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Manga Discussion/News Thread |OT5| We Post on Wednesdays

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gunbo13

Member
Putting my take on Freezing aside, you know the rest is true. I'll take a manga with lots of deficiencies over the next cardboard cut-out I pull from jump. So many series are also getting tired and should be re-tired. Magico is one off the top of my head that is just skipping on water. Beelzebub needs a serious kick in the ass. Cage of Eden has been rolling bullshit and they need to stop playing character shuffle. Don't even get me started on RtV2. HSDK...not going there either. Then you have the big 3 camping the perpetual safety net. At least Negima is dead.

We need more FMA, Chrno Crusade, FMP, even Kekkaishi. Mangaka should just start from scratch.
How can we have character development without this kind of arc?! The dramaz! The tensions!
I have an idea.

Not get pissed and say "I didn't want you to feel uncomfortable with me helping that other girl. I have her contact and if it is OK with you, I'll help her out. It is also OK if you come with."

Instead "Shut up, you don't know shit. I didn't help her cause...OMG shut up. I'm so mad at you, a girl who probably hasn't said a mean thing in her life."
 

survivor

Banned
Putting my take on Freezing aside, you know the rest is true. I'll take a manga with lots of deficiencies over the next cardboard cut-out I pull from jump. So many series are also getting tired and should be re-tired. Magico is one off the top of my head that is just skipping on water. Beelzebub needs a serious kick in the ass. Cage of Eden has been rolling bullshit and they need to stop playing character shuffle. Don't even get me started on RtV2. HSDK...not going there either. Then you have the big 3 camping the perpetual safety net. At least Negima is dead.

We need more FMA, Chrno Crusade, FMP, even Kekkaishi. Mangka should just start from scratch.

But saving your friends or righteous heroes aren't inherently bad concepts in a manga. FMA had all the things you were complaining about but it was a top tier shounen battle manga. It's all about execution, pacing your manga appropriately, and delving into dark themes without failing spectacularly.
 

gunbo13

Member
But saving your friends or righteous heroes aren't inherently bad concepts in a manga. FMA had all the things you were complaining about but it was a top tier shounen battle manga. It's all about execution, pacing your manga appropriately, and delving into dark themes without failing spectacularly.
FMA was about family firstmost, not friends. There were also a lot of battles with inner demons and surrealism. In fact, often it was about leaving friends behind to pursue your dreams. It did not batter the concept and wrap the entire narrative around it. Often characters were selfish, misguided, and flawed. Many concepts were dark and unnerving. It wasn't even just about the great execution and pacing. So many themes were explored outside what you see in most running action shounen. There were a lot of layers compared to the flatness I currently read.

FMA is on a whole different level compared to the examples I cited.
 

survivor

Banned
FMA was about family firstmost, not friends. There were also a lot of battles with inner demons and surrealism. In fact, often it was about leaving friends behind to pursue your dreams. It did not batter the concept and wrap the entire narrative around it. Often characters were selfish, misguided, and flawed. Many concepts were dark and unnerving. It wasn't even just about the great execution and pacing. So many themes were explored outside what you see in most running action shounen. There were a lot of layers compared to the flatness I currently read.

FMA is on a whole different level compared to the examples I cited.

Blue Exorcist also had shit about brothers and inner demons and what not and it ended up looking silly compared to FMA. I'm not denying that FMA did a lot of things differently than your run of the mill battle shounen manga, but Arakawa is a god tier writer which is why they all worked perfectly.
 
FMA was about family firstmost, not friends. There were also a lot of battles with inner demons and surrealism. In fact, often it was about leaving friends behind to pursue your dreams. It did not batter the concept and wrap the entire narrative around it. Often characters were selfish, misguided, and flawed. Many concepts were dark and unnerving. It wasn't even just about the great execution and pacing. So many themes were explored outside what you see in most running action shounen. There were a lot of layers compared to the flatness I currently read.

