That could be it, it was the first time since her ascendance that she put out a video that wasn't a spectacle.
See Madonna in the early 1990s. Her status was still supreme even though her music didn't hit mainstream.
JT could make me a Gaga stan.
Can't let Disgustin have the #1 debut of the year.
Why though?
Coz it seems that the overwhelming reason around here is because he doesn't have a vagina.
Those "flop" receipts. Such a fallow, unmainstream period for her.
Why though?
Coz it seems that the overwhelming reason around here is because he doesn't have a vagina.
Why though?
Coz it seems that the overwhelming reason around here is because he doesn't have a vagina.
1. BRUNO MARS – When I Was Your Man: 161.358 (+4.274) ▲
2. JUSTIN TIMBERLAKE – Suit & Tie: 159.063 (+1.354) ▼
3. MACKLEMORE & RYAN LEWIS – Thrift Shop f/Wanz: 156.324 (-0.149)
4. MAROON 5 – Daylight: 149.104 (+0.048)
5. TAYLOR SWIFT – I Knew You Were Trouble: 143.507 (-2.211)
6. BRUNO MARS – Locked Out Of Heaven: 112.899 (-1.015)
7. SWEDISH HOUSE MAFIA – Don’t You Worry Child: 107.411 (-2.893)
8. WILL.I.AM & BRITNEY SPEARS – Scream And Shout: 104.964 (-2.568)
9. CALVIN HARRIS – Sweet Nothing f/Florence Welch: 102.716 (-0.037)
10. LUMINEERS – Ho Hey: 100.764 (-0.688)
11. RIHANNA – Stay f/Mikky Ekko: 100.226 (+1.374)
12. MUMFORD & SONS – I Will Wait: 84.307 (+0.699)
13. KELLY CLARKSON – Catch My Breath: 81.620 (-0.750)
14. PITBULL – Feel This Moment f/C. Aguilera: 81.314 (+0.457)
15. RIHANNA – Pour It Up: 77.574 (+0.183) ▲
16. IMAGINE DRAGONS – It’s Time: 77.236 (-0.347) ▼
17. PINK – Try: 74.826 (-0.662)
18. A$AP ROCKY – F**kin Problems f/Drake: 67.541 (-0.567)
19. BLAKE SHELTON – Sure Be Cool If You Did: 66.380 (+0.110)
20. HUNTER HAYES – Somebody’s Heartbreak: 61.440 (+0.374)
CARRIE UNDERWOOD – Two Black Cadillacs: 61.288 (-1.342)
DRAKE – Started From The Bottom: 61.056 (-0.238)
OF MONSTERS AND MEN – Little Talks: 60.651 (-0.190)
FUN. – Carry On: 56.645 (+0.408)
LIL WAYNE – Love Me f/Drake & Future: 56.330 (-0.247)
LADY ANTEBELLUM – Downtown: 54.680 (+0.492)
PINK – Just Give Me A Reason: 53.926 (+1.680)
OLLY MURS – Troublemaker f/Flo Rida: 42.016 (+0.835)
DEMI LOVATO – Heart Attack: 41.941 (+0.266)
MUSE – Madness: 37.481 (+0.131)
KREWELLA – Alive: 36.997 (+1.009)
EMELI SANDE – Next To Me: 28.997 (+0.266)
TAYLOR SWIFT – 22: 27.168 (+1.115)
FALL OUT BOY – My Songs Know What You Did…: 25.879 (+0.306)
ICONA POP – I Love It f/Charli XCX: 25.785 (+0.375)
BRAD PAISLEY – Beat This Summer: 22.283 (+0.828)
MACKLEMORE & RYAN LEWIS – Can’t Hold Us f/Ray Dalton: 20.502 (+1.749)
JUSTIN BIEBER – Right Here f/Drake: 12.427 (+0.074)
PHILLIP PHILLIPS – Gone, Gone, Gone: 11.713 (+0.326)
CHER LLOYD – With Ur Love f/Juicy J: 10.213 (+0.079)
LUMINEERS – Stubborn Love: 9.735 (-0.024)
JUSTIN TIMBERLAKE – Mirrors: 8.204
THIRTY SECONDS TO MARS – Up In The Air: 5.092 (+0.952)
ALICIA KEYS – Fire We Make: 3.980
WILL.I.AM F/JUSTIN BIEBER – #thatpower: 2.341 (+0.798)
CIARA – Body Party: 2.165
Yas! You not only stanning Kelly but also GaGa would be amazing.JT could make me a Gaga stan.
Can't let Disgustin have the #1 debut of the year.
Think about it sis, and give me an HONEST answer.
Do you think that ANY of your faves could get away with releasing an album as safe and indulgent as 20/20? And not just release it, but to overwhelming "praise" and the biggest promotional backing since MJ in his prime?
Because I just can't shake the feeling that if any of MY faves did that, Pitchfork would have a field day writing articles about this overindulgence and lack of editing being everything that's wrong with Pop music.
The sexism is real.
Yas! You not only stanning Kelly but also GaGa would be amazing.
