CrudeDiatribe
Member
Actually, are there any film cameras that closely resemble the look of color photos from the 40s and 50s?
That look is largely a function of the film and its processing, I think.
Actually, are there any film cameras that closely resemble the look of color photos from the 40s and 50s?
Yeah a scanner is definitely needed for MF. Another option for a darkroom is a changing bag/tent. They're very convenient. Printfile also makes storage sheets that are great for organizing negatives/positives.Good advice above. What I would add is to take into account the cost of developing/printing/scanning to disc, which can be quite a bit more expensive with medium format than 35mm on a per-photo basis. If you're planning on shooting with it quite a lot, I'd advise getting the equipment to develop the film yourself at home (which doesn't require a dedicated darkroom, just a room that you can make dark), and getting a decent scanner to scan them in yourself. You can then go through your shots on a computer and get prints done only for the shots you really want prints of, or if you're a member of a photography club with a darkroom you can do the prints yourself as well. It'll save a lot of money in the long run compared to getting everything done by the local camera shop.
There's some good lenses for it now, most notably Zeiss 24mm, but it's really expensive. The default zoom lens is perfectly fine for general use IMO. I think also 5n or 7 has made some big advances in autofocus speeds and elimination of corner blurring.The NEX-5n/c3 have the best sensor/IQ, they are on par with $1000 DSLRs.
However the lens system is pretty pathetic. I recommend for old lens shooters.
Those are just good photography. You can't get a camera with a "good photo" buttons on it no matter how much money you spend.Actually, are there any film cameras that closely resemble the look of color photos from the 40s and 50s? Some examples here. I know those photos benefit from a hightech scanner but are there any film cameras that resemble the look? Could I find something like that for 500 ($650) or less?
What kind of camera bags is everyone rocking lately? Right now I have a T2i, 50mm, kit lens, and a 24-70L...
Those are just good photography. You can't get a camera with a "good photo" buttons on it no matter how much money you spend.
You can however start looking into medium format cameras from the 50s and 60s. A lot of them still function very well.
Thanks. There's something about those photos that makes it quite different from professional photos today. You can immediately tell from the look of those photos that they're from a different time period.
Is it possible to find a professional camera from the 50s or 60s for under $500?
I actually did some reserch after I posted that reply. Twin lens camera seem to be popular at the time.
You can get a highend Germany Rollieflex for around 600-900 in reputable used shops like Adorama or whatever the UK equivalent is. People in the 50s 60s were using one time used flash ligh bulb. Keep in mind for analogue film photography, there are film processing, and scanning cost.
However I am not a medium format shooter this is the extend of information I can give you. I am sure somebody else in this thread can help you with that.
Anyone have any experience with these Rokinon discount lenses?
http://www.amazon.com/dp/B002LTXQUE/?tag=neogaf0e-20
I normally wouldn't consider something like this for my lens, but I want to play around with a fisheye with out spending 700-1000 out of the gate.
I want to try to make some HDRI image based lighting maps for 3D rendering, but I also just want to have some fun with a fisheye too.
Anyone have any experience with these Rokinon discount lenses?
http://www.amazon.com/dp/B002LTXQUE/?tag=neogaf0e-20
I normally wouldn't consider something like this for my lens, but I want to play around with a fisheye with out spending 700-1000 out of the gate.
I want to try to make some HDRI image based lighting maps for 3D rendering, but I also just want to have some fun with a fisheye too.
Anyone have any experience with these Rokinon discount lenses?
http://www.amazon.com/dp/B002LTXQUE/?tag=neogaf0e-20
I normally wouldn't consider something like this for my lens, but I want to play around with a fisheye with out spending 700-1000 out of the gate.
I want to try to make some HDRI image based lighting maps for 3D rendering, but I also just want to have some fun with a fisheye too.
After seeing that 500px thread about HDR and what not I want to get a circular polarizer for my Rebel XS. Any suggestions?
B+W or Hoya should be good. Just make sure you don't skimp since the IQ of a lens is determined by its weakest link which usually turns out to be filters.
Hoya/Kenko Pro1 are decent and not outrageously expensive. You want a circular polarizer. (cpl)After seeing that 500px thread about HDR and what not I want to get a circular polarizer for my Rebel XS. Any suggestions?
