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Upscalers, CRTs, PVMs & RGB: Retro gaming done right!

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You'd need to remove the caps in an "SFC" cable for it to work on a SNES. I use an official EU Cube RGB cable with my SFC and it works a treat. Any EU Cube cable should, same for a US SNES.
 

Mihos

Gold Member
storafötter;217351809 said:
This confuses me. Why do retro cables tell you, you need SFC scart for SFC`?

I bought some European ones they sold but they say arent compatible with SFC unless have some adapter.

Probably because some models of sfc use synch over Luma and not synch over composite, you will get a weird checkerboard look if you use the wrong cable. Or they might just be refering that the later models didn't put out rgb at all.
 

theclaw135

Banned
storafötter;217351809 said:
This confuses me. Why do retro cables tell you, you need SFC scart for SFC`?

I bought some European ones they sold but they say arent compatible with SFC unless have some adapter.

No. That's unrelated to the differences between scart and jp21.

Nintendo internally altered the RGB output design of the PAL SNES. Therefore PAL consoles need different cables. (the American SNES can use the same cables as SFC)
 
How does the xrgb mini look with a 4k tv?

Should I wait for a 4k version to come out?

I'm really happy with it. Some people claim 4K tvs are doing blurry upscalling of 1080p content but I don't see it on my set. Now that I have a better camera on my phone I'm going to try and take close up picture of my set running a game through it.
 
No. That's unrelated to the differences between scart and jp21.

Nintendo internally altered the RGB output design of the PAL SNES. Therefore PAL consoles need different cables. (the American SNES can use the same cables as SFC)

Well I did get Euro Scart cables retrogamecables did make. So I can use them for SFC then with the framemeister? I got both the jp21 adapter and Euroscart. Just missing a SFC scart cable if that is needed for SFC.

Probably because some models of sfc use synch over Luma and not synch over composite, you will get a weird checkerboard look if you use the wrong cable. Or they might just be refering that the later models didn't put out rgb at all.

I guess it doesnt hurt to give these Euro cables a try then. I am not sure if the modded SFC I bought uses Luma until I get it.

Got another question thats technical. I bought a generic power supply in Japan that says AC100-240V which means it doesnt need any converters right? It is also has a 10 V output. I hope i do not have to worry about it frying the machines but I bought it at those retro shops there.
 

Khaz

Member
storafötter;217362891 said:
Well I did get Euro Scart cables retrogamecables did make. So I can use them for SFC then with the framemeister? I got both the jp21 adapter and Euroscart. Just missing a SFC scart cable if that is needed for SFC.

You need an NTSC Scart cable, and a Scart adapter for your framemeister. On the SNES the cables aren't interchangeable, and an incorrect wiring can damage the receiver.

DO NOT USE A SCART CABLE ON A JP21 SOCKET! It can seriously damage the receiver, or more accurately fry it beyond repair instantly.
 
You need an NTSC Scart cable, and a Scart adapter for your framemeister. On the SNES the cables aren't interchangeable, and an incorrect wiring can damage the receiver.

DO NOT USE A SCART CABLE ON A JP21 SOCKET! It can seriously damage the receiver, or more accurately fry it beyond repair instantly.

This isn't true on the Framemeister. It causes no harm.
 
I did it to mine. It was no big deal.

I thought I bought a JP21 cable (in Japan of all places) but it turned out to be SCART. I think the FM's internal circuitry is equipped with a diode or something to avoid the exact scenario people are worried about.

Edit: from what I can tell the gscartw has diodes as well to prevent the same thing.
 

Mega

Banned
I'm really happy with it. Some people claim 4K tvs are doing blurry upscalling of 1080p content but I don't see it on my set. Now that I have a better camera on my phone I'm going to try and take close up picture of my set running a game through it.

I was one of those. If you can snap clear up close pics of a clean-looking sprite-based game, that would be appreciated. Can anyone else with a 720p (AVS) or 1080p source (Hi Def NES, XRGB) do the same?

I probably overstated the severity, but if it's as expected (bilinear filtering) when upscaling, then it should be at least a little blurrier than nearest neighbor upscaling, especially around the edges of each object. No TV is going to have the latter because real life footage (news, TV shows) will look pixelated and anger ordinary consumers. I recently blew up a 720p live TV news photo to 4K as a test, and in that case bilinear is much more preferable. It would be cool if manufacturers gave you the option to select the type of filtering to use with each input.
 

televator

Member
I was one of those. If you can snap clear up close pics of a clean-looking sprite-based game, that would be appreciated. Can anyone else with a 720p (AVS) or 1080p source (Hi Def NES, XRGB) do the same?

