There is no hyperbole here.
I'll take your word for it. I'm not interested in watching a necrophilia show. But maybe this show will be a huge hit in Egypt.
There is no hyperbole here.
I'll take your word for it. I'm not interested in watching a necrophilia show. But maybe this show will be a huge hit in Egypt.
I'm a fan of Tenka Seiha. His sneering has an undeniable ounce of truth when you deconstruct the show in question at its most basic form. It makes for good reads. Don't go there if you're easily butthurt.
For constant praising, there's Random Curiosity, Star Crossed, Lost in America etc. etc. etc.
For image dumps and memes, go to Kurogane.
For basketball analogies, go to blog好き.
However, Sankarea goes that extra, crucial step of having the girl pick up a loofah, describe it as "hard and flexible" and then squeeze it between her breasts (for no reason) so that it bounces up and down in a very phallic manner until liquid is squirted from the top of it into the girls face.
I'm a fan of Tenka Seiha. His sneering has an undeniable ounce of truth when you deconstruct the show in question at its most basic form. It makes for good reads. Don't go there if you're easily butthurt.
If only there could be a middle ground between constant praise and constant trolling.I'm a fan of Tenka Seiha. His sneering has an undeniable ounce of truth when you deconstruct the show in question at its most basic form. It makes for good reads. Don't go there if you're easily butthurt.
For constant praising, there's Random Curiosity, Star Crossed, Lost in America etc. etc. etc.
Well I now know what episode of anime I'm watching next!
liquid is squirted from the top of it into the girls face.
I didn't even notice that when watching it.
Pff, I am sure there a .gifs somewhere.
If only there could be a middle ground between constant praise and constant trolling.
Pff, I am sure there a .gifs somewhere.
dat luffaSo after watching Sankarea 4
Can someone explain wtf this thing was?
http://i.minus.com/ib1AjZ4bNCeGgL.gif (nsfw)
Looks like a mini version of those noodles you see at pools.
As I've seen commented, the Air adaptation is what granted them the attention of a more broad fan-base in Japan, although they were pretty famous inside animation focused circles for their quality subcontract work, first for parent Shin-Ei Animation.Kyoani had quite a reputation from pretty early on. Certainly by Haruhi they had quite a reputation, and I'm sure it dates to earlier than that.
Yes you are, and that helps us expand our horizons of true entertainment...I feel like I am the only person paying attention to the important details.
Accel World 4
Otaku wish fulfillment is so blatant. If you're super good at games, girls will pity at poor you in real life and fall in love with you!
This is a good KyoAni discussion. I think there's a lot of truth that they really made K-On their own, and elevated the material into what it is right now. But they've definitely used popular adaptations as a crutch before that though, and Nichijou calls into question whether they can really turn anything into gold.
How popular is Hyouka in Japan anyway?
There's been talk about the strength of the KyoAni studio brand, and how their animators and staff make the shows they create appealing and popular. But is that really true? I think we've had this conversation before on the thread, but I'll like to reopen the discussion and invite for more contributions from people who might know more about specific franchises to give views.
Kyoto Animation has produced the following works: Munto, Full Metal Panic, Air, Kanon, Clannad, Haruhi, Lucky Star, K-On, Nichijou, and Hyouka. Of all these works, the only original series is Munto. This franchise is not very successful at all. Of the other works, the most popular ones were already popular works before they were adapted. The fact that they got good adaptations simply helped make them even more popular than ever.
It seems to me that KyoAni is a studio where the success of their output doesn't really come from the strength of their studio brand, but rather the benefit of the marriage between the strengths of their production values along wit the appeal of certain specific types of content they choose to adapt. This can clearly be seen in the sense that the works which already appeal to the audiences who go for cute virtual girlfriend stuff end up being their most popular works. On the other hand, the studio has not shown that their "brand name" really extends to being able to sell a ton of anything outside of that genre.
Can we really say that Kyoto Animation is a strong studio brand if people are really only mostly interested in a specific type of content from them, rather than actually supporting and following the studio to see what the staff can do with different types of material?
