George Oscar Bluth II
Banned
I expect Wonder Woman to be mediocre.
I was always confused at the people who were like "omg the marketing's so good!!"
the humor in the trailers just seemed super lame to me. And yet another Bohemian Rhapsody trailer? Really?
Reviews aren't based on surprises, it's how well the movie is made.The villian ruins it for reviews Im guessing. I never expected a strong villian so I wasn't too surprised there
I cant believe this
I don't believe in the conspiracy theories or that critics are paid off by Marvel but it's kind of shitty how they have been given a pass for that on almost all of their films but when it's DC...
.DC fans no longer have grounds to mock Marvel movies. Faceless hordes, sky portals, quips - it's Marvel lite.
You can't beat Disney bankers and lawyers.Marvel's checks cleared.
How on earth are they that high.
No idea. It looked great.Why not?
At this point, that would be a good thing for DCI expect Wonder Woman to be mediocre.
Worst. Summer. Ever.
I expect Wonder Woman to be mediocre.
Chicago Tribune, 1.5 stars
Meanwhile we have this thing, this garish, overstaffed, overstuffed, blithely sadistic corporate directive disguised as a PG-13 summer movie for all ages. (You'd be pretty stupid to let anyone under 13 see it. Actually you'd be pretty stupid to let anyone over 13 see it too.) It will open big, and if its de facto prequel "Batman v Superman" could make $872 million worldwide, well, anything's possible and quality has very little to do with it.
Screencrush said:(For all his insane preparation, Letos Joker is basically just a 1930s gangster with green hair and bad tats; he never approaches the complexities of the men played by Jack Nicholson or Heath Ledger.)
The Independent said:Letos Joker matches that of Heath Ledger in his gleeful and utterly psychotic malevolence - but, confusingly, he is not the main antagonist and is on screen only relatively briefly
Cut Print Film said:As for Jared Leto, stepping into the iconic shoes of The Joker, dont expect a game-changing performance like that of the late Heath Ledger in The Dark Knight. Letos Joker, covered in tattoos and dressed like a flashy gangbanger, certainly looks menacing, but the actor plays the character as if he were doing a bad James Cagney impression he seems moments away from uttering You dirty rat! Any chemistry or history that the Joker or Harley might have is glossed over with quick jump-cuts and poor editing. We never get any sense of who this Joker is, or what hes about. Sure, hes a bad guy who kills people but so what? What makes him so unique? Is it all those tattoos? Theres none of the cunning and none of the mischievousness thats made the character so iconic for so many years. Here hes just some dumb thug with green hair.
Hollywood Reporter said:Unfortunately, Joker never feels properly integrated into the storyline but rather seems like a special guest star on hand to enliven the show when needed, which is increasingly often. Sporting tats, green hair and metal teeth, Leto brings a measure of the requisite unpredictability and evil glee to the role, but his Joker doesnt threaten the big-screen hold on the public imagination that Jack Nicholson and then Heath Ledger established.
USA Today said:And Letos weirdo take on the Clown Prince of Crime is a far cry from the late Heath Ledger, though it definitely works. A tattooed Tony Montana type, this Joker is a nightclub owner with a thing for bling and a psychopathic determination to find his main squeeze. His relatively brief screen time leaves you wanting more, and Leto and Robbie make a distinctly dynamic duo in their fleeting scenes together.
TimeOut said:But what of Jared Letos The Joker? We see little of him, but he still threatens to steal the film. Leto plays The Joker like a volatile over-privileged teenager, though his voice hints at some older influences (a bit of Brando, a dash of Pacino, a hint of Anthony Hopkins).
Going great!After one of the crummiest summer movie seasons in recent memory, asking one film to redeem four months of tepid blockbusters might have been a suicide mission in and of itself. But Suicide Squad doesn’t even come close. From the first scene to the last, it’s an absolute mess, one whose harried pacing, jumbled narrative, and blaring soundtrack of radio hits suggests a desperate post-production attempt to reconfigure what Ayer got on set into something palatable and poppy. The movie opens with a shot of the logo for Belle Reve Prison, which serves as the Suicide Squad’s home base; the facility’s slogan is “’Til Death Do Us Part.” The direness of this movie, along with the staggering number of films yet to come in the DC cinematic universe, makes these words feel like the ultimate threat.
I've unironically liked Ghostbusters more than any other movie I've seen this summer.