Fox has not had a good summer. It's not Sony bad, but still...
1 Spy: $108,872,889
2 Poltergeist: $47,415,690
3 Paper Towns: $23,854,333
4 Fantastic Four: TBD
That one always looked like a parody of coming of age indie movies.
Fox has not had a good summer. It's not Sony bad, but still...
1 Spy: $108,872,889
2 Poltergeist: $47,415,690
3 Paper Towns: $23,854,333
4 Fantastic Four: TBD
They toss him into the Stargate of Doom.
No, I'm not making that up.
The top 3 on that list had modest budgets at least.
That one always looked like a parody of coming of age indie movies.
Vulture said:After the movie ended, in lieu of a post-credits tag featuring Nick Fury, I expected Megyn Kelly to show up and invite Sue to join Fox News.
They toss him into the Stargate of Doom.
No, I'm not making that up.
Fox has not had a good summer. It's not Sony bad, but still...
1 Spy: $108,872,889
2 Poltergeist: $47,415,690
3 Paper Towns: $23,854,333
4 Fantastic Four: TBD
Fox has not had a good summer. It's not Sony bad, but still...
1 Spy: $108,872,889
2 Poltergeist: $47,415,690
3 Paper Towns: $23,854,333
4 Fantastic Four: TBD
Spy made money though.
So basically this?They toss him into the Stargate of Doom.
No, I'm not making that up.
Just rewatched Rise of the Silver Surfer for the first time in years. Wife watched too, she'd never seen it.
Decent fun, I was really feeling the First Fam vibes it gave off, silly as it was.
Think I'll avoid this new one, mostly.
It's a shame that FOX can keep the license just by shitting out god awful movies. They do well with xmen, so why does this keep being awful?
Fox has not had a good summer. It's not Sony bad, but still...
1 Spy: $108,872,889
2 Poltergeist: $47,415,690
3 Paper Towns: $23,854,333
4 Fantastic Four: TBD
Marvel had nothing to do with this movie. It was all Fox.just came back from seeing it.
the fuck happened there, Marvel? Sloppy, sloppy everything.
You left out worldwide, Spy did around 230.
Marvel had nothing to do with this movie. It was all Fox.
Better hope that Marvel buys back the movie rights to the Fantastic Four, because Fox sure as hell isn't gonna make a good Fantastic Four movie at this rate.Welp.
just came back from seeing it.
the fuck happened there, Marvel? Sloppy, sloppy everything.
just came back from seeing it.
the fuck happened there, Marvel? Sloppy, sloppy everything.
As long as the full-on Marvel Studios logo isn't in front of the movie, it won't be as confusing.Oh uh, I hope the normally person isn't under the impression that this is a Marvel movie.
Max Landis said:HEY, it’s 1 AM. You know what, fuck it. Let’s be real here. Chronicle was an incredibly rare and easy ride. I loved writing the script. I enjoyed our producer, John Davis, and our exec, Steve. I also loved collaborating with Josh, who I think is brilliant, and whose ideas inspired my script. I fought hard for him to direct. But Chronicle was a complete fluke. We had so much control because the movie was, in relation to other movies that year, TINY. Some holes opened up in Fox’s slate and Chronicle was cheap and unique, so they were kind enough to make it. Only took six months. At the time, I was like "THIS IS F**KING INCREDIBLE I CAN’T BELIEVE THIS IS HAPPENING." I’d sold scripts, but it was my first greenlight. Josh, who’d been for-hire editor and whose only experience behind the camera had been a web series, was a smart, fun collaborator. During the shooting of the film, I had almost no input, but I was lucky in that the studio and Josh stuck astonishingly tight to my script. But again, even this is a fluke. It was an original idea, a dark character movie with a first time director. Fluke. Freak of nature. But I didn’t know that and I’m sure Josh didn’t know that either. In the five years since I sold Chronicle, I’ve learned the hard way. You take huge hits in this industry, creatively, but that’s only after you’ve been given the opportunity to take huge swings, which is rare. A movie like Fantastic Four, an assignment with a lot riding on it, was always going to have a tremendous amount of cooks in the kitchen. People always ask me when I’m gonna write a superhero movie. I have. I’ve gotten those jobs. They’re very intense and stressful. As a writer, I’ve been lucky to work on many, many projects – and seen how different and how hard each road can be – for five and a half years. Josh didn’t get that chance, and his second major project, after one with total freedom, was one with intense oversight. So I don’t think anyone’s wrong or right, necessarily, and I don’t imagine anyone cares about my opinion. But I do think it’s important to say that if you’re not prepared going in to not FIGHT like hell, but WORK like hell, it’s gonna get ugly. No one is trying to make a bad movie. This job is only very occasionally romantic. Don’t let it own you, try not to let it hurt you. Because sometimes it’s so much fucking fun. But it’s still a job.
Yep. I have a cousin that doesn't know anything about comics and just like to watch the movies, but I was surprised when I brought Guardians of the Galaxy to show him and when he saw the Marvel logo he said: "Wait! is this from Marvel? Then must be really good!" That was the first time I realized how Marvel movies are having a great status with the "casual" people. I can see myself explaining to him the Fox deal with Marvel due to this FF failure.I'm surprised Marvel hasn't asked for Fox to remove the Marvel tag from the opening credits on these movies. It's not doing Marvel any favors, the confusion only helps Fox.
Marvel doesn't have the bandwidth to do them, I think they are happier with various properties farmed out.Better hope that Marvel buys back the movie rights to the Fantastic Four, because Fox sure as hell isn't gonna make a good Fantastic Four movie at this rate.
They still need the cosmic characters. On top of that, Doctor Doom would be a great Phase 4 villain, & a proper F4 reboot done right could easily headline Phase 4 as Marvel starts to run low on potential sequels.Marvel doesn't have the bandwidth to do them, I think they are happier with various properties farmed out.
7 years iircHow often does Fox have to release a movie before the rights go back to Marvel?
How often does Fox have to release a movie before the rights go back to Marvel?
How often does Fox have to release a movie before the rights go back to Marvel?
7 years iirc
7 years iirc
For sure. When you consider that marketing is another $40 million at least (in just North America), it's unfortunately a modest success at best.
Same with Poltergeist. $95 million worldwide on a $35 million budget doesn't seem bad...until you consider the money spent on marketing.
Paper Towns could be their most profitable movie of the summer.
7 yearsHow often does Fox have to release a movie before the rights go back to Marvel?
How often does Fox have to release a movie before the rights go back to Marvel?
Real conversation with my oldest brother:
Brother: Thinking about seeing Fantastic 4
Me: Why? Haven't you seen Rogue Nation or Antman?
Brother (I'm not joking): Man, Antman looks gay and I'll see Mission Impossible on Bluray.
Me (In my head):
None of those movies had much of an advertising budget. None were treated like big blockbusters needing tons of exposures.