Regulus Tera
Romanes Eunt Domus
We bros. We bros.
We bros. We bros.
Ando's career before Cannan was doing key animation on great projects like Magnetic Rose, directing episodes of great shows like RahXephon, and finally directing his very own tour-de-force action movie. Shinichi Omata's career before Sankarea was being animation producer on various random hentai and storyboarding on shows like Astarotte's Toy and Denpa Onna. There's clearly a huge disparity in experience and skill level here. That Omata was able to make the episodes of Sankarea he directly worked on as good as they were shows that he has a lot of untapped talent; the fourth episode shows that he isn't yet able to harness that talent well when supervising others. My hope is that this will be a learning experience for him, and he'll be able to do a better job on his next project.
ok. Will keep watching. Got my expectations lowered enough so I won't be disappointed.
Angel Beats 6
Liked the brief scenes with Angel and lineart.Carnage was a bit out there as it a departure from the cartoon violence depicted up until now. Guess that's an easy way to sell a new antagonist. It shouldn't have mattered since they can't die but whatever.
Inside joke.Well that already sounds a lot better than the typical show of that type.
?
Back to Sailor Moon, I think the only reason the Ice-skating episode existed was so they could cram in as many pantyshots as they wanted without being in trouble. It also had the most blatant, in-your-face pantyshot in the entire series.
*ahem*
Oh when you see how the next episode starts...
Back to Sailor Moon, I think the only reason the Ice-skating episode existed was so they could cram in as many pantyshots as they wanted without being in trouble. It also had the most blatant, in-your-face pantyshot in the entire series.
*ahem*
Must. Quit. After. Seven's. Episode.
Damn. Who was the target demographic for Sailor Moon?
Why don't you watch the Seven episodes like the cool kids?
Mina Meier... hnng
There should not be a door knob at all in a public washroom! You should just push to get out!
Girls.Damn. Who was the target demographic for Sailor Moon?![]()
Girls.
Girls.
Not everyone has hangups over the human form.Even girls want to look at dat ass.
We are all little girls at heart.
You mean besides the fact that the MC and his bro are voiced by the same guys who voiced Tomoya and Sunohara?The cast is giving me Clannad vibes. Dunno if that's a good thing.
Whoever animated that sequence sure had a hangup over her butt. *rimshot*Not everyone has hangups over the human form.
Welcome back, Dresden.
thankeeNarag said:Welcome back, Dresden.
Even with different VAs the dynamic would be too noticeable to miss, I think. Eru also annoys me. Something about the voice. Getting cockroach vibes from her.You mean besides the fact that the MC and his bro are voiced by the same guys who voiced Tomoya and Sunohara?
Ando's career before Cannan was doing key animation on great projects like Magnetic Rose, directing episodes of great shows like RahXephon, and finally directing his very own tour-de-force action movie. Shinichi Omata's career before Sankarea was being animation producer on various random hentai and storyboarding on shows like Astarotte's Toy and Denpa Onna. There's clearly a huge disparity in experience and skill level here. That Omata was able to make the episodes of Sankarea he directly worked on as good as they were shows that he has a lot of untapped talent; the fourth episode shows that he isn't yet able to harness that talent well when supervising others. My hope is that this will be a learning experience for him, and he'll be able to do a better job on his next project.
Sales stats for Kyoto Animation works said:Munto - Less than 1,000 copies per disc on average between all the OVA, movie, and TV releases. [2 OVA volumes, 5 volumes of TV, 1 movie]
Full Metal Panic - Fumoffu averaged about 9,000 copies per volume, while the DVD box sold an additional 2,684 copies, and the BD box sold another 6,492 copies. The Second Raid averaged almost 5,000 copies per volume, while the DVD box sold an additional 1,813 copies, and the BD box sold another 2,756 copies. The special OVA for TSR sold 11,035 copies. [6 volumes of Fumoffu, 7 volumes of TSR, 1 TSR OVA]
Air - The series sold about 23,000 copies per volume on average. [6 volumes and one special volume]
Kanon - The series sold about 18,000 copies per volume on average. [8 volumes]
Clannad - The first series sold almost 25,000 copies per volume on average, while the BD box sold an additional 4,960 copies. After Story sold about 20,000 copies per volume on average, while the BD box sold an additional 5,155 copies. [8 volumes of Clannad, 8 volumes of After Story]
Haruhi - The first series sold over 40,000 copies per volume on average. The second series (including the infamous Endless Eight) sold about 19,000 copies per volume on average. The complete BD box for the entire series sold another 34,000 copies. The Haruhi movie sold 134,910 copies. The Haruhi-chan spin off series sold about 14,000 per volume on average, and the BD box sold another 3,338 copies. [8 volumes of the first series, 8 volumes of the second series, 3 volumes of Haruhi-chan, 1 movie]
Lucky Star - The series sold about 29,000 per volume on average, and the BD box sold another 8,524 copies. [12 volumes]
K-On - The first season sold over 43,000 copies per volume on average, while the second season sold almost 39,000 copies per volume on average. [7 volumes in season one, 9 volumes in season two]
Nichijou - Less than 3,000 copies per volume on average, tracking outside of rankings making it hard to get a firm number. [13 volumes total, still being released - Vol 11 was just released]
Kyoto Animation has produced the following works: Munto, Full Metal Panic, Air, Kanon, Clannad, Haruhi, Lucky Star, K-On, Nichijou, and Hyouka. Of all these works, the only original series is Munto. This franchise is not very successful at all. Of the other works, the most popular ones were already popular works before they were adapted. The fact that they got good adaptations simply helped make them even more popular than ever.