FMA is on a whole different level compared to the examples I cited.

Your joking FMA was about family yes but friends also play a huge part in every arc , hell the last arc is everyone coming together to beat the bad guy .
You said it was often about leaving your friends behind and that hardly happen in the manga at all until the end.
FMA was everything you normally see in some Shonen family , friends , never giving up , doing things your way etc etc but its so good because Arakawa is a great writer more than anything else.

Blue Exorcist also had shit about brothers and inner demons and what not and it ended up looking silly compared to FMA. I'm not denying that FMA did a lot of things differently than your run of the mill battle shounen manga, but Arakawa is a god tier writer which is why they all worked perfectly.

Not read Blue Exorcist in a while but it was mostly good from where i left off.
Last chapter i read one of the brothers get lock up, has gotten that bad since then ?
 

Dresden

Member
Not sure about god-tier, but Arakawa had a good sense of pacing, wasn't a shit writer, and knew where she wanted to go & how she wanted to end it, which all meant that as far as shonen manga goes it was brilliant.

Really, it's always execution. Think about what JoJo handled by Mashitma would be like.
 

MCD

Junior Member
I know. But after that gruesome intro with the two brothers and
Hughes's death
, let's just say I was expecting much, much more.
 

scy

Member
To be serious, I don't really give a shit if it's power of friendship or whatever theme-wise. I just care if I enjoy reading it. I have terrible taste low standards, I guess, so I enjoy most manga, public opinion be damned.
 
I know. But after that gruesome intro with the two brothers and
Hughes's death
, let's just say I was expecting much, much more.

You were expecting more people to get kill ?
It was the other way around for me after
Hughes's death
i knew that was not going to happen .
Killing off to much characters and most people end up not caring anymore .

I think my criticism for it was he really didnt ever defeat much of anyone. The most stunning/memorable fighting moments in the series were given to Roy/Bradley.

When it comes to kicking ass Roy was the star of FMA when the manga end he was broken lol.
 

survivor

Banned
Idol Pretender 1

This type of manga can only work if the girls are actually cute. Oh well, moving on to the next perverted manga.
 
Crimson Grave vol 1

I like this. Fun fantasy world starring an atoner demon guy and an uber-powerful girl with a red double-bladed sword. Has potential.
 

Solune

Member
Putting my take on Freezing aside, you know the rest is true. I'll take a manga with lots of deficiencies over the next cardboard cut-out I pull from jump. So many series are also getting tired and should be re-tired. Magico is one off the top of my head that is just skipping on water. Beelzebub needs a serious kick in the ass. Cage of Eden has been rolling bullshit and they need to stop playing character shuffle. Don't even get me started on RtV2. HSDK...not going there either. Then you have the big 3 camping the perpetual safety net. At least Negima is dead.

We need more FMA, Chrno Crusade, FMP, even Kekkaishi. Mangaka should just start from scratch.

I would take any regular shounen shit over Kekkaishi any day of the week. Manga suffered from the worst pacing I have ever experienced from a weekly and the setting was stale as fuck, it was basically Kagami Harisugawa before that even came out.

Also if most weekly manga had even a fraction of the humour in Beelzebub, I wouldn't even be complaining.
 

upandaway

Member
Buyuden

He's
DEAD

HE'S
DEAD

OH MY GO- why is moka still fat seriously screw this, i want the old moka back. it's like her and take's roles are completely reversed
 

