Movies You've Seen Recently |OT| Jan 2014

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Have to see so many Oscar noms still, most of the important ones aren't released yet. But I'm happy for the pirate dude from Captain Philips, he did great. But I'm kind of sad for Hanks, such a performance and he doesn't even get a nomination. I hope to see all the important ones before the Oscars so I can fill in my favourites. American Hustle is coming after the Oscars though :(

Oh and for animated feature I have to wait till may first to see The Wind Rises. It's probably that or Frozen for me. Frozen was really good, will do a write up later. Just saw it.
 
I was surprised to see The Croods nominated, since it is so bland. Surely there must have been more interesting animated films..
 
Good stuff CFK, and good luck with the vote count.

Tonight I will be watching Ernest and Celestine which was nominated for best animated feature, plus my friend (who is an avid 2D animation enthusiast) recommended it a while back. I kind of ignored her but now I feel the need to check it out anyway.
 
Oblivion - I thought the movie was ok, but some of the visuals were stunning. I was mesmerized by how gorgeous Andrea Riseborough looked.

I just watched this as well. I felt the same way. Visuals were absolutely stunning and I love the soundtrack. I felt the story was a little plain but I had a fun time watching it.
 
edit: I forget, can you give all 10 spots to one movie? what if I think Hell Baby really deserves it
I'll never be able to vote in those threads, lol.
Not that i beat myself over it, though.

I say vote for what you've seen regardless of whether or not awards-hyped stuff has reached you yet. makes it far more interesting.
 
How does it compare to New Police Story? Cause i hated that one with a passion.

Darker and edgier compared to New Police Story

Police Story 2013 is more like Jackie chan attempt at police crime story with clues thrown every scene to find out the enemy motivation. Also throw some slow motion and Guy Ritchie 'future action' , and less martial arts.
 
Prisoners. 7/10.

Excellent actors. The movie really had me, up until the midway point. There were several things about it that really bothered me.

Im all on board the Jake Gyllenhal train. I think he hasn't even scratched the surface of what he can bring to acting yet.
 
edit: I forget, can you give all 10 spots to one movie? what if I think Hell Baby really deserves it


I say vote for what you've seen regardless of whether or not awards-hyped stuff has reached you yet. makes it far more interesting.
The 2013 films i've seen are few and far between, and some of them i wouldn't put in a top 10.

I guess Haewon and Riddick i liked, but didn't see much else.
 
Dark City: Hated it. The story was about the dumbest take on The Allegory of the Cave as they possibly could have come up with, and I felt the acting was terrible all around. Keifer's over acting was embarrassing and Rufus Sewell was about as boring of a lead as I've ever seen in a movie. Keanu is less wooden.


The Last Stand:
I definitely wouldn't have watched this if it was Arnold, but I can see why it was released to theaters in January. It's pretty lame, pretty boring, but the shoot out was cool.
 
stories we tell might be the only really great movie i saw last year. i liked side effects and blue jasmine enough.

i haven't seen blue or her or american hustle or nebraska and really i bet i'll only like nebraska.

just depends what yr into. i thought it was pretty average year though in a few more years i suspect more stuff will come to the surface.
 
You folks ready for that Leo Dark Horse upset that I've been calling for the past two years?

Caught Her last night. Loved it.

Wolf next week. 12 Years the week later. Inside Llewn Davis will be mid-Feb. :/
 
Frozen

After seeing Tangled a week back I just had to catch this one in cinemas so I finally went today. Went to the 3D version which looked gorgeous to me. 3D wasn't the kind of 'in your face' 3D and might have even been underused because for most part of the film I didn't really felt like I was watching a 3D movie. Well as always you could see the animation team did their homework (by traveling to Canada and Norway for example this time). The fjord they created was very accurate and environment studies to create a perfect frozen world really paid off. I loved the story. STORY SPOILER
Call me stupid but I didn't saw the twist coming. Obviously I expected that Hans wasn't the true love but Kristoff would be, but I didn't expect him to be the villain in the end. At some point I just assumed no one in the movie was a real villain in the classic sense.
And then there's the songs of course, key element in Disney animation films and I loved them all. "Do You Want to Build a Snowman?" and "Let It Go" were amongst my favourites. For me Frozen was the total package and even better than Tangled.

8,5/10

By the way, before the movie they showed the short "Get a Horse!", that was some pretty great use of 3D.
 
As per tradition, CFK put up a Movies of the Year voting thread now that the Academy Award nominations have been announced and some of the November/December LA/NY rollouts have had time to percolate to the rest of the [United States, excuse my Amerocentrism.]

Check it out.