Discuss!
I'd agree with the statement that the success of KyoAni is due to the choice of their adaptations, which are almost sure-fire hits due to the inherent popularity of the source material. Their chosen works play to their strengths and they make sure to exploit that well with their talent. Added to the strength of the visual direction, along with impressive production values, they're certainly built up a name and reputation for themselves.
I'd also argue the fact that they've adapted FMP brings more credence towards them as a strong studio; It demonstrates that the studio is quite versatile and don't just make cute "moeblob" shows.
I'm a fan of wish fulfillment so I'm glad that anime delivers.Accel World 4
Otaku wish fulfillment is so blatant.
It's not trolling if their opinion doesn't correspond with yours. I'd categorize it as masochism. He doesn't write about Queen's Blade to troll Queen's Blade fans. He writes about it because it's ridiculous and gives insight how Japanese writers and directors don't give a shit, probably because they're underpaid and overworked, without spending twenty-something minutes to actually watch the train wrecks. It's pretty selfless of him. A true American hero.
Not really, because he is pretty much "troll" he clearly only writes the way he does, to illicit a reaction, not because he has some stroke of insight that he feel is worth sharing.It's not trolling if their opinion doesn't correspond with yours. I'd categorize it as masochism. He doesn't write about Queen's Blade to troll Queen's Blade fans. He writes about it because it's ridiculous and gives insight how Japanese writers and directors don't give a shit, probably because they're underpaid and overworked, without spending twenty-something minutes to actually watch the train wrecks. It's pretty selfless of him. A true American hero.
I'd prefer a middle ground, but if you add me to your list we can negotiate the terms...
Angel Beats 7
I wholeheartedly approve of Naoi using hypnosis for trolling and comedy. I still think the flashback/returned memory scenes are the worst though. I have a hard time paying attention to them as they're overly serious., Otonashi's story was a snore.
Second half was much better as it was back to everyone being either a moron or jerkass.
Shigurui Ep.01
Also..CG cicadas.
In this case, it's a simple case of gaming nerd falls for gaming nerd who's better at games than them, obviously this happens in the real world.
Quite frankly, I've kinda given up on the studio, it seems they're really not interested in adapting serious material. Even Haruhi 2009 seems like a somewhat half-assed effort. Disappearance certainly was great but I'm not sure if that tone is going to be standard moving forward. I wonder if Hyouka is going to try and be a mix of K-ON and a more serious work in regards to the tone and it should be interesting to see the sales of the show and whether KyoAni can succeed. I would also like to see what they have in the pipeline down the road, such as another season of K-ON with the brats at college.
Them doing FMP isn't really indicative that they're versatile as Fumoffu was a comedy and the OVA that did well was Tessa's light day of doing nothing on the submarine. That said, Disappearance does prove a strong counter-point as it did gangbusters and dealt with heavy material in general. I think that has more to do with the strong brand of Haruhi in general though, even after KyoAni doing the best they can to fuck it up, where people wanted a continuation of the main storyline. I would also say the Key material was heavy in tone and sold extremely well. The studio is very versatile, when it wants to be.
I'm a fan of wish fulfillment so I'm glad that anime delivers.
Although personally I'm more into confident protagonists (e.g. Lelouch) than "relatable loser" types.
What? Otonashi's was emotional. Naoi, tied with two others for my fave character in the anime.
Well it really is quite hard to tell when he only writes about bad shows.
*clicks through a few more pages*
He has bad words to say about Apollon, that's not cool.
Still, as he only reviews bad anime, that's not particularly helpful for someone who just wants to know how a particular season is going. You might as well follow this thread if you want to witness endless masochism.
He has bad words to say about Apollon, that's not cool.
Although the first episode of Hyouka didn't impress me with its flamboyant manner of wowing the audience with superficial imagery, I too hope it's going to have a more serious tone than their recent works.
What, exactly makes the use of imagery in [Hyouka] -1 superficial?
Maybe it was just a roundabout way of saying the show was fucking boring.
