It's not great but is OK, the retrofuturism being a breath of fresh air on the ever-sterile Marvel factoryline even though I wasn't convinced by it in the trailers. The performances were pretty good across the board, the story doesn't hang together particularly well but was at least kept tight and clear, avoiding extraneous supporting characters (apart from Natasha Lyonne's teacher, but she's basically a cameo, albeit one which should have been cut) and B-plots. It also does the 'dropped into the middle of a comic book run' trick much more effectively than Superman and its abandoned first act, because it shows the Four being heroic and establishing their dynamic in an opening scene plus montage before kicking off the story. It's brisk, doesn't overcomplicate things, there's no fourth-wall breaking, no referencing of other properties - having the movie set in an alternative reality is very much to its benefit - and no obnoxious quips, at least none that bothered me enough to remember them. In short, it feels like a movie and not just another exercise in Marvel homework. While I never found it particularly exciting and its engagement with a potentially potent philosophical question was half-hearted at best, plus the Silver Surfer going underdeveloped and underused, if you go in as I did with low expectations and near-total Marvel fatigue, it at least feels like something slightly different and free from a lot of the baggage and bad writing habits which make comic book movies so tiresome.