Why am I not surprised to see Moore is a fan of Richard Brautigan's In Watermelon Sugar . That makes absolutely perfect sense.
Unsurprisingly, he has great taste in punk albums as well.
A special place, obviously, has to go to the Sex Pistols, with God Save the Queen being the first punk 45 that I acquired, with (I think) the French issue of Anarchy (in the U.K.) following a week or two later. NEVER MIND THE BOLLOCKS was a terrific album, and as an erstwhile Monkees admirer I was particularly fond of Stepping Stone. The first Clash album was equally wonderful, with Janie Jones as the standout selection. Among the American stuff I was picking up at the time there was Little Johnny Jewel, which I think was the first Television single, and Love Goes To Building On Fire, which was the first from the Talking Heads. horses-coverIn a way I think I should list Patti Smiths HORSES, even though I picked it up in 1975, as a definite and monumental punk precursor. I recall buying Rip Her To Shreds by Blondie, and a lot of records by bands who perhaps arent so well remembered today, like Mink De Ville with Spanish Stroll, or the excellent Handsome Dick Manitoba and The Dictators, just for the haunting B-side of their Search and Destroy Iggy cover, which was called Sleeping With The TV On. The Only Ones Lovers of Today was another treasured discovery, and I would eagerly consume anything that Stiff Records put out: that first Elvis Costello single, Alison/My Aim is True, was an ear-opener, and the same goes for his Stiff stable-mates: most famously Ian Dury with Sex & Drugs & Rock n Roll and the NEW BOOTS AND PANTIES album, but I was always a big fan of Wreckless Eric with Whole Wide World and Semaphore Signals, and was equally struck by Larry Wallis with his threateningly anthropomorphic Police Car. I was, of course, very taken with John Cooper Clarke from his first (I think) Beggars Banquet E.P, PSYCLE SLUTS. Stuff from the more outré end of the punk spectrum always found an easy berth, so Devos Jocko Homo was very welcome, and especially the sublime DUCK STAB EP by The Residents, Meet the Residentswhich led me to their equally startling albums like MEET THE RESIDENTS and THIRD REICH AND ROLL. Honestly, this list could probably go on forever, and I havent even mentioned The Adverts, or X-Ray Spex, or The Ramones, or Public Image, Ltd., or Metal Urbain, or Patrick Ive forgotten his second name who did Safety Pin Stuck in My Heart [Patrik Fitzgerald Ed.], or Wire, or The Gang of Four, or The Slits, or Penetration, or Teenage Jesus and the Jerks, or, or