gunbo13

Member
You said it was often about leaving your friends behind and that hardly happen in the manga at all until the end.
The entire story had Ed/Al leaving behind Winry and Pinako to pursue their path. It was an event paralleling Hohenheim which contradicts the hate directed toward him from Ed. There were also occasions where they had to morally balance Winry's safety against their current actions. So the concept of leaving your friends behind was central to the plot.
I would take any regular shounen shit over Kekkaishi any day of the week. Manga suffered from the worst pacing I have ever experienced from a weekly and the setting was stale as fuck, it was basically Kagami Harisugawa before that even came out.
It certainly wasn't a great manga but it was at least different. I enjoyed the misdirection and the story around Chushinmaru. Flawed but fresh. And that follows my point how that is better then a more polished generic shounen that feels like a rehash.
Also if most weekly manga had even a fraction of the humour in Beelzebub, I wouldn't even be complaining.
Gintama. And I want more out of Beelzebub then jokes at this point. The battles, if you can call them that, have been terrible. Gintama is the master of mixing together action and humor. Beelzebub isn't doing well with the former.

---

I also don't buy the "execution only" comments. I just believe that is flat out wrong. A lot of writing, meaning original ideas, comes from within themes. Having multiple intertwined concepts regarding the power of friendship is expanding your writing. That's not necessarily executing better then other manga who do not intertwine their concepts and just push out generic crap. OMG we are friends, so we are super power when we yell each other's names. Guh.

A series like FMA shares many themes with the mangaverse but uses them where others don't. And Arakawa does of course execute them properly. My favorite part of FMA is Hohenheim, his back-story, and the parallel I spoke of with Ed. While there were definite let-downs with the ending regarding him, his back-story and conflicts with his family were great. Most shounen are lucky to even catch a whiff of all the dynamics there. Is the trickery, past coming back to haunt him, genocide, son following in the father's footsteps, mysterious travels, family abandonment, etc... all about execution? I don't think so and that's just one piece of the narrative.
 

scy

Member
I would take any regular shounen shit over Kekkaishi any day of the week. Manga suffered from the worst pacing I have ever experienced from a weekly and the setting was stale as fuck, it was basically Kagami Harisugawa before that even came out.

I'm still not quite sure how Kekkaishi was 35 volumes long. I liked everything about Kekkaishi except for how much it felt like it was being dragged out. Which is weird, really, as there really was a lot of stuff to actually get through but it always felt like it was something to slog through.

I also don't buy the "execution only" comments. I just believe that is flat out wrong. A lot of writing, meaning original ideas, comes from within themes. Having multiple intertwined concepts regarding the power of friendship is expanding your writing. That's not necessarily executing better then other manga who do not intertwine their concepts and just push out generic crap. OMG we are friends, so we are super power when we yell each other's names. Guh.

It doesn't bother me at all if the theme is overused or what the theme is. What gets done with it will ultimately matter a lot more than the theme employed itself. I can't think of a single time where the themes used were what got to me rather than what was actually going on.
 

upandaway

Member
I'm fine with the standard "hard work, friendship, victory" jumpology (which btw gunbo you could've just said this instead of a paragraph) but themes are still sort of a thing, even if their importance varies by the reader.

As in, uh, let's say we have two series with equal execution and one has better theme.. you get what I mean. I've already exhausted my annual literature energy with this post.
 

Cwarrior

Member
I don't think Freezing has much more issues then a lot of action shounen. It's just that most action shounen don't take many risks. It's always about saving your friends, avenging your friends, uh...fighting with your friends... Shounen action is mostly damn boring. I don't see how you can read more then a handful and not want to vomit.

Freezing at least delves into some dark shit. The fan-service can overwhelm at times but you also have intense violence. Arms being ripped off like Jax is pretty violent. It's really not that bad a series for the reasons I wrote above and I think it gets misaligned hate. It's less generic IMO then most of the shounen action clones and that's why I'm sticking with it. The incest arc was putrid but the whole family is bottom tier so whatever. Chiffon is more interesting then most shounen MCs with their boring ass righteousness.


IM Dal-Young is one the world producers of brain poison, random forced drama and shock value is all his got.
 
The entire story had Ed/Al leaving behind Winry and Pinako to pursue their path. It was an event paralleling Hohenheim which contradicts the hate directed toward him from Ed. There were also occasions where they had to morally balance Winry's safety against their current actions. So the concept of leaving your friends behind was central to the plot.