Storyboarding the beauty that is Denpa Onna can be considered nothing but a privilege.
And just what is wrong with having a leg fetish?Sure, if you have a leg fetish.
It's certainly better than having a foot fetish.And just what is wrong with having a leg fetish?
What if I have both?It's certainly better than having a foot fetish.
What if I have both?
still better than a teeth fetish
Am I wrong in assuming that Bakemonogatari and Madoka did higher numbers than K-ON!?
What about a braces fetish?
There's been talk about the strength of the KyoAni studio brand, and how their animators and staff make the shows they create appealing and popular. But is that really true? I think we've had this conversation before on the thread, but I'll like to reopen the discussion and invite for more contributions from people who might know more about specific franchises to give views.
Kyoto Animation has produced the following works: Munto, Full Metal Panic, Air, Kanon, Clannad, Haruhi, Lucky Star, K-On, Nichijou, and Hyouka. Of all these works, the only original series is Munto. This franchise is not very successful at all. Of the other works, the most popular ones were already popular works before they were adapted. The fact that they got good adaptations simply helped make them even more popular than ever.
It seems to me that KyoAni is a studio where the success of their output doesn't really come from the strength of their studio brand, but rather the benefit of the marriage between the strengths of their production values along wit the appeal of certain specific types of content they choose to adapt. This can clearly be seen in the sense that the works which already appeal to the audiences who go for cute virtual girlfriend stuff end up being their most popular works. On the other hand, the studio has not shown that their "brand name" really extends to being able to sell a ton of anything outside of that genre.
Can we really say that Kyoto Animation is a strong studio brand if people are really only mostly interested in a specific type of content from them, rather than actually supporting and following the studio to see what the staff can do with different types of material?
Discuss!
It seems to me that KyoAni is a studio where the success of their output doesn't really come from the strength of their studio brand, but rather the benefit of the marriage between the strengths of their production values along wit the appeal of certain specific types of content they choose to adapt. This can clearly be seen in the sense that the works which already appeal to the audiences who go for cute virtual girlfriend stuff end up being their most popular works. On the other hand, the studio has not shown that their "brand name" really extends to being able to sell a ton of anything outside of that genre.
Can we really say that Kyoto Animation is a strong studio brand if people are really only mostly interested in a specific type of content from them, rather than actually supporting and following the studio to see what the staff can do with different types of material?
Individual volumes, sure. Overall K-ON probably sold more, considering the number of releases.
Looks like it happened back in 2010, even. I doubt the BD Boxset sales for Bake changed anything.
Oh, and I do find it interesting that Air outsold Kanon. I presume it's because Kanon was a remake, so not everyone got it because there had been another version just a few years earlier, while Air, of course, was new.
What if I have both?
What about yanderes?the only really bad fetishes are glasses and tsundere
Am I wrong in assuming that Bakemonogatari and Madoka did higher numbers than K-ON!?
Going by this massive sales compendium from Animesuki, I extracted the numbers for the relevant series and threw them here:Individual volumes, sure. Overall K-ON probably sold more, considering the number of releases.
Looks like it happened back in 2010, even. I doubt the BD Boxset sales for Bake changed anything.
the only really bad fetishes are glasses and tsundere
2) Nichijou's failure is truly tragic, and doesn't say great things about anime fans. (Not fanservicey or full of otaku humor, and apparently a comedy won't sell...)
Air was also a remake! Of the movie!
Nichijou's failings come from that it's better in either gif or a youtube clip compilation than outright buying the DVD/BD's, animegaf alone is a good example of this.
Was K-ON! even remotely popular before KyoAni adapted it?
Not to mention that K-ON would've slaughtered both of them combined in merchandise sales.