I love how the deadline is at Feb 16th.. which is like the around the same week "Blue is the Warmest Colour" comes out here. Should I take a gamble and hold off till voting till that last week around feb 13th and onwards - so I can have Blue on my list? (assuming it's good enough to make my top 10 of last year).

Would have seen Wolf/Her/Llewyn davis/12 years a slave/The past/blue jasmine by then though.
 
American Hustle - I've watched Goodfellas and Casino more times than I can count and this film feels like both movies crammed together. One problem: The characters do not feel like real people like the characters in Goodfellas & Casino did. It feels like you are watching a version of a Martin Scorsese film done by people trying to act like people from Martin Scorsese films. You can spot who is who in the movie
Christian Bale is DeNiro, Amy Adams is Sharon Stone and Bradley Cooper is Ray Liotta.
Great movie if you can get past the homages. The movie had me hooked from the first shot due to the homages but let me down due to the characters.

EDIT: The best parts in the whole movie were
Louis C.K. as Cooper's handler and Robert DeNiro showing up as one of the mob bosses. It was like the passing of the torch to Bale in some ways.
 
Prisoners. 7/10.

Excellent actors. The movie really had me, up until the midway point. There were several things about it that really bothered me.

Im all on board the Jake Gyllenhal train. I think he hasn't even scratched the surface of what he can bring to acting yet.

7/10? That film is straight 10/10 perfection. That shot with the cars in the rain? My god that was pretty.


he was pretty unremarkable in moneyball, but his performance here was genuinely impressive, especially considering he's jonah hill.


Definitely, he really surprised me here. Especially in that very first scene with him. Fucking loved that moment.
 
Sculli came back and then banned again.

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Finally watched Gravity and enjoyed it. Looking at other people's thoughts it seems as if I had the same complaints, some really contrived scenes (
that hallucination was awful, mainly because of what happens as a result
) and bad dialogue and the soundtrack was sometimes quite overbearing.

Visually glorious though, and that's all my shallow self cares about
 
Short Term 12 6/10 was pretty mixed for me. Had this kind of college liberal feel where if you just care enough every disadvantaged child will blossom in to a beautiful artist. Some nice performances balanced out the by-the-numbers screenplay, and a couple real moments shined through. I thought the teenage girl who cut herself was really hot, which probably explains a lot about how my life ended up so fucked up.
 
Just saw the first Hunger Games movie. wow what a piece of shit in terms of story.

I know it has books and fans but the whole notion in the future that kids aged between 12-18 are offered up as tributes and have to kill each other in some national televised game for punished for some past war in North America is ridiculous.

Loved the production values but the farfetched story dragged the whole movie down and this is coming from a Doctor Who fan.

I highly recommend you to watch Battle Royale to wash that shit out of your eyes. Warning, BR is so good you can't go back to less lol.
 
For a little while there, Silver Bullet seemed like it was heading in the direction of being a brisk but evenly paced little werewolf film, with a veritable rogues gallery of character actors filling the ranks of having fun being werewolf bait and a surprisingly decent lead performance from a younger Corey Haim. Then, it hits the brakes for a bit for an extended barbecue scene and it really doesn't recover its footing, with each subsequent scene feeling more and more disjointed from what came before. Its principle framing device, being narrated by an older incarnation of the sister, doesn't really make a whole lot of sense given how the events are depicted in the film, and Marty's paralysis doesn't really figure into the film in a major way and feels a bit superfluous by the end, adding little to the tension (the big chase scene between him and our hairy villain doesn't even need for him to be paralyzed to work at all). It also proudly features a screenplay by King himself, who seems to take great pleasure in adding as many hokey euphemisms as possible, with kids calling each other boogers, or an old woman taunting her husband about the possibility of making lemonade in his pants; this can either be a positive or a negative. I am reserving a special demerit, though, for the werewolf costuming and makeup itself, which looks more like a bear that is suffering from an allergy in his face, and while it's certainly not nearly as terrible looking as the one featured in MST3K favorite Werewolf, the fact that I'm drawing a comparison to it is not good news at all. Still, it does feature some decent scenes, including an inspired nightmare sequence that is delightfully demented in its ridiculousness, and it doesn't offend deeply enough to make you regret watching it. Forgettable, but competent.
 
Riki Oh: The Story of Riki


This was amazing. I watched the American dub. It's one of the craziest things I've ever seen. The terrible effects were awesome. Some of them were legit awesome, but usually terribly awesome. The story didn't make a lot of sense to me, but it was batshit insane and awesome.
 
Happiness I commend it for having the balls to go for jet black comedy, but the pacing killed this one for me. At two and half hours it just feels excruciating. That may be the point though.

Triangle A very unsatisfying 80 minutes that manages to somehow have a poignant ending. It does not work as a horror or a thriller as you are too aware that a twist is coming and you know that nothing matters to a point. It could have been a classic had they been able to make it scarier and made the first part matter more than it does.
 
