is there any confirmation about the Lutece being the same person from different dimensions in any of the voxaphones?
I know in one she mentions him as her lost brother or whatever but I think it's still pretty obvious
"Because he doesn't row."
"He doesn't row?"
"No. He DOESN'T row."
Am I close?
that's pretty much exactly what happens, yeah
what else did you find hokey?
Gonna be sweet when some uber nerd on YouTube analyzes the entire game.
is there any confirmation about the Lutece being the same person from different dimensions in any of the voxaphones?
I know in one she mentions him as her lost brother or whatever but I think it's still pretty obvious
There's a series of voxaphones that establish their contact and eventual meeting. In the first, she talks about communicating with him across universes by manipulating the quantum particles observable by both universes. There's another talking about developing tear technology using Comstock's money so she can bring him through. Finally, there's a voxaphone discussing his physical reaction to being brought across universes.
IIRC, in one of the voxaphones she mentions that she pulled him through a tear. I don't remember if she outright says that they are the same, but I think that's how they imply it.
It's clear that he came from a tear yeah
"I should know, I lived it"
but it could be that he's a brother that only existed on another dimension or whatever, but that wouldnt explain why she'd just steal it from her other self, for example
I think they're the same person
During banter near the end they mention how they finish each others sentences, and with good reason - something along those lines, at least.is there any confirmation about the Lutece being the same person from different dimensions in any of the voxaphones?
I know in one she mentions him as her lost brother or whatever but I think it's still pretty obvious
I didn't call the daughter thing, but I really had the Booker/Comstock thing nailed back in December. I thought the old Comstock looked suspiciously like Booker and had no idea why he underwent such a radical redesign other than they were trying to protect something about the character.
Original:
![]()
During banter near the end they mention how they finish each others sentences, and with good reason - something along those lines, at least.
a man, a lighthouse, a... something.
who the guy murdered in the lighthouse was.
how in one universe elizibeth aged to 70 and lit up new york (where was booker in that one?).
what old liz's note said.
letece in general.
why they could not have literally just gone to paris.
I was just thinking about some of the themes interwoven into this story. The time/space travel is pretty complex and incredible, but there was one thing that struck me that was woven throughout the entire game. In the world of Comstock's absolutism in his attempt to justify himself, or the Vox Populi's hateful destruction in the name of revolution, even in the world of thousands of universes, of differing choices, of all of that, the game draws a huge contrast with one specific thing to me; Booker and Elizabeth.
Comstock and the Vox have these huge ideas, but as you move through all of it, you don't do it to make a statement for or against either the Vox or Comstock, you do it for Elizabeth, you do it for a single person. There's a really cool feeling that came out of finishing the game, because all the things you did, you were doing to let Elizabeth live her life, to let her know the truth she wanted and fulfill her greatest wish; freedom to be who she wanted to be. There's so many grand ideas swirling around in Bioshock Infinite, but in my opinion the fact that they anchor a personal relationship in the center of it is the most potent. I love the line near the end when you're headed to Comstock's airship and Booker says "I won't abandon you!" and Elizabeth looks a little surprised, and then sort of comforted, and she says, in the way that she seems to be realizing it herself at that moment; "You wouldn't, would you..." In this crazy complicated world, their relationship means so very much.
And in those last moments, after the credits, when Booker goes into the room and hears Elizabeth/Anna's cries, there's a subtle sort of closure. It's just the two of them again, and after all the chaos of the story, they're together again, and that matters.
You can have the most convoluted story with the biggest themes and ideas imaginable, but if you don't ground them with some interesting characters, it's just wankery. What use is a brain without any heart? Past all the multiverse discussion and giant George Washington robots and doomsday preventing battles flying back and forth on airships on skyrails, it's distinctly a character-driven story about one man rescuing his daughter from this screwed up world HE actually created. Trying to fix the one good thing he's done in his miserable, violent life.
When is the first bit of DLC coming?
I know in one she mentions him as her lost brother or whatever but I think it's still pretty obvious
The Youtube analysis of the ending is pretty great and succinct.
COOLIO, in what sense are you using hokey? Preachy or contrived?
Could someone explain the "he doesn't row" line.
Could someone explain the "he doesn't row" line.
At the end when they're discussing Booker constructing memories to cope with being in a different reality the male Lutece responds "I know, I've lived it". I think that could be down to him constructing memories around him being a long lost twin when he was actually living in the Columbia reality.
Could someone explain the "he doesn't row" line.
Ken's JUST starting to write his now... :-/
Could someone explain the "he doesn't row" line.
The Luteces are constantly fucking around with grammar and tenses, I think it's just a joke like that. As in, he doesn't row, it's a constant, not a variable. He could've said "he never rows", but that would've been too obvious from a narrative pov, didn't want to give it away at that point.
the one part where the story headed towards "uhhh" territory for me was the whole Lady Comstock thing
"I think she's her but also part of me because I created her from my hate towards her and it is actually a versionf of me and and and"
that whole thing felt weirdly unnecesary in the grand scheme of things
The only spoiler I had was Elizabeth killing Booker from the OT.
Turns out it wasn't even all that bad of a spoiler, didn't affect my enjoyment of the ending. I'm just glad "Goin' back to Rapture" wasn't spoiled. That's the big one for me.
But the timelines where he accepts the baptism and the ones where he rejects it are identical until he makes that choice. If they kill him before he makes that choice (which is what Elizabeth says in that last scene), then both future branches of timelines are eliminated.
For the branch where Booker rejects the timeline to continue, Comstock would have had to have been killed right after being baptized, rather than right before.
Can anyone point me to a post that explains the significance of the post-credits?
I see what you're saying. So the only explanation of post-credits Booker is one of the Bookers that never went to the baptism in the first place, correct?
because everything's already set to repeat itself, choice doesnt matter
Really? It's so obvious once the game starts going. I would have been able to piece it together fairly early on even if it wasn't ruined for me.I would have been fucking furious.
oh man, people are gonna analyze all those chalkboards for clues I bethttp://imgur.com/a/p3dVW
Note the differencing in the positioning, and the number 61.
61+61 = 122, the number of tallies on the black board and the code to enter Columbia.
http://imgur.com/a/p3dVW
Note the differencing in the positioning, and the number 61.
61+61 = 122, the number of tallies on the black board and the code to enter Columbia.
The only spoiler I had was Elizabeth killing Booker from the OT.
Turns out it wasn't even all that bad of a spoiler, didn't affect my enjoyment of the ending. I'm just glad "Goin' back to Rapture" wasn't spoiled. That's the big one for me.
Really? It's so obvious once the game starts going. I would have been able to piece it together fairly early on even if it wasn't ruined for me.
thanks for the answers, for this one though, if they just warped away the song bird and they continued existing in that universe and went to paris, what would have happened?
Can anyone point me to a post that explains the significance of the post-credits?
i think that was just booker having his daughter back now that comstock isnt around to take her.