Are Samyang and Rokinon the same company? I don't understand this brand(s). Are they running on the Chinese/Russian cheap ass platform or Cosina/Vivitar style of very hit-and-miss value brand platform.
Their lenses are cheap yet the specification they are shooting for are all high end stuff; they also sell their lenses on the weirdest retail channel (ebay) so you get the impression the company is already out of business.
I am planning to get the 85mm/1.4 btw.
Are Samyang and Rokinon the same company?
I don't understand this brand(s). Are they running on the Chinese/Russian cheap ass platform or Cosina/Vivitar style of very hit-and-miss value brand platform.
Their lenses are cheap yet the specification they are shooting for are all high end stuff; they also sell their lenses on the weirdest retail channel (ebay) so you get the impression the company is already out of business.
I am planning to get the 85mm/1.4 btw.
Debating if I want to buy the 70-200 2.8 MKII now. It's under 2 grand on B&H.
http://www.bhphotovideo.com/bnh/controller/home?O=&Ntt=SHCA7020028L&A=endecaSearch&N=0&Q
There is also the 70-200 f4 non IS on sale for 550 something. Great price. I wish Nikon has a f4 tele zoom.
Shit, that's affordable. In France, it's easily over 2600 dollars (on Amazon)...
But personally, I would only buy it if I was doing sports photography or stitched landscapes. I just wouldn't carry such a heavy lens around. The IQ is exceptional, it might be the very best lens there is IMO, but its uses are too professional minded. What would it allow you to do that a much lighter 135 L does not? I know the possibilities, just asking you, what would you see yourself doing with it?
Add a big bottle of water (1.5 liter) in your camera bag, and see how you feel!
There is also the 70-200 f4 non IS on sale for 550 something. Great price. I wish Nikon has a f4 tele zoom.
Anybody here ever use a Gorilla pod?
Yeah, love mine. Go by the weight of your setup vs what the particular model is designed for. The one with the ball-head you linked to is designed for loads at or below 1 kg.
D3100 is 505g, 55-200 is 335g, so you should be OK.
That 85mm/1.4 is very appealing price wise
That 85mm/1.4 is very appealing price wise
I can probably deal with manual only on the 8mm, don't think I would like it on an 85mm though.I have been reading that they make great lenses, their 85 mm 1.4 is pretty amazing from what I've seen the only thing is manual focus only.
perfect thanks.All of them are real good from a cost to performance ratio. In some cases its heavily weighed in performance (like the 85/1.4). Some have large drawbacks though (like the 14/2.8 which has very strong distortion). The 85/1.4 is an absolute gem though. If you buy any of them just realize that their QC is not as good as Nikon or Canon so the likely hood of getting a lemon is higher with this manufacturer.
Interesting, will wait and see more. was going to put this on my christmas list, but we will see. Thanks for the heads up!Actually, that fisheye lens is considered by many to be better than the $700-1000 competitors. It also seems to be on sale, since Amazon usually sells it for $30 more.
However, one thing you might want to consider is that the manufacturer just announced last Friday that they were going to start producing a newer version of the Nikon mount flavor of this lens that has a chip to allow for automatic metering and electronic control of the aperture. I see that you linked to the Canon version, but I suspect that a chipped lens for Canon mounts will be forthcoming. I am personally holding off on buying the old version to see if they produce a chipped version for A-Mount too.
I bought that lens back in September, shot a wedding video with it last month. Very happy with performance. Only thing I would do differently if I was to buy it again is make sure I got the video version with stepless aperture.
Would I need an adapter for the Samyang 85 if using a Canon 600D? I see one advertised nearby but its tagged 'Nikon'. Why is this?
There's Nikon, Sony and Canon mounts I believe. If its labeled as Nikon its probably a Nikon mount. You'd definitely want to find one with the native EF mount.
So to understand you right, I cannot use that on a Canon camera. What else do you think I'd need to know considering I'm completely new to this?
So to understand you right, I cannot use that on a Canon camera. What else do you think I'd need to know considering I'm completely new to this?
You could use that Nikon version on the Canon but generally, when adapting a lens, it makes more sense to adapt if there's no native mount for the lens you want. There's no electronic benefits to getting the native EF mount though (yet), in the case of the Samyang lenses. The reason I bring this up is due to the comfort in knowing that the lens you've purchased is manufactured with the lens mount specs of the native mount of your camera.
As to your question, new to buying off brand lenses, manual focusing or adapting?