So thought I'd write a little about Baltimore today. I figure everyone knows enough about Hellboy and BPRD these days and those series get a lot of exposure, but Baltimore is pretty cool since it's Mike working with a different creator than the usual suspects, and probably more significantly it sits in it's own bubble separated from the hellboy universe, meaning it comes with no baggage. Specifically I read volume 3 this week, which is a nice short story collection and very accessible:
The core concept of Baltimore is a world very much like our own up until World War 1, where the horrific bloodshed in the trenches acts as a catalyst to resurrect vampires and thus give us a funky alternate history where the inquisition is brought back, a much worse plague sweeps the continent and so on. The book is still very much set in the 1910s so it hasn't gone too crazy yet, but as the story progresses, it comes fairly clear there's no going back from the changes that have happened and the world is going to end up pretty different. The thread that runs through all the mini series and one shots so far is the titular hero Lord Baltimore, who was present at the return of the vampires, chasing a powerful blood sucker called Haigus who killed his family across Europe. This is our in to how the world is being affected by the horrors that have been unleashed as the story can pretty much open in any country that suits them, since Baltimore is pretty much following whatever vague leads he can find across and around Europe. Baltimore is a nice change of pace from a lot of the Mignola-verse characters as he isn't really proactively trying to help people. He doesn't consider himself a hero and a routine part of the set-up to each story is usually him trying to ignore whatever plight the local townspeople finds themselves in, but getting dragged into it during the course his own business anyway.
While volume 1 and 2 were pretty good, and as interesting as the world was and as BRILLIANT as the art was, the pacing in both 5 issuearcs dragged a little. Volume 3 however takes a similar format to some of the hellboy and bprd collections of shorts, and only one story is two issues of content long, all the others being a single issue or shorter. Each story finds Baltimore mid-hunt for Haigus and Dr. Leskovar's Remedy even begins quite spectacularly with Baltimore being hurled out of an exploding aircraft on a beach of onlooking villagers, already mid aventure dealing with an issue he's ran into between stories which I really liked. The stories take take him from England, all the way through Germany, Italy and onto Croatia, and the book really serves to flesh out Baltimore's world as it stands and let the reader see how bad things have really got since this version of WW1 ended. By going for something shorter and more to the point each time, I think Golden really finds his groove with the character, and the team really displays that they are falling over themselves with good ideas and kooky monsters, and they do a great job at subverting some of your expectations with where they're going to go each time. They also begin to weave some of the characters introduced in previous stories together and actually managed to tighten the greater narrative, despite abandoning the long single story focused arcs. I don't really want to spoil much in case anyone does decide to check the series out, but I would be remiss if I didn't mention the character of the inquisitor. While Baltimore is playing his own cat and mouse chase with Haigus, the inquisitor Duvic plays his own with Baltimore, believing Baltimore to be tainted by the evil he hunts, and deems him just as bad as the vampires, and the dude is really compelling. While a fair amount of Baltimore centers around Baltimore's singular focus on catching Haigus that often makes you wonder if it'll be his eventual downfall, Duvic is even more compromised, doing some really heinous disgusting thing in the name an even greater good, while being a total monster and following a really warped sense of morality. And of course, a comic book is nothing without a great artist, and Ben Stenbeck really kills it. He was pretty great in the first witchfinder series, and he really nails it here too. He very capably handles any of the craziness Mignola and Golden throws at him.
Overall, I just wanted to devote a little time to the book since it's what I read this past week, and I don't see many people speak about it. That's probably partly down to the intermittent release schedule and partly down to the fact it doesn't tie into the hellboy world, as most stuff Mignola touches does. I won't be disingenuous and say I am gaga crazy for it like Hellboy and BPRD but, I do think it's a book on the rise, and that volume 3 in particular was really really good. After book 1 and 2 I was like "okay, I'll check out the third", and now I'm chomping at the bit to read volume 4. You don't have to have read anything that came before to enjoy it though, everything is laid out clear, and the HC itself is really really nice, I wish the average hellboy or bprd book came in this format with top quality binding and a nice dustjacket (on that note, if anyone wants to see what the book is like, I can take some pictures, just let me know
). If you find yourself daunted by the sheer quantity of hellboy and the bprd, or if you've read ALL of that and want more in the same vein, Baltimore is a real nice spin on everything that's great by Mignola. If you can get it for a good price, go for it guys.