CharlieDigital
Banned
How likely am I to find discounts on the Sony A55 on Black Friday or Cyber Monday?
captive said:sorry 2 stops is laughable between ASPC and 4/3rds. Thats the difference between full frame and a 4/3rds sensor.
And yes sony nex sensors are newer and micro 4/3rds is easily keeping up. Like i said its personal preference, but this is coming from someone who prints his images.
DPreviews comprometer. You can come any camera at any ISO between jpeg and raw.
http://www.dpreview.com/reviews/SonyNex5Nex3/page14.asp
I don't see a 2 stop difference at any ISO between raw or Jpeg between the Nex 5 or EPL1, its hardly 1 stop. And another thing that people often forget about ISO is color accuracy, and how much detail is retained in the noise.
Keep in mind that A) its 100% crop, but IMO is for pixel peepers B) Raw has no noise reduction applied.
As i posted several examples a few pages back. In these shots at 1600 and 3200 there is 0 chroma noise http://www.neogaf.com/forum/showpost.php?p=22888511&postcount=3835
This is from the older EP2, if you dont think those compete with NEX then i dont know what to tell you.
so yea your comparing newer NEX sensors to older 4/3rds sensors and the differences are negligible at best. And the newer 4/3rds sensors are even better, and then later new NEX sensors will come out that are better than previous versions. Its a cycle and as i said in my original post EITHER one of these cameras will offer significant improvement in low light over a point and shoot.
CharlieDigital said:How likely am I to find discounts on the Sony A55 on Black Friday or Cyber Monday?
yeah i heard that the new firmware improved the ui greatly, but i wasn't aware that they had made all the manual controls instantly accessible. i was under the impression that sony was still aiming these at point and shoot users that want to step up into more manual controls, and therefore the default interface was still geared towards automatic controls, with the options to easily change your interface to more readily accesible dedicated manual controls. if that is true then i still stand by my statement, because i'm comparing an interface that is right out of the box with no user adjustments.mrklaw said:disagree strongly with this. The new firmware makes the UI completely usable even for those that want more manual controls. It has just the same manual controls as the GF/EP range.
luoapp said:definitely more than one stop.
captive said:............ I don't believe you are going to see much difference in real world scenarios with these cameras.
Sony to expand 35mm large format sensor camcorder lineup
NXCAM HD camcorder under development, featuring E-mount lens system
Sony Corporation announced today that it is developing a new type of E-mount interchangeable lens camcorder for professional use that is equipped with a Super-35mm equivalent large format CMOS sensor. This new addition to Sonys professional NXCAM line will be available in the middle of 2011.
Already a key player in the 35mm digital cinematography business with the highly acclaimed CineAlta F35 and SRW-9000PL for high-end digital cinema production, Sony has just strengthened its lineup in this category with the recent PMW-F3 announcement. In addition to this, with this new NXCAM HD camcorder now (still under development), Sony looks to further strengthen its position in the entry-level segment by providing an affordable yet highly capable professional solution for many applications including independent film, music video and corporate communications all looking for the cinematic look.
This NXCAM HD camcorder under development will be equipped with a Super-35mm equivalent sensor, a widely used film stock size in the film industry that is perfectly designed for capturing motion picture. This new sensor will have extraordinary performance in terms of picture quality and sensitivity, and is able to create rich Bokeh effect (beautifully defocused image) that is perfect for artistic story-telling in motion picture.
Thanks to the adoption of the E-mount interchangeable lens system that is identical to the α series NEX-5, 3 and Handycam NEX-VG10, the E-mount lenses will be compatible with this new professional camcorder. In addition, a very short flange back distance (the distance between lens mount surface and sensor surface) let various α A-mount lenses be mounted via a mount adaptor (LA-EA1). Furthermore, it is also possible to attach many other lenses using third-party mount adaptors*1. With such flexibility, users will be able to experiment with various creative expressions by exploiting the characteristics of different optics.
*1: Not all types of adaptors and lenses are guaranteed.
The recording format for this new HD camcorder will be AVCHD, a widely supported format by many non liner editing software vendors and the same format as HXR-NX5 NXCAM camcorder.
There is also a plan to implement 1080p (60p / 30p / 24p*2 or 50p / 25p) recording modes.
(MPEG4-AVC/H.264 compression will be used for these modes.)
MagniHarvald said:I'm currently hesitating between three DSLRs for Christmas, the K5, D7000, and 60D.
I'd use it primarily for outdoor photography, but will do a bit of everything else as well, including video. I have no real collection of lenses yet, so I'm not tied to any brand (my previous camera was an F55 with the default kit lens, so no big loss if I go over to Pentax or Canon).
What would you guys recommend? And what lens(es) should I start off with? Thanks =)
I only have and shot with the 1.8 but I think the main difference would be the build quality and the max aperture. The 1.8 takes some great pictures, but you will obviously get a much better build quality with the 1.4.Ember128 said:So I'm trying to decide. The Canon 50mm F 1.8, or the 50mm F 1.4? Budget is an issue.
If I really have to I can deal with more chromatic aberrations in photo shop. What major differences is there?
Ember128 said:So I'm trying to decide. The Canon 50mm F 1.8, or the 50mm F 1.4? Budget is an issue.
If I really have to I can deal with more chromatic aberrations in photo shop. What major differences is there?