I don't call seeing somebody many times over the course of the manga leaving them behind .
Also they did not have to morally balance anything when it comes to Winry Ed and Al was as good as you can get .
 

gunbo13

Member
It doesn't bother me at all if the theme is overused or what the theme is. What gets done with it will ultimately matter a lot more than the theme employed itself. I can't think of a single time where the themes used were what got to me rather than what was actually going on.
Often an underlying theme is pretty much an idea of what is going on. Using what I mentioned, Hohenheim traveling would be what is going on. There's a lot of mystery and fun when the story turns that way. However, that's the theme of abandonment. It could have been wrapped up with say, he is doing all this as he made a promise to a dying friend. Or it could be as simple as a revenge justification. Those are generic and what most manga pull out of their hats. Instead, we are given a unique fleshed out back-story. The themes in this one are betrayal, story origin, haunting past, regret, etc... On the surface you could call that narrative expansion "what is going on." But that label is the same as one would apply to the boring promise to a dying friend or the revenge route. It's just that in FMA what is going on has a bunch of themed layers that not only entertain but are absolutely integral to the plot.

Sometimes it is fun to just tune out and read. That's where my shitty romcoms come into play. But battle shounen for me at least is different. The lack of a work that stands above the pack just annoys me. Just one is enough.
I don't call seeing somebody many times over the course of the manga leaving them behind .
Also they did not have to morally balance anything when it comes to Winry Ed and Al was as good as you can get .
That's your interpretation I guess. But I still saw it as a prominent part of the story. This was especially tense when Winry was with Kimblee.

Retcon:
I enjoy peace.
 
http://www.reactionface.info/sites/default/files/imagecache/Node_Page/images/1311342334367.gif

IM Dal-Young is one the world producers of brain poison, random forced drama and shock value is all his got.

The drama is not that bad on freezing, except the whole brother rapist-sadist thing which was so badly handled that I can't understand how the editor allowed such thing.

The action and combat sucks though. That's why is a bad action shounen:

"Accel!!"

"Sorry but I have....double accel!"

"AGHHHH...*hack MC power activated* triple accel!"


Kono S o, Mi yo! 1-67

At first I was like

09139735u28.png


But then I was like

091399wkuox.png


Best series I've picked up for a while. The premise is ridiculous and it's a borderline h-series, but it just made me laugh too damn much.

Oh, the funny smut series that becomes a very awful romance drama shit mid way.
 
Kono S o, Mi yo! 1-67

At first I was like

09139735u28.png


But then I was like

091399wkuox.png


Best series I've picked up for a while. The premise is ridiculous and it's a borderline h-series, but it just made me laugh too damn much.
 

Cwarrior

Member
Kono S o, Mi yo! was once great but for while now the pacing has gone to shit and it it refuses to go anywhere, only taking cheap micro steps to keep readers reading.

It was once it's own thing but now it's taking the route to become like those other shitty romance manga that have nothing left but just refuses to end.

anyway I really like the reaction shots I wish the mangka would stop trying to stretch it and end it and make something else.
 

Solune

Member
It certainly wasn't a great manga but it was at least different. I enjoyed the misdirection and the story around Chushinmaru. Flawed but fresh. And that follows my point how that is better then a more polished generic shounen that feels like a rehash.

Gintama. And I want more out of Beelzebub then jokes at this point. The battles, if you can call them that, have been terrible. Gintama is the master of mixing together action and humor. Beelzebub isn't doing well with the former.

Well it's not like Kekkaishi is universally hated or anything. I remember alot of people enjoying it after it was finished and flawfuls liked it to. Personally I couldn't stand it, and I didn't just "try" it, followed that shit for a good while. I'm not really one that believes in something that is different is inherently better than something that is tried and true.

