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Spring Anime 2012 | Welcome Home, Space Cowboy

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BluWacky

Member
I saw From Up On Poppy Hill this evening at the Terracotta Film Festival.

It's certainly a decent film - probably a good one. It has two central plot ideas, one of which is more than a tad melodramatic (although nowhere near as ridiculous as the group of otaku behind me seemed to think it was as they laughed at it), and it's not a particularly complex story, but it's an enjoyably sweet tale.

I get the impression that Goro Miyazaki is a very literal man. You can't really compare this to Earthsea, but if one were to try (it's been a long time since I've seen it) the "mundanity" of the shot composition and pacing that made Earthsea quite dull works well for Poppy Hill because it's a much more realistic film and it's deliberately trying to feel "real". The film is a deliberate nostalgia trip, although obviously for a period I feel no nostalgia for so much of the effect is lost on me, and as usual for Ghibli the production design is very high quality.

With something as uniform in style as a Ghibli film it's hard to tell whether it's the talent of the staff or Goro that carries the more effective sequences. There's some nice comedy moments in the bustling clubhouse that evoke some memories of Spirited Away, but I don't know whether that's down to the director or the ideas of the animators.

I don't want to damn the film with faint praise - I definitely don't regret seeing it at all and would recommend people check it out when it makes it to a wider audience. It's just not a very exciting one.

Also, a slight weeaboo annoyance. The subtitles never mentioned that Umi is nicknamed Mer (I don't know if there's a line of dialogue that explains it in the film and the subs were localised rather than literal - I have no objection to this as the subtitles were mostly excellent), so I got a bit confused when she kept being called that.

Aaaaand to catch up on other anime:

Sakamichi no Apollon 1

As I mentioned in the OT - I cried watching this, I think it was during the sequence when it was raining on the roof. I just loved the shot composition and the style of the animation in particular, but also the careful use of background music, the excellent acting performances from the seiyuu... it was everything I wanted it to be.

For me Apollon captured in this one episode, far more than Nodame Cantabile ever did, the joy of being a musician. Mostly by virtue of actually animating the musicians! I'm about as far from a jazz musician as you can get (I have but one Gershwin piece in my very limited repertoire) but just felt this was magic.

Tsuritama 1

I think I need to rewatch this as I got a bit distracted halfway through. I mean, aesthetically it's a winner, but I didn't really pay enough attention to the fishing sequence beyond that amazing shot of Yuki bursting sideways through the water and I think I need more of a handle on the plot than "alien fishing boy moves in, hijinks ensue".

I love Akira and Tapioca, though - I thought their sequence was genuinely funny, particularly the final comedy beats when the tourist takes a photo of Tapioca.

Definitely impressed by this.

Eureka Seven AO 1

So much better than I thought it would be! I normally don't read manga but I'd read the first chapter of this one and hadn't been that impressed but the show itself has a much more enjoyable atmosphere.

I have no idea where this will end up, and perhaps it will get all LOL ANIMU on us, but I was very pleased with the first episode.
 

madp

The Light of El Cantare
Unless this is a "Most terrible character" contest, Shoe should not be above Rider in ANYTHING!

That's Shu at #2? I should thank the heavens that I don't recognize him, as I had the good sense to drop Guilty Crown early.

I'm also not entirely sure who the yaoibait guy is at #10. Is he from Kimi to Boku or Natsume?
 

Envelope

sealed with a kiss
Bebop the 6th
Bebop and Cyborg Sidekick chase a dangerous enemy who, despite having the appearance of a little boy, is actually more than eighty years old.
The title of this episode is a reference to "Sympathy for the Devil" by The Rolling Stones.
 

Firemind

Member
Sakamichi no Apollon 1

As I mentioned in the OT - I cried watching this, I think it was during the sequence when it was raining on the roof. I just loved the shot composition and the style of the animation in particular, but also the careful use of background music, the excellent acting performances from the seiyuu... it was everything I wanted it to be.

For me Apollon captured in this one episode, far more than Nodame Cantabile ever did, the joy of being a musician. Mostly by virtue of actually animating the musicians! I'm about as far from a jazz musician as you can get (I have but one Gershwin piece in my very limited repertoire) but just felt this was magic.

