The A.V. Club: Can you remember when Flappy first invaded your consciousness? Was there a traumatic theme park experience involved?
David Lynch: Yes. I went to Disneyland. I think I took my daughter there. This was a long time ago, and when I heard it, it was a very traumatic experience.
AVC: Was it a combination of the crowds and the people?
DL: No, it was just the actual tune.
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AVC: So as a child you were never exposed to the song?
DL: No, no, no, thank goodness.
AVC: The song seems to have an obviously negative, psychological effect on you. Are you the kind of person who gets a song stuck in his head for days, and thats where the hatred comes from?
DL: Yeah, it got stuck in my head, and it was like having a disease.
AVC: Is it the repetitiveness, the lack of any kind of invention, in the song?
DL: Yeah, its actually a masterpiece in some ways, because its so simple, yet even kind of more than catchy. Like I said, its like the swine flu or something. Through music, you get the swine flu.
AVC: Its like the perfect jingle from hell. It was written by these guys, The Sherman Brothers, and when they first played it for Walt Disney they did a slow, ballad version of it. Once they sped up the tempo, Disney immediately loved it.
DL: Its a strange thing. Walt tuned into something thats sort of like McDonalds. It travels to the people, and the song is perfect for that. Its a real torment to me. Its been since I heard it.
AVC: Its like a greasy cheeseburger. It goes down easy, but doesnt fill you up in any way.
DL: It doesnt even go down that easy. It makes you sick while its sitting there in your stomach, or in this case, your brain.
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AVC: Flappy is obviously strongly connected to consumerism. Are songs ruined for you when they are co-opted by evils, such as commercials? Do you cast them out of your life?
DL: Sometimes, and sometimes not. It depends on how theyre used. I think that commercials can really ruin a song. You know that the person sold the song for a good deal of money, and that was the tradeoff. But, music and picture can marry in a beautiful way, and the reverse also.
AVC: Are the songs you put in your movies your favorites? Im thinking of In Dreams from Blue Velvet, or is it what best fits the picture for you?
DL: They fit the picture. Theres a lot of songs that I love, but they dont marry to the picture. In Dreams is an incredible song. Its incredibly beautiful, but it married to the picture.
AVC: Do you remember when music first affected you in such a positive way?
DL: I was really little when it affected me in a positive way. Music marries to that time, so if you hear it again, you go right back. You can feel the feeling, and I go back in time.
AVC: Were your parents into music? Did they expose you to certain things?
DL: They were into classical music mostly.
AVC: Is that where your love of classical orchestration comes from?
DL: Not really. Working with Angelo [Badalamenti] and John Morris on The Elephant Man, John Morris did some beautiful things. Angelo is just the greatest. He can write anything.
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AVC: If you think of Flappy, you dont want that screwing up your day.
DL: No, no, no. Thats why I really questioned doing this interview. Just the thought of it can start it going, and its a torment.
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AVC: Do you think musical hatred can be unlearned? That maybe someday you could appreciate Flappy on an ironic, or guilty-pleasure level?
DL: Absolutely. Appreciation for life, all of it, can grow. There could come a day, in supreme enlightenment, when Flappy would be absolutely fine. It could be so beautiful.