What does this even mean?
I'll never understand people who think Gunbuster's pacing is terrible. Every episode counts and makes a point, establishing necessary things about the world, how time travel ruins people's lives, and just how terrifying the enemy is, while at the same time showing just how much of a toll it's taking on Noriko.
So when she finally gets in Gunbuster the payoff is fantastic, considering everything she's feared up until that point.
It's especially effective in the last episode, where the emotional payoff is great because of how the show took its time establishing its rules and its consequences.
How in the world can any of this be considered bad or mediocre?
Time relativity is literally the only thing in the universe that could benefit from the terrible pacing of the anime, everything is incredibly rushed from the main themes to subplots
Kimiko and Noriko have known each other for 4 months and yet they are best friends forever with close to zero interaction between them shown, how am i supposed to feel what Noriko is feeling regarding the age difference between them if i get more material to know Kimiko from the ending song than the entirety of the anime itself?
Smith here it comes here it goes just like Kimiko and yet he was obviously the love of her life and a super important character even if he has done a whole lot of nothing through the 10 femtoseconds he has been shown.
Coach Ohta says that Noriko has potential but this potential has never been showed, she doesn't have special abilities, she doesn't work hard, she doesn't have motivation... she has nothing that could lead her to be chosen to go to space and yet Ohta chooses her. Putting Noriko witnessing Amano hard work thus understanding that you can reach the goal through that before being chosen would have been the right thing to do but as it is it makes no sense.
I think i'm not exaggerating by saying that in 5 minutes Jung Freud and Amano have passed from not knowing each other to be eternal rivals, to be love rivals and at last being friends.
All i have said here could be applied to everything in this anime: Coach and Onee-sama love story, Noriko and Onee-sama's friendship, what the heck the bad guys are what is their purpose and where do they originate from etc. etc.
All this stuff must have had way more space in one or even more episodes for each subject and been laid much better... either that or cut most of these subplots.
You give exactly zero reason to care about what is happening because they don't give any context whatsoever.
The "considering is an '88 anime" thing is actually about this, i think that the industry probably wasn't mature enough to condense the material in the timeframe as well as it can do now (like does DieBuster for example *wink*) that's why it can go up to "mediocre at best" instead of being trash by today's standards.
Don't get me wrong the raw material is actually good but i'm sure that everyone but a debuting director Hideaki Anno would have done a much much better job at directing it.
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Edit: I was actually pretty surprised in finding opposition on the bad pacing of GunBuster opinion lol