AquaWateria
Member
So assuming that some of the good shows hopefully won't go downhill. Do you agree that this season has been quite decent and promising compared to other Winter seasons so far?
So assuming that some of the good shows hopefully won't go downhill. Do you agree that this season has been quite decent and promising compared to other Winter seasons so far?
So assuming that some of the good shows hopefully won't go downhill. Do you agree that this season has been quite decent and promising compared to other Winter seasons so far?
So assuming that some of the good shows hopefully won't go downhill. Do you agree that this season has been quite decent and promising compared to other Winter seasons so far?
The last winter season was way better than this one. It had Death Parade, Jojo, Maria the Virgin Witch, Fafner, Yuri Kuma Arashi. (Of course, it also had the second season of Aldnoah.Zero...)
But as far as winter seasons go, this one has been pretty par for the course I think.
Erased and Rakugo Shinjuu are (so far) better than any of those shows you mention. (That I have experience with, can't speak for Fafner.)
Erased-2
Really strong episode overall. I'm not going to speculate much because I feel it's somewhat worthless when there is a source so I'l just talk about the visuals. The storyboarder used a lot of visual barriers to separate characters in the frame as seen above.The show repeatedly used the pipe in the classroom to show Satoru's separation and isolation from his classmates. The episode director and storyboarder, Toshimasa Ishii, also did this with the tree at the end.
So many new announcements from Aniplex of America, and not a single mention of Mushishi. Getting a little impatient here.
ERASED is pretty good so far, but it's also a thriller/mystery show.
And if there is one genre that can completely shit the bed, it's mystery.
Last Winter season I thought Death Parade would be that promising show. I mean it's alright but it could of been a really great series.
I'm honestly afraid that the same thing could happen with Erased and Rakugo. I can't even name the number of times I've been disappointed by a show that showed promise.
Erased seems heavily character based though, instead of being a mystery for the sake of mystery. Plus it has one of the most skilled anime writers working on it, in addition to an unusually high level of production detail and polish which really elevates the material.
Mom doesn't have weird enough lipsI wonder how good it's going to be.
It seems like they're trying to really promote this series.
That's just something you either come to accept about watching ongoing TV shows (or following any sort of serialized narratives, really), or you stick to watching completed shows where their quality from beginning to end is a known factor.
Mom doesn't have weird enough lips
I forgot to mention another big reason I'm somewhat skeptical to call ERASED great.
ERASED is dealing with(Eh, some people might not have seen the first episode yet.)time travel.
Stories that involveshenanigans have a bad habit of tripping and breaking both their legs just before the finish line.time travel
It's true. ERASED has handled its characters well so far.
Welcome, perhaps its on the same list that Mekaku City Actors is on Im still waiting.
It's frustrating liking a show on Aniplex's back burner, isn't it? There's no telling when or if they'll release their less popular titles, or even whether they'll get a BD release or not. With a show as beautiful as Mushishi, it would be a tragedy if it was stuck on DVD. At least the first season was produced in SD, so I can forgive the lack of BD there somewhat, but the second season would be unforgivable.
It's this combined with Aniplex's unwillingness to release (or even license out) their catalog titles that frustrates me the most about the company. Outside of Gurren Lagann I don't think they've put any out of them. While I don't know for sure, I suspect that Aniplex of Japan has made it difficult or much more expensive for other companies to license any of their titles, to avoid competition for Aniplex of America. While the last Aniplex title licensed by another company was Black Butler Book of Circus by Funimation, the last original one was Tsuritama by Sentai. In addition, NISA's Aniplex licenses have all been expiring lately. I have a feeling that they were too expensive for them to renew. It's incredibly frustrating, since Aniplex of Japan has the international rights to shows like Paradise Kiss and Wandering Son as far as I know, but they don't intend to release them and they're not easily available to outside companies to license and release.
There are plenty of quality time travel stories. Preemptive fear that a good director and screenwriter will drop the ball because of the genre doesn't really seem warranted.
Actually, since Sentai licensed Perfect Insider from last season, I think that would be the most recent Aniplex title to be picked up by another company in the US.