High praise indeed!
 

trejo

Member
Bebop the 6th
Bebop and Cyborg Sidekick chase a dangerous enemy who, despite having the appearance of a little boy, is actually more than eighty years old.
The title of this episode is a reference to "Sympathy for the Devil" by The Rolling Stones.

This was actually the first episode of Bebop I ever watched. Back then I thought it was one of the most amazing episodes of anything I had ever seen.

Boy, that takes me back.
 

wonzo

Banned
Also, from dresden: some dudes who read Newtype magazine like Ararararararagi. The toothbrush saves anime, etc.
Newtype character polls never fail to disappoint.

Bebop the 6th
Bebop and Cyborg Sidekick chase a dangerous enemy who, despite having the appearance of a little boy, is actually more than eighty years old.
The title of this episode is a reference to "Sympathy for the Devil" by The Rolling Stones.
It's one of my favourites but it's no Toys in the Attic!
 

madp

The Light of El Cantare
Please tell me that Lacus Clyne charting is because of the Gundam Seed HD thing and not because she's actually continuously been the waifus of that many people for an entire decade.
 

Brazil

Living in the shadow of Amaz
Shining Hearts - Shiawase no Pan 1

I need to import this game. Bread's freaking awesome.

Do the girls really need those cringeworthy costumes, though? Geez.

1lPuH.jpg

And what's up with that guy who doesn't like bread? What an ass.
 
Bebop the 6th
Bebop and Cyborg Sidekick chase a dangerous enemy who, despite having the appearance of a little boy, is actually more than eighty years old.
The title of this episode is a reference to "Sympathy for the Devil" by The Rolling Stones.

Now you're not even trying anymore. :(
 

frostbyte

Member
Calibrate your TV.

I'll see if that helps.

Of course, you describe it well. I like it for that semi-fantasy environment approach, but obviously I can't fault your position on this because it is a rightful one. We have different tolerances to colorful things, man!

That's all right. I guess I'm a bit of a dull person :(

So it's twice as funny as Nichijou?

Jexhius doesn't like Nichijou? :(

Night on the Galactic Railroad

That's some high praise. *Puts in backlog*

Hah, while I am wholly biased to Slam Dunk, I'm of course going to say no. But mostly because I feel there's a total lack of fleshing out of the main team. Which in contrast to Slam Dunk, which has everything and the kitchen sink relating to the core team players, Kuroko has decided to flesh out the main rivals instead. I still don't really know what the deal is with Seirin's basketball team apart from Kuruko and Kagami haha.

I see. That's slighting disappointing. Although I didn't expect anything to ever to reach Slam Dunk's highs. ;_; Why are there so little traditional basketball manga these days?

I know it's been said many times already, but it's still worth highlighting what a rich variety of visual styles we've been treated to this season:

Indeed. Man, this season is beastly. Certainly my most jam-packed season, ever. Has there ever been such a season with such a breadth of promising shows?

Also, from dresden: some dudes who read Newtype magazine like Ararararararagi. The toothbrush saves anime, etc.

Aside from 2 and 5, that male list is looking pretty good.

Not sure about the other one though...

Indeed. The presence of Guilty Crown and Destiny characters makes my blood boil. Good thing Rider is there to counteract the wrongs of this.

At least for the girl's side, Kanna is in front of Ichika. <_< Why is Ichika even on there?
 
Sankarea 2

Damn, I didn't expect them to actually show what Rea's dad did. Sick stuff. Definitely an effective addition. Everything else was a straight adaptation of chapter 2.

I'm kind of wondering what the tone will be once this little arc is over. It's pretty much full-blown harem antics for a while and I doubt they'd get to any of the more serious portions if they're gonna continue to go at a 1:1 pace.
 

frostbyte

Member
I saw From Up On Poppy Hill -snip-

Sakamichi no Apollon 1

As I mentioned in the OT - I cried watching this, I think it was during the sequence when it was raining on the roof. I just loved the shot composition and the style of the animation in particular, but also the careful use of background music, the excellent acting performances from the seiyuu... it was everything I wanted it to be.

For me Apollon captured in this one episode, far more than Nodame Cantabile ever did, the joy of being a musician. Mostly by virtue of actually animating the musicians! I'm about as far from a jazz musician as you can get (I have but one Gershwin piece in my very limited repertoire) but just felt this was magic.

ooh, lucky that you were able to watch From Up on Poppy Hill. I didn't read too deeply to not spoil anything for myself but realistic sounds interesting. I haven't watched Earthsea so I'll be sure to watch that before this to compare.