Zyzyxxz said:Pentax has great older lenses for cheap but the K5 is a few hundred more than the D7000 which shares the same sensor.
D7000 will get the same excellent image quality from the K5 and Nikon has great lenses as well. Although you don't get autofocus with AI-mount lenses at least they will meter properly.
60D, its the cheapest of the bunch and will take great pics but at this price point its more in line with the Nikon D90 and Pentax K-7. The 7D is a beast and that is more in line with the K5 and D7000.
I love my 50 1.8, but I'm thinking of getting rid of it and buying an old SMC Takumar 50mm 1.4...Ember128 said:So I'm trying to decide. The Canon 50mm F 1.8, or the 50mm F 1.4? Budget is an issue.
If I really have to I can deal with more chromatic aberrations in photo shop. What major differences is there?
MagniHarvald said:Alright, thanks for the impressions. The main reason I was leaning towards the K5 was the WR, is that just marketing bullshit? I'm headed to Norway next January and wanted to spend some time taking pics in very low temperatures..
good weather sealing is not marketing bull.MagniHarvald said:Alright, thanks for the impressions. The main reason I was leaning towards the K5 was the WR, is that just marketing bullshit? I'm headed to Norway next January and wanted to spend some time taking pics in very low temperatures..
Sadaiyappan said:DPreview.com
The_Inquisitor said:I know that. :lol :lol I was looking at the sd1100 since she loves Canon so much. She would never go for the G10. :lol :lol
vitaminwateryum said:Im going to buy myself the Nikkor 85mm f/1.8. I've looked at reviews online and it seems to be one of the better lenses to get. Anyone have any personal experience with it?
Ember128 said:So I'm trying to decide. The Canon 50mm F 1.8, or the 50mm F 1.4? Budget is an issue.
If I really have to I can deal with more chromatic aberrations in photo shop. What major differences is there?
captive said:Buy whatever camera you want, I don't care, as i've always said every camera from every manufacturer is capable of doing awesome things. And as i've said now 3 times on this topic, both NEX and m4/3rds are going to offer significant improvement over a point and shoot(which i believe was the question posed, who knows at this point). I don't believe you are going to see much difference in real world scenarios with these cameras.
Danielsan said:Arghh!!!
I bought the Nikon 50mm f/1.8D and guess what...fucking auto-focus does not work on my D3100. Guess I'll have to send it back. Fuck...
Ember128 said:So I'm trying to decide. The Canon 50mm F 1.8, or the 50mm F 1.4? Budget is an issue.
If I really have to I can deal with more chromatic aberrations in photo shop. What major differences is there?
navanman said:Bringing the level of this thread down from the expensive to the low-medium point and shoot cameras!
Christmas gift time and I'm looking at 3 cameras in the £99 range.
It's for the folks so has to be super easy to use with decent picture quality.
3 cameras in this price catch the eye:
Sony DSC-W320
Canon IXUS 105
Panasonic Lumix FS-10.
Any picks out of the bunch?
Technosteve said:NEOGERF Need your advice i am thinking of getting a DMC LX5 with the electronic view finder
but i've been advised by my pro photo friend to go for S95. But i'm am a brand whore and want the Fake Leica digital, total cost for package would be 450 vs 399-300 for the S95. This will replace my 6 year old DSC P150 from 2004. I still shoot with my SLR on FILM but i like a high powered P&S to replace my ancient workhorse.
Help me decide!
From what I've read, the bigger issue is once you bring it back inside. Going from a cold to warm environment can cause condensation to build up on the camera. I believe that you'll want some ziplock bags, maybe a towel. When you are finished shooting outside wrap your camera and lenses in towels and put it in the ziplock bags and seal them up. Once you bring the camera back indoors wait a while to let the camera come back up to temp before taking it out of the back or else you run the risk of having condensation accumulate on the camera.Alucrid said:Snow season is coming up and I want to take pretty pictures, however I don't want to do so at the expense of my camera. What precautions do I need to take with my camera before I bring it outside when it's snowing?
Stalfos said:From what I've read, the bigger issue is once you bring it back inside. Going from a cold to warm environment can cause condensation to build up on the camera. I believe that you'll want some ziplock bags, maybe a towel. When you are finished shooting outside wrap your camera and lenses in towels and put it in the ziplock bags and seal them up. Once you bring the camera back indoors wait a while to let the camera come back up to temp before taking it out of the back or else you run the risk of having condensation accumulate on the camera.
If you are actually outside and shooting when it is snowing you probably want to have some sort of weather cover/protection for the camera.
I've never really done any cold environment shooting though so hopefully others with more experience will also respond.
Full list of newly-supported camera models:
* Canon PowerShot G12
* Canon PowerShot S95
* Nikon D3100
* Nikon D7000
* Nikon Coolpix P7000
* Olympus E-5
* Panasonic Lumix DMC-GF2
* Panasonic Lumix DMC-GH2
* Pentax K-5
* Pentax K-r
* Ricoh GXR, GR LENS A12 28mm F2.5
* Samsung NX100
* Samsung TL350 (WB2000)
* Sony A560
* Sony A580
Seconded. I was just about to post the same question.RapidCancel said:So would anyone be able to point me to some tutorials for basic things on photography like iso, white balance, shutter speed, etc. I've been using my d40 for awhile but it doesn't feel like I fully grasp the basics.