I probably overstated the severity, but if it's as expected (bilinear filtering) when upscaling, then it should be at least a little blurrier than nearest neighbor upscaling, especially around the edges of each object. No TV is going to have the latter because real life footage (news, TV shows) will look pixelated and anger ordinary consumers. I recently blew up a 720p live TV news photo to 4K as a test, and in that case bilinear is much more preferable. It would be cool if manufacturers gave you the option to select the type of filtering to use with each input.

That's an interesting line of thinking. If there was an external box that could use diferent scaling filters that you could manually chose... That would be pretty neat
 
You need an NTSC Scart cable, and a Scart adapter for your framemeister. On the SNES the cables aren't interchangeable, and an incorrect wiring can damage the receiver.

DO NOT USE A SCART CABLE ON A JP21 SOCKET! It can seriously damage the receiver, or more accurately fry it beyond repair instantly.

Yeah I was told this quite a bit when I got my framemeister. I know the pins are different.

A shame that my pal scart will be useless now when I get SFC. Is there much of a difference splurging of NTSC scart cables?
https://solarisjapan.com/collections/micomsoft/products/pro-rgb-cable-retromeister-for-super-famicom

Or should I just wait for the cheaper at the uk retrocables site.
 

theclaw135

Banned
storafötter;217362891 said:
Well I did get Euro Scart cables retrogamecables did make. So I can use them for SFC then with the framemeister? I got both the jp21 adapter and Euroscart. Just missing a SFC scart cable if that is needed for SFC.



I guess it doesnt hurt to give these Euro cables a try then. I am not sure if the modded SFC I bought uses Luma until I get it.

Got another question thats technical. I bought a generic power supply in Japan that says AC100-240V which means it doesnt need any converters right? It is also has a 10 V output. I hope i do not have to worry about it frying the machines but I bought it at those retro shops there.

On SFC, you're supposed to buy a scart cable designed for NTSC consoles.

Like I was saying Nintendo intentionally altered the PAL SNES to use different cables.
It seems that a PAL cable contains resistors, while an NTSC cable contains capacitors.
http://pinouts.ru/Game/n64video_pinout.shtml

I don't think there's any real risk, just the picture could turn out strange.
 
On SFC, you're supposed to buy a scart cable designed for NTSC consoles.

Like I was saying Nintendo intentionally altered the PAL SNES to use different cables.
It seems that a PAL cable contains resistors, while an NTSC cable contains capacitors.
http://pinouts.ru/Game/n64video_pinout.shtml

I don't think there's any real risk, just the picture could turn out strange.

Thanks for the confirmation. Some of the info out there can be confusing. I thought the cables could be used interchangably between different region. Was wrong there I noticed.
 

theclaw135

Banned
storafötter;217401962 said:
Thanks for the confirmation. Some of the info out there can be confusing. I thought the cables could be used interchangably between different region. Was wrong there I noticed.

Eh, Nintendo's European branch had their share of odd ideas. Some NTSC controllers may not work on the PAL SNES. They also had the power input use AC. (it was originally DC)
 

Khaz

Member
storafötter;217401119 said:
A shame that my pal scart will be useless now when I get SFC. Is there much of a difference splurging of NTSC scart cables?
https://solarisjapan.com/collections/micomsoft/products/pro-rgb-cable-retromeister-for-super-famicom

A cable wired as CVIDEO or LUMA as SYNC should work on both PAL NTSC console, albeit with a picture too dark or too bright, and colour bleed if it's missing the caps.
Using an NTSC cable with CSYNC on a PAL console however can be potentially damaging, as the PAL console would send +5V instead of SYNC.
http://members.optusnet.com.au/eviltim/gamescart/gamescart.htm

Yeah, the Framemeister has some protection against Scart cables. iirc it was the XRGB that was susceptible to be brutally murdered that way. And probably any unsuspecting Japanese display as well. Still, don't do it.

Eh, Nintendo's European branch had their share of odd ideas. Some NTSC controllers may not work on the PAL SNES. They also had the power input use AC. (it was originally DC)

Well they had to have a +12V pin to adhere to the Scart standard. They decided to use the CSYNC pin, as not to break compatibility with Composite and S-Video cables. Not having he caps and resistors inside the console is being cheap, but why one region got to keep the caps and the other the resistors I have no clue.
 

