Mighty Chin
Banned
That kid was the perfect joker. Shame to waste him.
Crazy Barb is literally one of the sexiest people on TV right now.
Who wouldn't wanna spend a night with her, man or woman
Do you know what I like about Gotham? It opens up a lot of interesting discussions and debate about Batman's mythology. I like how the show doesn't play it safe like most comic book shows do. It's a very ballsy show.
I guarantee that if a live-action Batman show were created (with an actual Batman)...comic book fans would tear it to shreds.
"The Flash" and "Arrow" don't have to worry about living up to the legacy of past live-action films like Batman does (Nolan, Burton). We never had great movies based on The Flash and Arrow.
Daredevil (TV series) doesn't have to worry about living up to the legacy of Ben Affleck's Daredevil movie. Because that film wasn't well-received, and Daredevil is a B list superhero.
Jessica Jones -- most mainstream audiences aren't that familiar with Jessica Jones.
Even Supergirl isn't under a lot of pressure. The last two Superman films (Superman Returns, Man of Steel) were met with mixed receptions by fans and critics.
But a live-action Batman show would have to live up to the legacy of Nolan's trilogy, Burton's films, and Batman: The Animated Series. That is a big legacy to live up to on a television budget.
A Batman tv show couldn't really be much worse than the Batman movies since they all ignored Batman canon and the underlying characteristics that make Batman, Batman.
So, 3 episodes in, who do we think Theo Galavan "really" is? That's supposed to be an assumed identity, yeah?
Have we seen anything named after the Kanes? That'd be a fun reversal.
He could be a no one like Fish Mooney
Think may be more fun that way since won't know what he turns into
!!Crazy Barb is literally one of the sexiest people on TV right now.
Who wouldn't wanna spend a night with her, man or woman
Here is the problem I have with the word "canon" when it applies to Batman.
Batman's comics have been going on for so many years -- and characters have been rewritten and rebooted so many times -- that the word "canon" is beginning to lose some of its meaning.
A great example is Selina Kyle's origin story.
(I'm copying this stuff from a few wiki pages)
- In her first origin story, she is a cat burglar who goes by the name of "The Cat". It's explained that she married young to a wealthy man who beat her, and that's what motivated her into a life of crime.
- In Frank Miller's stories, she was a prostitute / dominatrix who works for an abusive pimp named Stan.
- In other stories, she's a rich socialite who attends parties.
- One of the comics implies that she might be the illegitimate daughter of mafia boss Carmine Falcone.
- In another comic, Maria Kyle (Selina's mother) commits suicide when Selina is very young. Her alcoholic father eventually drinks himself to death.
- In most comics, Selina Kyle was not a murderer. That's what separated her from other Batman villains. She walked the thin line between good and bad.
- However, Silver Age Selina Kyle was a consistent murderer. She would kill people on some of her appearances. This Catwoman would be moved to Earth-B, this Earth contains the characters and stories that were out of place. Since Catwoman was not a murderer, this was the only solution to getting rid of her Silver Age stories.
So what's canon and what's not canon? Is everything listed above canon?
I would argue that "unfaithful to the comics" as a criticism has its roots in the days of really, REALLY, terrible adaptations. Where they'd change a bunch of stuff and it would all be awful. Over time, the shorthand became the full phrase, and diversions from canon were viewed as the problem in and of themselves, rather than the quality of those diversions.This is probably the biggest thing that reading comics has taught me about canon...that it doesn't exist. Especially in comics.
What the show is actually ignoring is pre-established precedents from the comics that they show is vaguely mimicking. Which is what every new piece of storytelling really does.
And there's nothing wrong with that. After all, Paul Dini ignored established canon that stated that Harley Quinn didn't exist in the Batman universe. Now she does. A while ago, Joker couldn't be an immortal being. Now he might be, according to the story Zack Snyder provided. And on and on. That's how the Batman mythos grows and evolves. If all we did were repeat the same things over and over...well, there wouldn't be a point to that, would there? We'd be literally saying the same story again and again.
People think there are certain things Batman simply has to do, or can never do. Like kill, for example. But he did so not just in the burton films, but also the Nolan trilogy and probably hundreds of other stories. All that requires him to kill in the mainstream comics is DC's approval as well. A good writer can set up a situation where it happens.
The writing process is fluid, as are all characters, so it's silly to think there are certain unchangable aspects. And comics are essentially a writing process that never ends. Whereas, say, book writers write a character and fiddle around with it, changing their backstory again and again until they finally say they're done and send it off to be published, comics have writers switch off and revise the current work on a constant basis with no end in sight. What one writer will do, another will undo and redo it differently.
So yeah. Using "It's not faithful to comics" is the most empty possible criticism one can make of any superhero adaption.
I would argue that "unfaithful to the comics" as a criticism has its roots in the days of really, REALLY, terrible adaptations. Where they'd change a bunch of stuff and it would all be awful. Over time, the shorthand became the full phrase, and diversions from canon were viewed as the problem in and of themselves, rather than the quality of those diversions.
I think that the "Batgirl is Alfred's niece" complaints regarding Batman and Robin sort of sum up the issue. The problem isn't that Batgirl was Alfred's niece, it's that it was terribly, terribly done, but that takes longer to say, so here we are.
Y'all will be amazed when Barbara kills Jerome and becomes the Joker.
I don't get everyone's obsession with the Joker in this show. I hated Jerome and this whole copy cat idea. The Joker should only show up after Batman appears, he's supposed to be his ultimate counter an unstoppable force of chaos. The idea that he exists in any form before Batman arrives on the scene just ruins the uniqueness of his character.
If the only thing that makes the Joker unique or worthwhile is that he was showed up once batman showed up, that is one crappy character you got there.
Um, why?
