ridiculous.
But why?
whyyyyyyyyyyyyyy
Not as ridiculous
No more flimsy then a rich guy dressing as a bat, or an alien getting super strong from the sun or a magical warrior from an island paradise spreading love and peace
Captain America, for full circlemichael b jordan should be dick grayson.
I watched the new one today....yeah it wasn't so great.
Why can't they make a Doom faithful to the comics? Master of sorcery and technology and leader of Latveria.
ridiculous.
What was the problem with Josh Trank?
well .. I know better than to cross swords with you over comic matters![]()
but.. that said: Batman can at least deal interestingly with vigilantism and being "super" without powers. But I agree that Superman and Wonder Woman are also pretty threadbare and dull at the core. The older concepts like those DC folks and F4 just usually do not update well. You'd have to remix it so thoroughly that a successful treatment could be applied to virtually any comic story in the end. Newer Marvel stuff is just that, newer, a little more accessible, and little more... adroit with current issues, you could say. Or I would anyways. X-men dealing with persecution and government interference for instance.
And Dr. Doom is a saturday morning cartoon villain. Like what is the interesting hook about him (seriously, educate me on your favourite Doom arc)? How is the Thing not just a depressed Hulk? How is Stretchy Guy not going to be ultra dumb no matter what? At least Rocket had pathos stemming from being tortured!
again I would never say "it can't ever be good" but there's better stuff than F4 to target, and the superhero market is very very very well served lately.
My ideal FF movie would ignore the super heroics and focus on them as scientists, explorers, and family. Like a cross-dimensional Interstellar, and only they can explore their weird and alien places due to their intelligence and abilities
From whose point of view
My ideal FF movie would ignore the super heroics and focus on them as scientists, explorers, and family. Like a cross-dimensional Interstellar, and only they can explore those weird and alien places due to their intelligence and abilities
My ideal FF movie would ignore the super heroics and focus on them as scientists, explorers, and family. Like a cross-dimensional Interstellar, and only they can explore those weird and alien places due to their intelligence and abilities
My ideal FF movie would ignore the super heroics and focus on them as scientists, explorers, and family. Like a cross-dimensional Interstellar, and only they can explore those weird and alien places due to their intelligence and abilities
You get it.My ideal FF movie would ignore the super heroics and focus on them as scientists, explorers, and family. Like a cross-dimensional Interstellar, and only they can explore those weird and alien places due to their intelligence and abilities
My ideal FF movie would ignore the super heroics and focus on them as scientists, explorers, and family. Like a cross-dimensional Interstellar, and only they can explore those weird and alien places due to their intelligence and abilities
But that would require knowledge of and respect for the source material. Too hard.
You can even do a comic accurate Doom. Have the dimensional expeditions being funded by a multi-national coalition, of which the nation of Latveria is the largest backer and a contributor of some of the expedition's advanced technology. Its mysterious leader has a vested interest in the Four exploring and gathering cosmic data, for both humanitarian (and secretly nefarious) reasonsSane people
Basically, Lost in Space.
Nah, a good F4 movie can be made, just not by Fox. It's why a lot of us are clamoring for Marvel to regain the rights. Or at the very least, pull a Sony & outsource production to Marvel Studios in exchange for letting the F4 & everyone connected to them into the MCU.So much disrespect for the Fantastic Four in this thread, smh.
You can make a good FF movie and you don't even need to adapt the comics religiously, just make sure to keep the general spirit of their stories and the relationships between the principal cast in mind.
They didn't follow it religiously in the latest film and look what happened.So much disrespect for the Fantastic Four in this thread, smh.
You can make a good FF movie and you don't even need to adapt the comics religiously, just make sure to keep the general spirit of their stories and the relationships between the principal cast in mind.
He was being facetious.Yeah it is.
That's short-hand. Nobody expects Fox to just "give" them the rights back. Most people mean they should be willing to sell them back, negotiate or trade with Marvel, or find some compromise so that Marvel can get their hands on the properties again, somehow, some way. ANY way."Just give them the rights back."