D.Lo

Member
Do you guys ever watch 480i non-gaming content on your CRTs? Specifically, I'm talking about streaming old 4:3 shows that are Netflix but outputting them to your CRT in 480i. (I'm not sure if this is possible).

I think this may be possible on a PS3 with component cables if I'm not mistaken? I've never done it myself, but I'm about to start watching Twin Peaks (for the first time) and figured it could be cool to watch it on a real 4:3 set for the most authentic experience.

Any thoughts on whether it's worth the trouble?
gmmD.jpg

Looks pretty good for composite! I don't have a Wii RGB cable and the PVM doesn't take component.

Probably not worth dragging equipment around for, but it does look and feel 'right' and is pretty fun to watch a show on a period correct screen.
 

Khaz

Member
I'm using a DVD player specifically for this purpose. The Sony DVP-SR370 (the Euro one with Scart) is a great little device for this use and outputs a great decoded picture. The other few low-cost modern players I tried had a cheap MPEG decoding chip and terrible output, they give DVD and MPEG2 a bad rap.

It even has USB so you don't have to burn a DVD every time you want to watch something from the internet! You still have to encode it to MPEG2 though. It can be region-unlocked with a universal remote control and codes found on the Internet, I'm slowly building a collection of NTSC DVDs of American TV shows that were originally broadcast in 30fps.
 
Looks pretty good for composite! I don't have a Wii RGB cable and the PVM doesn't take component.

Probably not worth dragging equipment around for, but it does look and feel 'right' and is pretty fun to watch a show on a period correct screen.

It would be better if you did this kind of thing analog recordings, or at least non-deinterlaced source since you're going from interlaced->deinterlaced->back-to-interlaced.

I used to watch a lot of stuff on an XBMC-enabled Xbox on a 480i screen and while it was convenient it never looked as good as broadcast/cable.

Edit: or yeah a DVD if the content on it was already interlaced would be good.
 
I have a chance to pick up a PVM 14L2 local, do you think it's worth considering or would I just end up regretting not going for a 20" unit?

Oh, and what do you think a reasonable price would be, I'm based in the UK and I'm told this 14L2 has no damage to the screen or burn in either.
 

D.Lo

Member
It would be better if you did this kind of thing analog recordings, or at least non-deinterlaced source since you're going from interlaced->deinterlaced->back-to-interlaced.

I used to watch a lot of stuff on an XBMC-enabled Xbox on a 480i screen and while it was convenient it never looked as good as broadcast/cable.

Edit: or yeah a DVD if the content on it was already interlaced would be good.
The rip is of a blu ray (1080p from the original film, 480p rip) so it hasn't been interlaced until the Wii output.

A VHS would be the most accurate period presentation however.
 
The rip is of a blu ray (1080p from the original film, 480p rip) so it hasn't been interlaced until the Wii output.

A VHS would be the most accurate period presentation however.

Were TV shows of that era typically done on film? I thought the kind of cameras used to record TV were usually similar technology to CRTs but in reverse, and would capture scans natively in 480i.

I usually assume Blu-rays or HD versions of 80s/90s TV shows are just deinterlaced/upscaled 480i, not new digital masters of film like... films.
 

Mega

Banned
I have a chance to pick up a PVM 14L2 local, do you think it's worth considering or would I just end up regretting not going for a 20" unit?

Oh, and what do you think a reasonable price would be, I'm based in the UK and I'm told this 14L2 has no damage to the screen or burn in either.

Great monitor, worth it. The 20" PVMs are physically huge. Heavy and take up a considerable amount of space. Start out with this for a month or so and see if you're happy using it and with CRT gaming in general before you commit to a larger set. You may even find you're happy with the 14L2 and not want something else.

I would try to get under $100 USD but the seller may swiftly reject that. The UK has less PVMs than the States and their prices (online) have generally gone way up.
 

D.Lo

Member
Were TV shows of that era typically done on film? I thought the kind of cameras used to record TV were usually similar technology to CRTs but in reverse, and would capture scans natively in 480i.

I usually assume Blu-rays or HD versions of 80s/90s TV shows are just deinterlaced/upscaled 480i, not new digital masters of film like... films.
Most dramas etc, anything with a decent budget, were made on film, and converted to video. News etc were on tape. If you go back further almost everything was film.

So most things that people care about can be recreated in higher quality, eg the 1080p Star Trek blu rays, new transfers from the original film negatives.
 

