Trapeze (空中ブランコ [Mid-air Balanço]) aka Welcome to Irabu's Office - Episode 3
Another unsympathetic character is featured here. A rather well-to-do romance novelist who found success by selling out his own creative talent after a unsuccessful debut with an honest book. Now he's stuck in a rut because he faces constant anxiety worrying about whether he is recycling old ideas because he is conscious of the fact that he is in fact recycling the same garbage over and over just because it is what the audience expects from him.
What I find interesting in this episode is that Mayumi is starting to develop a character of sorts, rather than just being the gimmick character meant to turn heads. We've seen glimpses of her reading "Tomorrow" previously, so this isn't something just shoehorned into the story either. Her scene at the end stuck me as something incredibly real for some reason, like, I imagine it took some real effort for her to even approach a patient to say something like that, since she seems to prefer to stay in the background. That alone seems to speak more about the implied quality of the book, than hearing him and his old friend just talk about it.
Trapeze (空中ブランコ [Mid-air Balanço]) aka Welcome to Irabu's Office - Episode 4
Now this is a guy I can feel sympathy for. The anxiety of being replaced by someone younger who is growing in popularity can really suck. It might seem silly if you're a hotshot, but everyone feels it. Insecurity can be a real bitch. One thing I'm noticing about Irabu is that he seems to take a real personal interest in trying to relate to his patients, in really ridiculous ways. It goes along with his child-like mentality which is visually depicted by his changing forms. It was also pretty cute how they had a connection to the previous episode too, with the Wings of Love movie adaptation being mentioned.
One thing I really enjoy from watching this show, especially after Mononoke, is that in almost every story, there is really no "bad guy" so to speak. Even when there appear to be antagonistic elements, in the end it is very much people being people, and tensions being social relationship issues rather than active acts of sabotage or ill intent. That goes a long way in making a show about mental illness less depressing and more consumable, without watering it down or making light of it. The way the cases are resolved also tend to have an optimistic tone to them, but not with any sort of real finality, because as we all know, living is tough, and living with personal problems is a constant struggle. But simply having a fresh perspective to a brighter side of life can make a huge difference. I love the way the episode ended.