But Fox is LOSING money on the franchise. They aren't even making a profit. Fant4stic bombed and they took a hit on it. It's not a money-maker of a franchise for them; it's a money sink. Fox might convince themselves they can spin that crap into gold, but there's no good reason for them to make more, not when something like Deadpool can become one of the most successful movie they've ever had on a fraction of Fant4stic's budget. They aren't getting merchandising money out of it either (there's almost no Fantastic Four merchandise anywhere and I think even Marvel gets merchandising rights, a'la Spider-man). To them, they "have" Fantastic Four movie rights, but they're not profitable, cost them money instead of making them, and they'd probably make more money selling the rights back to Marvel than to keep fighting to make their failures work.That's ridiculous. Marvel didn't "just give them" the rights in the first place. Nobody "just gives" the rights to characters away. Not even Stephen King. He at least charges a buck.
The difference is X-men's alternate timelines and dimensions came AFTER there was several critically praised X-men films. Days of Future Past and even First Class were heavily pitched as ways to get BACK to that quality following the stinkers that were X3 and Origins: Wolverine. A lot of it was call-backs to the positives of the first X-mens, to the point that First Class practically just redid the opening shots of the first X-men film with Magneto scene-for-scene.For as dour & serious as X-Men and FF have been while at Fox, they've also established audiences can and will roll with hokey bullshit like alternate timelines and time travel.
Back to the Future as a franchise ended nearly 30 years ago, and Terminator hasn't had a single good installment since Terminator 2. The latest Terminator was widely criticized for being an obtuse, complicated, nonsensical mess of a film and roundly rejected by critics and audience. I'm more than convinced that, yep, Fox can do this with Fantastic Four to equally baffling results.Which shouldn't have been all that hard to learn, considering films like Back to the Future and Terminator have existed for decades now and proved audiences can wrap their heads around that shit. But hey.
Three movies and they haven't course-corrected once. Again, Days of Future Past SIDESTEPPED the disaster of the previous films and focused only on the highlights and greatest hits of the Singer films at the exclusive of everything else. You still have Hugh Jackman's widely praised Wolverine, Ian McKellan and Patrick Steward's beloved Magneto and Xavier, and a marriage with the youthful boldness and history of First Class... but if the X-men series was nothing but X3 and Origins: Wolverine, and then they did Days of Future Past, nobody would care, nor should they.ANYWAY: With those things set in place, Fox can, if they want (and with Days of Future Past, they've proved they will, because they did want) use Time Travel/Alternate Dimensions to work themselves out of a jam. They'll just pop over somehwere else and fly the bird at what didn't work on the way over there.
Fox isn't the brightest. They'll look at the tone of Deadpool and decide Human Torch needs to make more boner jokes, or that The Thing needs to brutally smash a guy with a witty one-liner. Or they'll look at the tone of DOFP and be grimly serious... again... just like Fant4stic (which was FAR more in the tone of DOFP than it was, you know, Fantastic Four).I'm betting that's what they're looking to do with FF. I can't imagine they'll stick with that look, that tone, that any of it. They'll use DOFP and First Class as positive examples and go from there.
I know. I'm suggesting this is a horseshit move that the film industry isn't about to do.
I'm not arguing that Marvel couldn't argue that the film's not done what they wanted it to do. I'm arguing that your hypothetical essentially leads to a future in which film studios start baking RT & Metacritic aggregate scores into their contracts going forward.
Film Industry's not about to reverse the last 20 years of reduced critic influence (which they've benefitted from) to the point they cede that much power on the business end to whatever 300 people from their regional equivalent of the Bumfuck Reader and Almanac thought about their movie.
I'm betting that's what they're looking to do with FF. I can't imagine they'll stick with that look, that tone, that any of it. They'll use DOFP and First Class as positive examples and go from there.
I do it for free. Just need a bottle of everclear, an office, and an assistant
Please just give it back to Marvel already, Fox. You guys can keep X-Men, but after all of the failures with this, especially Fant4stic, you really need to just let FF go.
Feels like they're just burning money just to hold on to Dr. Doom more than making actual good movies.
Sure, BVS failed at that but Warner Brothers does give a shit about the universe and the movies being good
Here's an idea:
This Fantastic Four rips another hole into another dimension, finds a better Fantastic Four. They fight. The better Fantastic Four triumphs. Seals the old Four away in their old universe. New Fanstastic Four continues on.
He was being facetious.
That sounds horrible.