Fuzzy

I would bang a hot farmer!
Were TV shows of that era typically done on film? I thought the kind of cameras used to record TV were usually similar technology to CRTs but in reverse, and would capture scans natively in 480i.

I usually assume Blu-rays or HD versions of 80s/90s TV shows are just deinterlaced/upscaled 480i, not new digital masters of film like... films.
IIRC most shows were film except sitcoms where they were trying to save money so they used tape. A notable exception was Cheers which was filmed but the studio wanted them to change to tape to save money. They tried a test with tape but it looked so horrible that they stayed with film.
 

Madao

Member
heh, i funded my OSSC and GC Video by selling my GC component cables on ebay.

now i hope the availability of these things doesn't get pushed back too much again.
 

BTails

Member
Most dramas etc, anything with a decent budget, were made on film, and converted to video. News etc were on tape. If you go back further almost everything was film.

So most things that people care about can be recreated in higher quality, eg the 1080p Star Trek blu rays, new transfers from the original film negatives.

The problem with a lot of shows from the late 80s/early 90s is that even though they were shot on film, a lot of the editing and vfx were done in Standard Defintion. To make HD masters of Star Trek TNG, they had to rescan all the original camera negatives and recreate the episodes edit by edit in HD (even recompositing some of the special effects).

That's one of the reasons why we'll probably never see certain shows in HD like Buffy the Vampire Slayer.
 
Think I'm gonna have to say goodbye to one of my childhood CRTs, a JVC, soon, here. It's just taking up way too much space and I haven't turned it on at all since getting my PVM.

I'm not looking forward to lugging it downstairs. Thing weighs well over 100 pounds and is bulky at 32 inches.
 

Peltz

Member
Looks pretty good for composite! I don't have a Wii RGB cable and the PVM doesn't take component.

Probably not worth dragging equipment around for, but it does look and feel 'right' and is pretty fun to watch a show on a period correct screen.
Nicely done D.Lo. My OG Red Wii is at my parents' place. I'm going to snag it from them this weekend and connect it to my PVM via component.

My friends already think I'm nuts for insisting on playing 240p/480i games on a CRT. Can't wait to see their reaction when I start watching all my 4:3 content that way :)
 

KC-Slater

Member
The problem with a lot of shows from the late 80s/early 90s is that even though they were shot on film, a lot of the editing and vfx were done in Standard Defintion. To make HD masters of Star Trek TNG, they had to rescan all the original camera negatives and recreate the episodes edit by edit in HD (even recompositing some of the special effects).

That's one of the reasons why we'll probably never see certain shows in HD like Buffy the Vampire Slayer.

Certain shows like Buffy and The Wire were framed to be in 4:3, which is to say that even if the means (raw footagel) to make a 16:9 or 16:10 "remaster" is available, all they are doing is either distorting the original source material, or including the crew in the scene. Talk about aspect rati-woes...
 
I was one of those. If you can snap clear up close pics of a clean-looking sprite-based game, that would be appreciated. Can anyone else with a 720p (AVS) or 1080p source (Hi Def NES, XRGB) do the same?

I probably overstated the severity, but if it's as expected (bilinear filtering) when upscaling, then it should be at least a little blurrier than nearest neighbor upscaling, especially around the edges of each object. No TV is going to have the latter because real life footage (news, TV shows) will look pixelated and anger ordinary consumers. I recently blew up a 720p live TV news photo to 4K as a test, and in that case bilinear is much more preferable. It would be cool if manufacturers gave you the option to select the type of filtering to use with each input.

I tried to take a couple of pictures from different distances. Not the best pictures but I just have a phone not a dedicated camera. The moire kind of patterns in these shots are only seen on the camera and not in real life. Sorry about my shitty picture taking. I also cropped in a zoomed in shot of one of them.

These aren't original size but I could post those too if it helps any.

29820083855_89714f30fb_h.jpg


29527203850_794ccc71c9_h.jpg


29192338124_1d585b211d_h.jpg


29737205291_abeffb9e08_h.jpg


29737320591_44cb76377e_b.jpg



I suppose there is some softening at the edges but its so damn minor at normal viewing distances you absolutely don't notice it.
 

Mega

Banned
^Thanks, those are perfect examples!

