two years and almost always under budget. Interstellar 'only' made $56 million in its opening weekend and was still profitable. This movie will run through out the summer and slowly make its money back and then some.
It will be huge in Europe.
Really now. I thought its signifcance was debated among historians. There's no doubt a loss of 300,000 men would have been tremendous, but I thought the Allies already evacuated a high number of personnel before the French surrendered.
It was less about the French surrender and more about the incompetence of the German High Command. If they had decided to move on Dunkirk instead of consolidating their forces they would have captured hundreds of thousands of Allied troops and probably gotten a surrender out of Britain.
What's with the resurgence of WW II flicks in recent years?
I wonder if WB gave Nolan their prime summer spot before finding out what the hell it was.
"You want it? YOU GOT IT! PLS NOLAN."
*3 months later*
"...it's a time travel sequence, right?"
FTFY,
Besides, Nolan always makes him film relatively cheap
What?
Except Prestige every fucking Nolan movie from the last 10 years has a $150M+ budget.
Atonement is pretty great, actually. But its biggest strengths do indeed lie in its visuals and score. Dario Marianelli's score on that film is amazing.Knowing Nolan and the types of themes he likes to direct, I thought for sure his next project would be AI related.
This is a pleasant surprise though, I feel like Nolan deserves some respect for at least attempting to add some depth and genuine artistry to standard blockbuster fare. I'll be interested to see what the narrative perspective for Dunkirk is.
Though I already see people in this thread brining up the long take from Atonement. My question to those people is: did you watch the movie that comes before and after that scene? Atonement may be impressive on a photographic level but the rest of that movie is a hot, hot mess.
I like to think that WWII isn't a genre anymore. Not every film these days covering WWII is The Longest Day.Noooooooo.. Another WWII movie. I know they haven't made many of them recently, but it's the one genre where I'm completely burned out on. Saying that it's Nolan. So I have to go and see it.
Has it been mentioned yet that Tom Hardy and Kenneth Brannagh are in talks to join?
And apparently the leads will be unknowns.
http://www.hollywoodreporter.com/news/christopher-nolan-direct-wwii-film-851289
tl;dr British soldiers evacuated a site from the nazis. And it went well.
Maybe I was influenced by the amazing soundtrack and visuals, but I really didnt think the movie was a mess. I thought the acting was phenomenal and the story had some gut wrenching moments. Some of it felt a bit unearned towards the end, but man that movie had an effect on me.Knowing Nolan and the types of themes he likes to direct, I thought for sure his next project would be AI related.
This is a pleasant surprise though, I feel like Nolan deserves some respect for at least attempting to add some depth and genuine artistry to standard blockbuster fare. I'll be interested to see what the narrative perspective for Dunkirk is.
Though I already see people in this thread brining up the long take from Atonement. My question to those people is: did you watch the movie that comes before and after that scene? Atonement may be impressive on a photographic level but the rest of that movie is a hot, hot mess.
Nolan could direct him fucking my GF and I'd watch it. Teach us, Christ Nolan. We are not worthy:
Just need a confirmation that Zimmer is doing the score and Fassbender is attached as well. Then you have my permission to freeze me in.
We need a tip your fedora icon for all the edgy posts like this one.Cagey said:The long shot of the beach at Dunkirk in Atonement will be far better than this movie.
What?
Except Prestige every fucking Nolan movie from the last 10 years has a $150M+ budget.
Paramount and Warner Bros., which backed Interstellar, were prepared to spend close to $200 million to make the movie, according to a person with knowledge of the plans. Mr. Nolan responded that he didnt need that much money, despite the pictures extensive use of digital and physical effects to create robots, dust storms, and mile-high waves.
And in contrast to the frantic last-minute reshoots of so many big-budget movies, Mr. Nolans work is reliable. He delivers films that are remarkably close to what he originally pitched to his backers. They come in ahead of schedule and under budget. Last April, a time when many summer releases were still far from complete, studio executives saw Mr. Nolans first cut of Interstellarnearly identical to the one hitting theaters now.
lol relatively cheap. Relative to what? You do know that most films aren't actually $200m+ tentpoles.I did say 'relatively' cheap.
Also this.
http://www.wsj.com/articles/why-hollywood-loves-interstellar-director-christopher-nolan-1414677657
Reading up about the Evacuation of Dunkirk, it sounds really boring.
tl;dr British soldiers evacuated a site from the nazis. And it went well.
Here's hoping Nolan can spice it up a bit...
In my opinion Nolan is batting 100. I haven't seen his very first movie. But everything else he does is gold. I would watch a movie about a turds journey down the toilet if he wrote and directed
Whats the twist?
Creed redeemed Meek a little bit after getting wiped off the Earth by Lord Drake.
lol relatively cheap. Relative to what? You do know that most films aren't actually $200m+ tentpoles.
I did say 'relatively' cheap.
People don't know what happened at Dunkirk?
People don't know what happened at Dunkirk?