I seriously hope that my prediction about GaGa's ARTPOP sales comes true. I don't want Britney's sloppy seconds to rule this year either. Though, JT is hot... sooo hot, and I do bop to some of his songs. I'm just a GaGa stan, and I can't have her being overshadowed by anyone else this year.
Gaga is like the Apple of the pop industry. All the lessor bitches perch on ha so they can see what she does and copy her innovations. Even her haters get excited about her releases cuz they know Gaga is the only one in the game willing to go outside boundaries; while their fave remains basic - lip syncing on stage and releasing an album like clockwork showing no growth or integrity as an artist.
Truer words have never been spoken. Bless. <3Gaga is like the Apple of the pop industry. All the lessor bitches perch on ha so they can see what she does and copy her innovations. Even her haters get excited about her releases cuz they know Gaga is the only one in the game willing to go outside boundaries; while their fave remains basic - lip syncing on stage and releasing an album like clockwork showing no growth or integrity as an artist.
The hip injury that led to Lady Gaga's canceled world tour last month will not prevent her from recording a jazz album with Tony Bennett as scheduled, Bennett told Rolling Stone in an interview Thursday in New York.
"We're working on it from now until June, and then we'll record in June. She's phenomenal," he said during a dinner at the Amy Winehouse Gala and Inspiration Awards, which recognized him with a Lifetime Achievement honor. "I get along great with her. She's looking forward to it and so am I."
Doest that mean ARTPOP is going to be delayed even more?
Imagine Artpop and Bey's "5" being released on the same week.
Better cut off the internet
Also, I don't think Taylor Swift is a Queen.
Sorry, I just don't.
To be a True Queen, you have to have more than just receipts. You have to have a big, out-of-the-box moment that serves as your coronation. That moment that lets the world know you're more than just the people who handle your career.
Every name Soulscribe listed has a moment like that BUT Taylor.
Right now all Taylor is is a big selling Country Pop artist. But we've seen that before from plenty of Country Pop girls who didn't go on to become queens.
First of all, as far as pop artists go, The 20/20 Experience is the riskiest pop release in at least the last three years. Why? Because there is literally NO song on that album that can fluidly function as a radio single. That album was created to be sold as an entire body of work, and the current market is so toxic that for any pop musician to get by performance-wise is to create a barrage of iTunes singles that can at least GUARANTEE some kind of Billboard placement. When you're putting your stock in the idea that people are going to buy your album in this day and age instead of a handful of your singles, you are NOT making a safe choice.
If Justin Timberlake wanted to be safe then he would have released 3 minute Timbaland collaborations about how women need to "back it up" and fill it with extensive dance breaks so that he can do his signature dance moves on the VMA stage. The 20/20 Experience goes directly AGAINST what people were expecting from him.
Just because it made no real impression on you doesn't mean it's a "safe" project, because it's most definitely not. That album shows me that he, like Beyonce in 2011, knew that people were expecting radio titans on this album, and instead of following through with those pressures went with his gut and released something that HE WANTS in his name. Those are NOT safe decisions. They're the types of decisions that can make or break a career, and the fact that Justin Timberlake is coming out of this a more respected artist just goes to show that he called the industry's bluff. And that's a really fucking impressive feat.
And I could go on about the differences between men and women in pop music because I can make a pretty strong case for why men take more bold and risky choices in their music than women do, and that comes with the pressures of being a female pop star. I say that Lady Gaga is original and an auteur in her own right, but in terms of how SUBSTANTIAL her music is on MUSICAL level, her best doesn't come close to Justin's best. It has less to do with sexist sentiments across critics and more to do with fair expectations for both genders that are rarely ever realized.
I agree with you, but what about Katy? She hasn't had a moment AND other artists are cocking her with the receipts (Gaga, Rihanna, and Taylor).
How do you figure? Gaga has her beat on album's, but not singles. Same with Taylor.
Rih has been around longer and has more hit but Katy has BIGGER hits. Rih only has one 4x+ platinum single, while Katy has five from two albums.
I bet you Bruno and M5 don't do gangbuster albums either. These kind of singles artists come and go; they serve no purpose but to fill in the gaps on the radio. If they had true longevity, like you said they would have the tour receipts to show for it.Oop at my typo.
Well albums bring in more money, don't they? Gaga, Rih, and Taylor do very well with singles, just not as good as Katy. But when it comes to albums (and even touring) Katy is crushed by those two girls.
Oop at my typo.
Well albums bring in more money, don't they? Gaga, Rih, and Taylor do very well with singles, just not as good as Katy. But when it comes to albums (and even touring) Katy is crushed by those two girls.
I bet you Bruno and M5 don't do gangbuster albums either. These kind of singles artists come and go; they serve no purpose but to fill in the gaps on the radio. If they had true longevity, like you said they would have the tour receipts to show for it.
I don't recall MJ making the same song over and over.Bruno Mars will be the next King of Pop.
Bruno Mars will be the next King of Pop.
How do you figure? Gaga has her beat on album's, but not singles.