I must concede that I haven't read many of this fellow's posts, primarily because I didn't think of much the articles that I had been liked to in the past.He wrote about good shows such as GA: Geijutsuka Art Design Class and liked it. He also wrote about good shows like Mawaru Penguindrum and didn't like it.
You don't have to agree with it, and that's what makes discourse interesting, as opposed to indulging yourself with like-minded individuals for the purpose of self-gratification and validation that, yes, you're watching a good show and other people are liking it too.
Nothing against you guys, but if my only source of information regarding the new season were to come from this thread, everything would be swell, anime is saved, Shinbo is a genius. Also, the thread moves way too fast for me to keep up.
I haven't heard the people in hear be described as overly kind before.
Nothing against you guys, but if my only source of information regarding the new season were to come from this thread, everything would be swell, anime is saved, Shinbo is a genius. Also, the thread moves way too fast for me to keep up.
What, exactly makes the use of imagery in [Hyouka] -1 superficial?
I can't really think of a show that is enjoyed by everyone here.
Specifically, the part where.Eru's curiosity is sparked by the mystery and Houtarou becomes entangled around by her hair and flowers
I understand their intent and it brings another level to being intertwined in a mystery, but it's too blatant and gaudy. Just extra eyecandy for no real reason. Not to mention the first episode was plain boring to me.
Cowboy Beb-, wait no, Monono-, wait no, Mushis-, wait no. Usagi Drop, maybe?
I'm a fan of Tenka Seiha. His sneering has an undeniable ounce of truth when you deconstruct the show in question at its most basic form. It makes for good reads. Don't go there if you're easily butthurt.
For constant praising, there's Random Curiosity, Star Crossed, Lost in America etc. etc. etc.
For image dumps and memes, go to Kurogane.
For basketball analogies, go to blog好き.
Cowboy Beb-, wait no, Monono-, wait no, Mushis-, wait noRevolutionary Girl U-, wait no.
Usagi Drop, maybe? Actually, I think someone called that boring.
Well, the reason is exactly the one you stated in your first paragraph. The imagery allows us to grasp an insight into what the character is thinking without clunky (or even fairly good) expository dialogue. It's not quite as exciting as the drowning imagery in Tsuritama but I still approve of it for that very purpose.Specifically, the part where.Eru's curiosity is sparked by the mystery and Houtarou becomes entangled around by her hair and flowers
I understand their intent and it brings another level to being intertwined in a mystery, but it's too blatant and gaudy. Just extra eyecandy for no real reason.
There we go.Not to mention the first episode was plain boring to me.
Who hated Cowboy Bebop?
Cowboy Beb-, wait no, Monono-, wait no, Mushis-, wait noRevolutionary Girl U-, wait no.
Usagi Drop, maybe? Actually, I think someone called that boring.
Shit, I have to write Sailor Moon impressions now for 20 episodes.
Exactly.
Maybe FLCL??
Exactly.
Maybe FLCL?? Although, I vaguely remember someone saying they didn't like it.
You don't need to hate something to not like it.
>_>
Why are you trying to discourage me.No you don't. Nobody is forcing you!
I can see why someone wouldn't like it. I would disagree but I can see certain complaints about it.
You didn't like it even after your full watch?
Cowboy Beb-, wait no, Monono-, wait no, Mushis-, wait noRevolutionary Girl U-, wait no.
Usagi Drop, maybe? Actually, I think someone called that boring.
That's not "superficial" but just lame and bad, imo.![]()
Random Curiosity and blogsuki are the best 2 anime blogs out there. Get you covered really well with what's happening each season and are pretty fun to read.
Well, the reason is exactly the one you stated in your first paragraph. The imagery allows us to grasp an insight into what the character is thinking without clunky (or even fairly good) expository dialogue. It's not quite as exciting as the drowning imagery in Tsuritama but I still approve of it for that very purpose.
If the symbolic imagery was literally pointless, like if they just kept cutting away to a shadowy clown (or something equal random and disconnected from the events taking place then I would agree with you.
AnimeGAF is a picky bunch. Who hated on Mushishi?