Sekko Boys 2
Out of the two short shows I'm watching this season, I like the marshmallow show more. But this one is solid too. Just nothing out of this world.
I would say my main concern with Erased is the source material, because I'm unfamiliar with the author's works and he doesn't seem to have written something like this before. So if there's on possibility for something to go south, it would be that. The anime staff will probably do the best job they can though.
I thought that was handled by Fuji TV? Noitamina titles will always go to either them or Aniplex.
Oh you!
I'm fairly indifferent on Marshmallow Ojisan, but I guess the episodes are short enough that the humor doesn't overstay its welcome. Also, is it me or does this miniseries format get used for comedies 90% of the time? I get that it's probably easier to do a short skit per episode rather than do an action/drama/mystery/whatever miniseries, and even action-y ones such as Ninja Slayer (or was Inferno Cop the shorter one?) tend to use humor as one of the pillars of their episode structure.
I thought that was handled by Fuji TV? Noitamina titles will always go to either them or Aniplex.
If you've only got ~3 minute episodes, it's hard to do anything that isn't fast-paced comedy. Yama no Susume S1 and Pupipo are the only successful examples I know that do attempt something that isn't primarily comedy. Once you get up to ~8 minutes an episode more becomes possible, as with Kagewani and Tabi Machi Late Show.
The last winter season was way better than this one. It had Death Parade, Jojo, Maria the Virgin Witch, Fafner, Yuri Kuma Arashi.
Oh? I know Aniplex was on the production committee, it being A-1 and all, but I guess I don't know which company would be negotiating international licenses.
Guilty Crown and Psycho-Pass are both Funi. Where noitaminA shows go depend on who is interested and who is willing to pay.
If you've only got ~3 minute episodes, it's hard to do anything that isn't fast-paced comedy. Yama no Susume S1 and Pupipo are the only successful examples I know that do attempt something that isn't primarily comedy. Once you get up to ~8 minutes an episode more becomes possible, as with Kagewani and Tabi Machi Late Show.
Sounds like you haven't watched Wakakozake. The two-minute anime is probably even more effective at evoking its mood than the 22 minute drama.
As Hosanna points out, I'm referring to the companies on the Japanese side that would negotiate with North American companies. For example, looking on Crunchyroll, Fuji Creative is listed as the publisher for The Perfect Insider. Wandering Son on the other hand has the publisher listed as Aniplex.
While you're right in that noitaminA shows tend to go to whoever is willing to pay for them (Funimation has Ping-Pong, NIS has Bunny Drop, Cinedigm has Mononoke, etc), it seems that these days the noitaminA titles whose international rights belong to Aniplex will either be released by Aniplex of America or nobody at all. The titles I mentioned in brackets all are handled internationally by Fuji Creative.
Given how many of NIS' Aniplex licenses are expiring recently, it's possible that Aniplex priced their catalog titles too high for any outside company to consider bidding on, or simply made them unavailable. Of course, the other possibility is that genuinely no company is interested in the more obscure parts of Aniplex's catalog, which given the kinds of shows I'm interested in is quite possible.
Shouwa Genroku Rakugo Shinjuu continues to be the best of the season, really leagues apart from the other anime.
Surprised DEEN didn't fuck this one.
Erased is really good, like I need next eps stat good.
Need to watch Rakugo but one hour premiere always throw me off lately, made me hesitate to watch.. Hasn't watch Owarimonogatari yet for same reason.
Hmmmm. I think a lot of this also depends on how the shows on noitaminA get greenlit in the first place. Do we know if Aniplex automatically gets the international rights for certain shows which they help bankroll, of are those rights granted if Fuji fails to sell them on an initial offering? If it is the latter, then it would explain why Aniplex of America releases those shows, since no one picked them up. It's also possible that for certain of those shows, as you say, the price they wanted to sell it at was simply too high.
You monster. I actually thought Owari was the best of the Monogatari series so far. As far as I know, I'm alone in that assessment though. :l
paging cosmicblizzard
Have you just skipped over Erased?
Have you just skipped over Erased?
I just ended up reading the manga.