Mushishi 8-12
This run has been fantastic. I've been meaning to write about it for a while now, and haven't gotten around to it. All of these episodes are remarkable in their own way.
When I think about the show now, I'm reminded again of Kino's Journey. I watched that show after I watched the first half of Zoku Sho, and it's hard not to draw parallels. Kino and Ginko are both solitary travelers going from place to place with no real destination in mind, staying for a short while, interacting with strange problems, and then heading onwards. The Mushishi episodes I watched made me feel that Kino's story ties to her personal growth, and our understanding of the character, more tightly than Mushishi's stories related to Ginko. I see now that this wasn't true in the first season. Some of these episodes have intensely personal stakes for the protagonist, and teach us a lot about where he came from and where he's going.
But more importantly, even though Kino's Journey is more explicitly about human behavior (in all its fable-esque extremes) than Mushishi's focus on the overwhelming power of nature, and natural cycles of life and death, they share a common message. There is beauty in the world, even in its ugliness. We see time and again in Mushishi characters fighting against the tide of natural consequence that seems senseless and cruel, only eventually to lead us to some kind of beauty and awe that such things exist in the same plane that we do.
11 and 12 left me particularly awestruck, but they're not exactly outliers. The show's attention to detail goes even deeper than the sound design and animation direction I've mentioned before. It has a great grasp of color. Each episode has its own moods and motifs demonstrated in the landscape, the sky, and everything all around. 12's high contrast black and white are particularly noticeable, but you see it everywhere.
I'm not really sure how to discuss individual episodes of this show. The whole package is so strong that even breaking it into pieces doesn't do the sum justice.