Edit: I actually went out of my way advising against it, but people liked it after that. So in case anyone finds my hatred towards Kekkaishi offputting, try it for yourself first. If you have similar taste to my own, avoid it like the plague.

Also Gintama isn't "most of the other weeklies" it's the exception not the norm. (Is not following Gintama, don't hurt me)

I'm still not quite sure how Kekkaishi was 35 volumes long. I liked everything about Kekkaishi except for how much it felt like it was being dragged out. Which is weird, really, as there really was a lot of stuff to actually get through but it always felt like it was something to slog through.

For me it felt like the characters took to long to develop and the status quo was just too bland. My comparison to Harisugawa earlier is that, for the most part they are isolated in that one area which prevents them from exploring and that in itself hurts by limiting the scope of the story, for me anyways. Yoshimori's and Tokine's relationship not budging at all didn't help it at all. Masamori was probably the most interesting character.
 
For me it felt like the characters took to long to develop and the status quo was just too bland. My comparison to Harisugawa earlier is that, for the most part they are isolated in that one area which prevents them from exploring and that in itself hurts by limiting the scope of the story, for me anyways. Yoshimori's and Tokine's relationship not budging at all didn't help it at all. Masamori was probably the most interesting character.

The ending was also really weak and the pacing made it worst .
It's not something i would ever read over to tell the truth .
 
Well one new manga joins Shonen Jump Alpha

Monday's issue of Viz Media's Weekly Shonen Jump Alpha digital magazine revealed that Nobuhiro Watsuki's Rurouni Kenshin Reboot (Rurouni Kenshin -Cinema-ban-) manga will join the magazine's lineup each month starting in the magazine's next issue, which will be released on May 21. Monday's issue of Viz's digital magazine had published the final chapter in Tsugumi Ohba and Takeshi Obata's Bakuman manga.

Rurouni Kenshin -Cinema-ban- began running in Shueisha's monthly Jump Square magazine in the June issue that shipped on May 2. The manga focuses on battles fought with characters from the upcoming live-action film.

Guess it will be my first encounter with Rurouni Kenshin franchise.
 
Hadnt heard much about it, apart from major series thats currently running, I havent read many series that were before I was in manga (2009). Is it worth reading? Looking for other complete series to read once I finish Air Gear and Flame of Recca on my backlog.

Kenshin is good IMO you should give it a read .
I just sorry that this new manga look like it going to be worthless and the new anime is fucking trash , it destroys one of the best arcs in the manga .
 
People actually like Freezing? Read a couple chapters until I couldn't take the boredom and pandering anymore. I checked back months later and there was some weird rape thing going on. I'm not sure of the context since I wasn't keeping up with the story, but something tells me that amidst all the ridiculousl busts and grating fan-service, Freezing didn't find the time to handle something like that with appropriate taste.

Freezing is a mess.
 

survivor

Banned
Well one new manga joins Shonen Jump Alpha



Guess it will be my first encounter with Rurouni Kenshin franchise.
ugh, pick something else from the regular lineup.

People actually like Freezing? Read a couple chapters until I couldn't take the boredom and pandering anymore. I checked back months later and there was some weird rape thing going on. I'm not sure of the context since I wasn't keeping up with the story, but something tells me that amidst all the ridiculousl busts and grating fan-service, Freezing didn't find the time to handle something like that with appropriate taste.

Freezing is a mess.
my nakama
 

Laughing Banana

Weeping Pickle
Why is it that it is so difficult for me to jump into anime? Hmmmmmm. I can read manga for hours but when it comes to anime.... I just get bored easily even if the anime is about the manga that I can read for hours! Hahaha.

Hopefully I am not the only odd one about this thing.

And about Freezing.... it seems like I am just going to skip it. I just read some chapters but I don't like the art or the story enough for me to tolerate its fanservice-ness.

Oh, and by the way, who amongst you guys are enlisted among "Can't stand Fairy Tail" club? I can't be the only one!
 
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