In that case why don't we have a vigilante dressed as an Owl stalking around roof tops and taking down bad guys only to be killed by a laughing lunatic before Batman arrives on the scene?
When Jerome pointed his gun at the guy with the apple on his head....
It reminded me of Jack Napier from Burton's Batman.
Because a character who is defined by a single characteristic is shallow and hollow?
And you're not going to convince me of anything by shooting any sort of idea at me, however 'bad' you think it might be. Given a writer who is able to place meaning and significance, they can make just about anything work. Having another superhero before Batman in Gotham would be a perfectly acceptable premise of a story. I'm not going to reject it simply because it's different than what happens in most other versions of Batman.
I think you are misunderstanding my point, being unique is not a "single, shallow" characteristic. The point I'm getting at is that it cheapens either of these characters if they are just some other bloke and not something original. Why should anyone care who Batman is if he's the fifth winged superhero to parade about through the city night sky? Why does it matter if he appears at all if the vigilante thing has been going on for so long? Why is the Joker such a big deal if he's just another crazy laughing criminal?
Batman and the Joker, for that matter, are supposed to be unique concepts when they "arrive" in Gotham. They're supposed to be game changers on both sides of the law. Now, could you tell a story in which Batman and Joker are nothing special but just the latest corny dudes off the block? Sure, but what's the point of that?
Right, so what your saying is that him being created by batman makes him unique, and if he's not created that way, there's nothing unique about him. Your marking his creation as the single characteristic that makes him unique. And i'm saying, if that's all there is to him, you have a crappy character, defined by a single attribute. If that is the case, then he is, by simple mathematics, one dimensional. You have one aspect by which they matter, and if they don't have that, by your own admittance, they're nothing. That's just shallow writing, by any reasonable definition I've ever heard.
And to answer your questions, there are literally an infinite amount of possible answers. Maybe Batman is unique from the other winged heroes. Maybe he's more effective where they aren't, or maybe his doing things in a morally higher way makes him seperate from the other heroes. Maybe he lasts, where as the other winged heroes gave up after a certain amount of time. Or maybe he simply empathizes with the people on the ground, while the other guys have more of a detached attitude. You can make Batman unique in any number of ways. Or why not go the opposite way and say he isn't unique against them. There's no mandate that Batman has to be the super speshul hero that is more speshul than other heroes to be a compelling story, or else all stories about ordinary people (who are never truly ordinary, however mundane they are, would never be entertaining, which is obviously untrue). Or maybe even have your cake and eat it to, having him be initially much like the other winged heroes, then develop into something different from the other heroes. Or maybe have his story be a fall from grace sort of thing where he starts out really different, but then falls in line to what every other one did.
I'm not saying what your describing can't work, of Joker and Batman being the first of their kind being well written. Of course it can. We've seen it work. But that's not the only thing that can work. In fact, there's nothing that can't work, provided the writing does it right. You're just limiting yourself by closing off avenues of storytelling by saying any single arbitrary characteristic has to be a particular way or it renders the story meaningless. It's nonsense.
Well, then the question becomes why call it "Batman" or "Joker?" Why does he have to be a regular, human playboy whose parents are murdered? Why can't he be an alien from another world whose home planet is destroyed by an AI named "Joker." I'm sure you can make a very good story out of this as well. But, again, why still call it Batman and not something else?
Now, not every interpretation of the character has to be the same but when you start to change things so much it gets to a point where you have to seriously question why you are attempting to call it something it is no longer tied to.
Yeah, they're doing a lot of callbacks to previous jokers.
Hmmm I wonder whyI'm only season 1. I really enjoy the chemistry between Gordon and Morena Baccarani. She's always superb, Firefly, Homeland.
Yeah, they're doing a lot of callbacks to previous jokers.
Paul Reubens, better known as Pee-Wee Herman, will be playing The Penguin's father once again!!!
Robin Lord Taylor, who plays The Penguin/Oswald Cobblepot in Gotham, announced today during the Warner Bros. Television panel at New York Comic-Con that Paul Reubens will play his father in Fox's comic book-based television series. Reubens previously played The Penguin's father, Tucker Cobblepot (original character for the film), in Tim Burton's 1992 comic book movie Batman Returns.
What? Who thinks that? He is totally court or court bait material. R'as wouldn't be like that and he wouldn't be interested in being in limelight in some random city.So, do we still think Galavan is Razzle Ghul? If so, he could always just Lazarus Pit Jerome sometime in the future.
So, do we still think Galavan is Razzle Ghul? If so, he could always just Lazarus Pit Jerome sometime in the future.
What? Who thinks that? He is totally court or court bait material. R'as wouldn't be like that and he wouldn't be interested in being in limelight in some random city.
Yeah, I'm thinking he's Court of Owls, too. The only catch is that I also think the Wayne Enterprises board of directors is the Court, as well, and I don't think they're related to Galavan.Like Chariot said, no reason at all to think Galavan is Ra's. More likely he's an original character.
I'm kind of hoping he's actually a Kane, because the meta reversal of the Kane name being wiped away would be amazing. Pretty sure we've already gotten at least one Kane-tagged thing, sadly.
Yeah, I'm thinking he's Court of Owls, too. The only catch is that I also think the Wayne Enterprises board of directors is the Court, as well, and I don't think they're related to Galavan.
So, then, Theo Galavan is Talon (or Proto-Talon)?The thing is, the Court is an expansive organization. The Wayne Enterprises board could be members (or controlled by members), but that doesn't necessarily mean that there's not others.
So, then, Theo Galavan is Talon (or Proto-Talon)?
Season 2: episode 4 "Strike Force"
Barnes forms a task force with help from Gordon; Penguin is kept busy trying to fulfill a favor for Galavan; and Nygma asks Kringle out on a date.