For Sakamichi no Apollon, I agree. I loved the contrast between the muted, sterile feeling of the classroom and the comparatively warm setting of the record shop and the studio.

Nodame Cantabile speaks to my soul more since I'm a classical piano type of guy although Sakamichi no Apollon catches some aspects mostly by having more impressive elements throughout the show with superior animation and composition overall.

Here's my impressions on it earlier as well

Spring 2007 and that year in general was full of great shows. That was the height of the anime boom.

Ah, thanks. Impressive indeed. I see names like Dennou Coil, Darker than Black, Lovely Complex (still got to watch that), Lucky Star, Claymore, and Tengeon Toppa Gurren Lagann.
 

zeroshiki

Member
I saw From Up On Poppy Hill this evening at the Terracotta Film Festival.

It's certainly a decent film - probably a good one. It has two central plot ideas.

Not to get into spoiler territory but didn't you think the second one was totally unnecessary? I think the only reason it existed was because it was in the manga and the writer/director didn't have the courage to just get rid of it.
 

Branduil

Member
Tsuritama 1

iWFXNHrLHCtZy.jpg


This scene demonstrated a clever way to integrate CGI.

That was pretty good. The art direction is mostly spectacular, although I'm not a fan of how the sky looks. And that was certainly a novel(and visually interesting) way of depicting extreme social anxiety. This holds far more promise than [C] ever did.
 

Kettch

Member
Sankarea has been excellent so far. With a start like this, I'm surprised the manga wasn't talked about more. I only remember some occasional pages being posted.

Had to look up the director, and of course it's another Shaft guy. Love the style so much.
 

Envelope

sealed with a kiss
Sankarea has been excellent so far. With a start like this, I'm surprised the manga wasn't talked about more. I only remember some occasional pages being posted.

Had to look up the director, and of course it's another Shaft guy. Love the style so much.

That's because the anime is better than the manga even at this point, and the manga eventually dropped off into boring staleness.
 
Sankarea has been excellent so far. With a start like this, I'm surprised the manga wasn't talked about more. I only remember some occasional pages being posted.

Had to look up the director, and of course it's another Shaft guy. Love the style so much.

The manga was talked about a lot for a good while in the manga thread. It eventually dropped off for reasons.
 

Ultimadrago

Member
Eureka Seven AO

Not bad, in fact, I liked it. The music, pacing, main characters all worked pretty well with me. One of the better opening episodes I've seen this season. I'll definitely stick with this one for now. (Hopefully, it won't kick me off the plot train too quick with a boatload of original series references)
 

frostbyte

Member
Sankarea 2

Man, Rea's dad is
creepy as fucking hell
. fuuuuuu, I expected zombie moe, not this shit which I just can't stand.

I'm really like this bastardised SHAFT animation style. It's got all the usual quick cuts in the scenes to keep the viewer interested but does it without seeming overbearing/obnoxious or out of place like SHAFT. Does anyone know if the SHAFT guys in this DEEN production are just here temporarily?

I liked Wanko's part at the end. It broke up the depressing streak so far and I welcomed the mood shift,
before ending on a gloomy note at the end
.

Still, on a whole, surprisingly well done. I don't particularly like the source material but at least it's being directed competently.
 

Envelope

sealed with a kiss
Zombie Saten 2

This is really a lot better than the manga, I'm quite impressed by it. Rea's dad
is such a sick bastard
. They're also playing up Rea's
suicidal attitude
a lot more than in the manga as well.
 

RurouniZel

Asks questions so Ezalc doesn't have to
Wow, I've been away for a few hours.

I'll catch up in a minute, but before I do, I have a new member to welcome to my Anime BluRay family! Say hello for squidly sake!

IMG_0728.jpg
 
Sankarea 2

I'm really like this bastardised SHAFT animation style. It's got all the usual quick cuts in the scenes to keep the viewer interested but does it without seeming overbearing/obnoxious or out of place like SHAFT. Does anyone know if the SHAFT guys in this DEEN production are just here temporarily?

This is Shinichi Omata's first time directing a full show. There's no telling whether he has joined DEEN on an ongoing basis or intends to freelance at various studios.
 
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