Episode 3: On balance, maybe the best of the three so far, although that's a heavily qualified statement. By the end, it finally felt as though Picard was doing something rather than doddering about killing time. I'm still not sure exactly what he wants to accomplish: is he searching for Soji, and if so, what's his plan when he finds her? Is he searching for Maddox, and if so, what's he hoping to gain from it? Still, he's got his makeshift crew together - leaving behind Laris, who remains the most entertaining character despite her inexplicable Irishness - and while there isn't a character trait between them, they aren't disagreeable. There was a hint at why the Zhat Vash hate artificial life, and while it's a very stupid hint about an ancient prophecy coming true*, it at least improves on the prior situation of a millennia-old Romulan secret police with a genocidal hatred of a technology which didn't exist.
*Remember 'Devil's Due', when Picard exposed a con-woman taking advantage of an ancient prophecy to enslave a planet? DS9 was more spiritualist with Sisko as the emissary, but rooted its prophecies in a semblance of science and physics by having the wormhole aliens interacting with spacetime on a higher dimensional level. Here, the hints at prophecy are precisely as grounded as 'ancient Romulan tarot really can tell the future'. And as far as prophecies go, the 'destroyer' schtick is as eye-rollingly clichéd as it gets.
Once again, though, the show keeps getting in its own way. Firstly, Raffi has the potential to be an interesting ally, but is immediately cut down by her sympathy for the Romulans and Picard's rescue mission extending only so far as it didn't negatively impact her. It's not a good look when that sympathy turns into lifelong bitterness the second it costs her 'security clearance'. Since even this show's writers subconsciously know that nobody's going to be weeping for someone's loss of their security clearance (OH NO! SHE CAN NO LONGER USE THE SUPER SWANKY EXECUTIVE TOILETS!), they are forced to stick a knife into one of the foundational principles of the Trek universe, that poverty and destitution have been entirely eliminated on Earth, to artificially make her situation look more grim. Of the myriad ways this show and Discovery have misunderstood Trek, Raffi's implied life of poverty and drug addiction on Earth might quietly be the most damning and damaging.
Secondly, the fight at the Picard vineyard was superficially diverting, at least in seeing Picard's Romulan handlers in action (although, again: why are such skilled operatives content to live as housekeepers to an ageing misanthrope?), but in service of absolutely nothing story-wise. It's just a fight for the sake of having a fight, and the Romulan they take prisoner at the end needlessly spouts the same prophetic nonsense as Ronda The Romulan in an adjacent scene before magically dissolving himself. Agnes turns up, but there hardly needed to be a fight for that to happen.
Thirdly, maybe I'm the only one who finds this annoying, but Soji's Undercover Romulan Sex Toy Fellow and Captain Rios** look almost identical but for the latter being in slightly better control of his hair. And then there's the EMH, a duplicate of Rios, making three disconcertingly similar looking characters in one series. It's a minor issue, but with outsized impact because there's nothing to distinguish these characters as people beyond their look and jobs. I can reel off the beliefs and principles, hobbies, relationships and little personality tics which make most of the original TNG cast who they are; this new lot get a job and an adjective at best: Raffi = 'bitter former first officer'; Agnes = 'skittish scientist'; Rios = 'down-on-his-luck pilot'.
**Here's another bit of Trek discontinuity: Rios is very explicitly linked to Starfleet, with no sign of him operating outside the Federation, yet Agnes (I think) makes a remark about how much he charges and he responds 'a lot'. While Trek has long fudged exactly how the Federation economy works, it has been stated on numerous occasions to be non-transactional, so why are these two characters talking about the purchasing of services as though it's an everyday thing? Between this and Raffi's Earthbound destitution...
Finally, while the show's slow pace makes it feel a little more Trekkish than the anti-Trek that is Discovery, the pace isn't slow because it's exploring character or ideas, it's just taking forever for anything to happen and lacks any depth to fill in the gaps.
Overall, like the first episode, my low expectations keep this watchable, as does the fact it thankfully avoids Discovery's vomitous hyperactivity. That there's a Romulan called Ronda is pretty funny, even if unintentionally. It's surviving by clinging onto the barest cadence of Trek while continuing to not understand anything that gives the series its soul. It's a plot-driven series with too much clunky backstory and too little actual plot, key parts of which are eye-rolling clichés. In other words, I'm not checked out yet - the prospect of Two Takes Frakes and his saucy grin returning to the screen is keeping me going - but it feels as though the show is spinning its wheel because the second it has to clean up the crap it has spread across the table, it's going to fall apart very quickly.