After growing accustomed to the tack sharpness of the upscaling in the Hi Def NES and Ultra HDMI N64 mods, I can definitely see the characteristic softness of a bilinear filter and it matches the testing I did in Photoshop. But you're right that it's not a deal breaker and won't bother most people. It certainly won't stop me from upgrading to 4K OLED in a year or two and by then we may have external 4K upscalers that bypass the internal ones and keep all sharpness intact.

For reference, this is a nearest neighbor upscale (Zero Mission, Wii U, 4x scale to 1440x960 in a 1080p frame, Panasonic 1080p plasma). This is the absolute ideal for me in an image not using any shaders.


Certain shows like Buffy and The Wire were framed to be in 4:3, which is to say that even if the means (raw footagel) to make a 16:9 or 16:10 "remaster" is available, all they are doing is either distorting the original source material, or including the crew in the scene. Talk about aspect rati-woes...

All media should be viewed in its original aspect ratio. I remember buying a DBZ DVD box set and it was widescreen... meaning the top and bottom were chopped off! Plus Funi's "digital cleanup" destroying fine detail in each frame. Horrible!
 

televator

Member
I've been considering getting an HDMI splitter for scaler use (Mini and future OSSC) in order to limit sync down time in the number of linked HDMI devices in my chain. I may bypass the synch drop to the reciever this way and have have just the scaler and HDTV sort out their image hand shakes. Anybody have experience using HDMI splitters and can recommend a good one for my use?
 
I think this may be possible on a PS3 with component cables if I'm not mistaken? I've never done it myself, but I'm about to start watching Twin Peaks (for the first time) and figured it could be cool to watch it on a real 4:3 set for the most authentic experience.
Congratulations. And yes, PS3 can do 480i connected to an SD CRT via component.
 

Peltz

Member
^Thanks, those are perfect examples!

After growing accustomed to the tack sharpness of the upscaling in the Hi Def NES and Ultra HDMI N64 mods, I can definitely see the characteristic softness of a bilinear filter and it matches the testing I did in Photoshop. But you're right that it's not a deal breaker and won't bother most people. It certainly won't stop me from upgrading to 4K OLED in a year or two and by then we may have external 4K upscalers that bypass the internal ones and keep all sharpness intact.

For reference, this is a nearest neighbor upscale (Zero Mission, Wii U, 4x scale to 1440x960 in a 1080p frame, Panasonic 1080p plasma). This is the absolute ideal for me in an image not using any shaders.





All media should be viewed in its original aspect ratio. I remember buying a DBZ DVD box set and it was widescreen... meaning the top and bottom were chopped off! Plus Funi's "digital cleanup" destroying fine detail in each frame. Horrible!
Certain originally SD shows look better in 16:9 and at HD resolutions. Seinfeld for example.
 

KC-Slater

Member
Certain originally SD shows look better in 16:9 and at HD resolutions. Seinfeld for example.

Seinfeld was shot with film, and the original source material exists to perform an HD transfer, so there isn't any loss. While it may look alright, the jokes/"action" were still confined to the 4:3 frame, so you aren't really getting anything additional out of it, narrative-wise, but it does fill up your HDTV.

Also note Jerry wearing a badass pair of Nike Air Huraches at 3:36
 

Mega

Banned
Certain originally SD shows look better in 16:9 and at HD resolutions. Seinfeld for example.

HD? I agree. But on aspect ratio I completely disagree. This is what's done to turn original 4:3 shows into "widescreen":



Seinfeld was shot with film, and the original source material exists to perform an HD transfer, so there isn't any loss. While it may look alright, the jokes/"action" were still confined to the 4:3 frame, so you aren't really getting anything additional out of it, narrative-wise, but it does fill up your HDTV.

That's a good exemplary video. Watching it now.
 

Peltz

Member
That moment when your office's AV department is struggling to hook up inputs for a presentation on the big screen... Ever just want to grab the cables from their hand and be like "Yo I got this."

Edit: didn't realize the frame was being cut. Yea that sucks.
 

purdobol

Member
That moment when your office's AV department is struggling to hook up inputs for a presentation on the big screen... Ever just want to grab the cables from their hand and be like "Yo I got this."

Never ever ever do this. Seriously never show you know things about things. Especially in work. I did this once and the word got around. Which made me later unofficial technician/janitor with new set of responsibilities out of nowhere.
 

televator

Member
Cropping 4:3 material to 16:9 is like up there with stretch o vision as an AV trigger of mine. I fucking hate seeing that happen. Anybody who played REmake-master is 16:9 should be deeply ashamed of their sin.
 
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