I really hope Leo gets his oscar this time around. He deserves it. Still haven't seen all the noms though, cause they aren't out here yet (Netherlands). Crazy that Prisoners didn't get any notion though, but it was cool seeing Thomas Vinterberg get some love (The Hunt)
 
Riki Oh: The Story of Riki I watched the American dub.

I'm not sure if that's allowed here. Or if there ever is a reason to do so. Fun movie though.

I finally got around to watching Orphée and I loved it, even the exposition in the second half was quite fascinating even if the movie slowed down a bit compared to the first. Looking forward to watching another Cocteau movie, I'll probably go for La belle et la bête.

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wow so I just got back from Ride Along and it was like offensively bad. so many horrible clichés and predictable plot turns and just awful gamer stereotypes. eyerolls everywhere.
 
Riki Oh: The Story of Riki


This was amazing. I watched the American dub. It's one of the craziest things I've ever seen. The terrible effects were awesome. Some of them were legit awesome, but usually terribly awesome. The story didn't make a lot of sense to me, but it was batshit insane and awesome.

"YOU ARE FREE NOW!" said in slow motion was the highlight.
Also the American Dub is much funnier.
 
After looking at my recent rankings on crit, I feel like Im on a self hate streak when it comes to movies. I gotta get some classics in the next couple days or pick some winners to cleanse my pallet. None were rated 80+ and thats kind of a big deal for me because of my inability to properly structure a rating a system and most of the movies i like go into a very very slim window of 80-91. I should go to /4 or /5 rating system but at this point im not going through and re-rating nearly 3k ratings I have on there.
 
I finally got around to watching Orphéeand I loved it, even the exposition in the second half was quite fascinating even if the movie slowed down a bit compared to the first. Looking forward to watching another Cocteau movie, I'll probably go for La belle et la bête.
Leave that for later: Blood of a Poet's pretty crazy and the first in the Orphic Trilogy before Orphée. Shame that Criterion's unable to do anything about the rights situation for it—I had to get a library copy.
 
After looking at my recent rankings on crit, I feel like Im on a self hate streak when it comes to movies. I gotta get some classics in the next couple days or pick some winners to cleanse my pallet. None were rated 80+ and thats kind of a big deal for me because of my inability to properly structure a rating a system and most of the movies i like go into a very very slim window of 80-91. I should go to /4 or /5 rating system but at this point im not going through and re-rating nearly 3k ratings I have on there.

I started letterboxd this year and work with their five star rating system. But I'd rather go on a scale from 1 to 10 so I just put these in there too in my written pieces about the films I watch. So every four star movie is actually between 8 and 8,9.

And I'm certain that if I would go trough my scores and compare films between each other the numbers would make no sense at all. I remember scoring Pacific Rim an 8 and I gave What Maisie Knew the same rating the other day. Though I liked that last film more actually. But since I enjoyed Pacific Rim for what it was I gave it such a high score. I would probably end up giving each action packed blockbuster low ratings if I were to think too deep about that shit :P

Short Term 12

This was a really moving feature from director/writer Destin Cretton. It's the kind of movie that takes it's time to get under your skin but when it gets there it won't leave you alone. The most impressive thing about this movie is how real it all felt. Most of the time it didn't felt like I was watching a bunch of actors but just real people with real peoples problems. Cretton wrote a very smart script slowly revealing more about his characters to the audience. And he managed to find a great cast to translate his words to a real movie. Brie Larson and Kaitlyn Dever are two very promising young actresses and carried the biggest part of the story. Their dynamic in this film was just top. One of my favourite scenes however starred John Gallagher Jr. and Keith Stanfield where the latter got a chance to show off his talents as a rapper. You don't see a scene that's so hard (trough heavy lyrics) and sweet (Stanfield showing his feelings and opening up) at the same time often. Needless to say, I loved it.

8,5/10
 
Leave that for later: Blood of a Poet's pretty crazy and the first in the Orphic Trilogy before Orphée. Shame that Criterion's unable to do anything about the rights situation for it—I had to get a library copy.

Thanks, I will try and watch it first if I can find it.

About Orphée, I'm confused
about the radio messages the young poet sends. I understand they are an inspiration and obsession for Orpheus, which has an extra layer because the young modern poet that sends them was beating Orpheus in his own game when he was alive, but why does Death insist on transmitting them? To keep him connected to the Underworld? And in that case, where did the messages come from when they are in the car just after the accident in the beginning of the film?
 
I don't like Blood as much as some people (Mike D'Angelo, my fave critic), but it's more interesting and unified than something like early Buñuel. Cocteau's just so rad.
 
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